Mediterranean Tycoons. JACQUELINE BAIRD
don’t need them or you any more. I have another partner—an honourable man.’ And she slipped back in the house, slamming and locking the door behind her.
Lorenzo barely registered what she’d said. He was transfixed by the painting. It was of his brother Antonio, and it was stunning. Lucy had captured the very essence of him—the black curling hair, the sparkling eyes and the smile playing around his mouth. He looked so alive, so happy with life. It was uncanny. Lorenzo realised something else. For Lucy—who could only have been a teenager at the time—to have painted this, she must have been half in love with her subject.
Then he turned the sketch over, and stilled. The painting was all light and warmth, but the sketch was the opposite—dark and red-eyed. There was no mistaking the facial likeness to him, and the little witch had added horns above the ears, and a tail. The tail was long and a given—because the sketch was a caricature of Lorenzo as a huge black rat.
Certainly not one for the family gallery or his mother … but under the circumstances it was amusing, he conceded wryly. Then her parting comment registered, and all trace of amusement faded as a cold dark fury consumed him.
Lorenzo glanced at the house, his eyes hard as jet, and debated trying again. No, next time he would be better prepared—and there would be a next time.
Never mind the fact he could not trust Lucy, or that she had slapped him, or that she had insulted him with the sketch. What really enraged him was that she actually had the colossal nerve to think for a second she could outsmart him in a business deal.
He needed to know the identity of this honourable man—the mystery benefactor who had obviously convinced Lucy he could help her save Steadman’s. So much so she had turned down his offer with a spectacularly original gesture. He would make damn sure she lived to regret it.
Lorenzo spent the Sunday at his villa at Santa Margherita and went sailing for a few hours, having assured his mother over the phone that he had spoken to Lucy but she was too busy to visit. He said he was sure he could persuade her to do the portrait if she left it with him.
Relaxed and feeling much more like his usual self, he flew out to New York on Monday, having set in motion his investigation into the Steadman’s deal, but no longer sure he was going to do anything about it.
He would sell the shares on the allotted date, as planned, and give his mother the painting in a few weeks. That would satisfy her and put an end to the whole affair.
He returned two weeks later. On entering the outer office he saw his secretary smiling widely. She presented him with the new edition of a monthly society magazine, opened at the centre page.
‘Nice wedding. I recognised the bridesmaid—your new girlfriend, apparently—but I never would have suspected what was under that black suit. What a body— lucky you!’ She grinned. ‘And the report you requested is on your desk.’
‘What the hell?’ He swore and grabbed the magazine, groaning at the headline: ‘English wedding for Signor Aldo Lanza’s nephew, James Morgan.’ Then there were two pages of pictures of the bridal party, including Lucy, smiling broadly, and all the Italian guests, with accompanying names and captions. In one, Lucy was pinned to his side. She looked stunning, smiling up at him with her small hand resting on his shirt-front, and he was grinning down at her. The intimacy of the shot was undeniable, and the caption read: ‘Lorenzo Zanelli with the bridesmaid, a long-time friend and companion.’
He read some more, then stormed into his office, slamming the door behind him.
He sat down behind his desk, fuming. The brief scandal of being linked to Olivia, a married woman, paled into nothing compared to this. Of course they had connected Lucy to her brother and resurrected the tragic accident in detail. As if he needed reminding of it.
It was all the fault of Teresa Lanza, but there was not a damn thing he could do about it. Now he knew why his mother had looked so guilty. She must have known this was coming out. The wedding had been too late in June to make the July edition, but it had certainly made the August one.
He threw it to one side and picked up the report on Steadman’s. By the time he’d read it he was so enraged he slammed down the document and leapt to his feet, the deadly light of battle in his eyes. This was no longer anything to do with business or family, but strictly personal.
If there was one thing Lorenzo revelled in it was a challenge—be it at sea, sailing his yacht, or in the world of high finance—and now Lucy had become a real challenge. Pacing the floor, he realised he had seriously underestimated her. Far from being not cut out for business, she had come up with a plan to save Steadman’s—and it was very imaginative and economically sound. Any bank—including his—would judge it a decent investment and back the venture.
To be beaten by a slip of a woman was unthinkable to him. Lucy had effectively sidelined him as a partner in Steadman’s, and the factory was to stay open. The housing development and much more was to be built at the opposite side of town, in seven acres taken from the eight-acre river frontage garden of the house Lucy owned, in a deal she had made with Richard Johnson the property developer and third partner in Steadman’s. Between them, they had the majority.
Whether she had slept with the man or not he didn’t know—and didn’t care. She was clever—he’d give her that—but better men and women than her had tried and failed to outsmart him, and there was no way she was getting away with it.
A few telephone calls later Lorenzo had left the bank and boarded his private Lear jet to Newquay Airport, a ruthless gleam of triumph in his dark eyes. A car and driver waited for him when his plane landed. He was back in his normal ruthless business mode, and about to make Lucy an offer she could not refuse.
LUCY put down the telephone and walked slowly back into the gallery, her mind in turmoil. The call had been from Mr Johnson, her partner in the development deal. He had pulled out. No real explanation had been given—just a terse comment that he was not interested in doing business with her any more and then he’d hung up. She’d tried to ring back but the cell had gone directly to messages.
Monday was usually a slow day, and she was on her own. Much as she wanted to go upstairs and scream at the devastating news she had received she couldn’t.
In between serving customers she racked her brains, trying to find a solution. She called her lawyer, who was as shocked at the news as she was, but told her he would make some enquiries and find out exactly what had happened and get back to her. She called her bank and they were no help—other than to remind her she now had to pay the mortgage on two properties.
By five-thirty Lucy had run out of ideas.
A little old lady was wandering around the pottery exhibits, and Lucy made herself walk across and ask if she could help. Five minutes later she had wrapped a hand-painted vase and taken the money, and watched as the lady left. Wearily she rubbed her back and, head spinning, sank down on the seat behind the till. Automatically she began to count the day’s takings.
Now what was she going to do? she asked herself, eying the cash. Ordinarily she would have considered it a good day, but as she had taken a mortgage out on the gallery, because the bank had insisted on her having capital available up-front before considering the development loan, she was now in serious trouble.
She heard the sound of footsteps on the polished wood floor and her head whipped up. When she saw who it was all the breath was sucked from her body, her pulse racing almost as much as her mind.
‘You!’ she exclaimed, rising to her feet, unable to tear her eyes away from the man walking towards her. Lorenzo. There was nothing casual about him today. He was wearing an expertly tailored navy suit, and she knew by his hard, expressionless face that there was nothing casual about his visit.
Inexplicably a shiver of fear snaked down her spine.
‘Lucy.’