The O’Hara Affair. Kate Thompson

The O’Hara Affair - Kate  Thompson


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      The sound of wheels on gravel made her turn. Through the window, she could see Christian’s car rounding the corner of the big house into the courtyard. Quickly, Dervla shoved the last journal into its leather-bound casing, noticing ruefully that the title of the volume in question was – ironically – Hard Times. How hard would it be to defer to her mother-in-law, knowing what she now knew?

      She watched as the Saab pulled up outside the front door of the cottage. Christian got out, rounded the bonnet and opened the passenger door, leaning in to offer his mother support as she struggled to her feet. Meanwhile, a pretty, almond-eyed girl emerged from the rear and started hefting bags out of the boot.

      ‘We’re here now, Mum!’ Dervla heard Christian say.

      ‘Where, exactly, are we?’

      ‘We’re at your new home.’

      ‘I’ve never been here before in my life,’ came the autocratic reply.

      ‘I know that, Mum. It’s your new home.’

      Daphne was wearing a navy blue trouser suit with a turquoise silk blouse. A string of pearls was looped around her neck, a Kelly bag dangled from the crook of her right arm, and on her feet were blue canvas pixie boots. She looked around, and as she did, her gaze travelled to the open window in which Dervla stood framed. Mother and daughter-in-law locked eyes, and then: ‘There’s someone in there,’ pronounced Daphne. ‘You said this was my house.’

      Dervla moved out into the hall, took a deep breath and shook back her hair. Then she counted to three and opened the door, estate agent’s smile perfectly in place. ‘Hello, all!’ she called brightly. ‘Welcome!’

      ‘Hello, love,’ said Christian. ‘Come and say hello to Mum, and Nemia!’

      Dervla stepped onto the gravel and advanced, willing her smile not to falter as she reached out and took Daphne’s free hand in both her of own. ‘Did you have a good journey, Daphne?’

      ‘What kind of a stupid question’s that?’ said Daphne, withdrawing her hand.

      ‘This is Dervla, Mum,’ said Christian. ‘Remember her? She’s my wife.’

      ‘I’ve never seen her before in my life.’

      ‘Well, it’s been some time since you met. Let’s go inside, shall we, and have a cup of tea? And if we’re lucky, there might be biccies.’

      ‘There are biccies,’ said Dervla. ‘Choccie biccies.’

      ‘Choccie biccies! Yum yum,’ said Christian.

      He offered Daphne his arm as they began to move towards the cottage, then looked back at Dervla and gave her a tired smile. Her heart went out to her husband. He didn’t need tea and biccies as much as a huge Scotch. Dervla remembered the champagne that she’d stashed in the fridge, and, as she saw Daphne stumble over the threshold, decided against producing it.

      ‘Hello. I’m Nemia,’ came a voice from behind her, and Dervla turned.

      ‘Oh – I am sorry! How rude of me not to have introduced myself. I’m Dervla.’

      ‘Nice to meet you, Dervla.’

      ‘Likewise. Hey. Let me help you with those.’

      ‘Thanks,’ said Nemia. ‘There’s nothing very heavy.’

      Dervla swung a carrier bag out of the boot, noticing that it bore the logo of a pharmacy in Galway.

      ‘Did you have to stop off somewhere on your way here?’

      ‘Yes. We just needed to stock up on some basics.’

      ‘How was your journey?’

      ‘Fairly uneventful. There were no delays, which helped.’ Nemia reached into the boot, and produced another carrier. ‘Oh, crap. There’s a split in this bag. Can I just transfer the breakable stuff to yours?’

      ‘Sure.’

      Nemia delved into the bag, then handed over a couple of distinctive Côté Bastide bottles. Sliding them into her bulky carrier, Dervla was about to observe that Côté Bastide just happened to make her favourite bath oil – but the words never made it out of her mouth. Instead, as she took in the contents of the bag, a single word emerged from between her lips.

      ‘Nappies?’

      Nemia turned to her and smiled. ‘Just in case,’ she said.

       Chapter Three

      Sliding an arm out from under the duvet, Fleur reached for her watch. Eight-thirty. Corban had left an hour ago. She’d smiled as he’d kissed her goodbye, her eyelids fluttering open briefly before she’d tumbled back into dreamland. She’d hoped to have a leisurely breakfast à deux this morning, with freshly juiced oranges and croissants on the deck, but Corban had had other plans. He’d scheduled an early meeting with the director of The O’Hara Affair.

      As she set her watch back on the bedside table, Fleur’s eyes fell on the flamboyant gypsy threads that she’d discarded the previous night with Corban’s help. Undressing her – or watching her undress – was one of Corban’s peccadilloes, and because it made him happy, she was glad to oblige. Fleur indulged her lovers – to a point. Once they showed signs of complacency, or became overfamiliar, she showed her displeasure. By saying ‘no’, by being unavailable, by being a little less free with her favours, she kept her men on their toes. It was a highly skilled game, and one at which she was very good.

      Or had been, until she met Corban. Corban was proving a lot less malleable than the lovers she’d had to date – all of whom had been considerably younger than she. Río had used to joke about Fleur’s penchant for toyboys, declaring that her love life would make a great biopic. But since Corban had taken centre stage, she wasn’t sure whether the story of her life was a rom com or a melodrama. Aspects of it fitted both categories, she supposed, but whichever genre it belonged to, it was certainly X-rated.

      Sinking back against her pile of goosedown pillows, Fleur allowed her mind to meander back to the first time she and Corban had met, six months ago. It could make a stand-out scene in a movie…

      INT. UPMARKET HOTEL.

      BALLROOM. NIGHT.

      A charity ball in Dublin. The theme: the Tudors. The ballroom billowing with society dames dolled up as Elizabeth, bejewelled frocks and coppery-coloured curls everywhere. The men all emulating Jonathan Rhys Meyers as Henry (or trying to); everyone in masks.

      Fleur had struck lucky with her frock. Joan Bergin, the costume designer of the Tudors TV series was a friend, and Joan had wangled a divine outfit for Fleur. It included an elaborate wig, a gold mask, and a magnificent gown, the bodice of which was embroidered with droplets of lapis lazuli and tiny seed pearls. The mask, too, was trimmed with pearls. It concealed most of Fleur’s face, but stopped short at the jaw line, leaving mouth and chin exposed. Exposed, too, was most of her bosom: her breasts pushed so high by the boned corset that she felt practically naked. The effect was one of rather sexy regality, of come-on combined with ‘look, but don’t touch’. The get-up, however, was bloody uncomfortable, and after a couple of hours of small talk in the crowded ballroom (during which much champagne was poured by overzealous waiters, and baroque music was played to deaf ears), Fleur yearned to escape.

      ‘Ladies and gentlemen—’

      Oh, no! The speeches were about to begin. She had to get out of there. Murmuring excuses, she threaded her way through the throng of Walter Raleighs and Mary Stuarts, troubadours and serving wenches.

      French windows took her onto a terrace. Here it was balmy, the air sweet with night-scented stock. The sound of the string quartet came faintly, and she could hear a fountain splashing at the far end.


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