The House Behind the Cedars. Charles Waddell Chesnutt
the angles of childhood were rounding into the promising curves of adolescence. Her abundant hair, of a dark and glossy brown, was neatly plaited and coiled above an ivory column that rose straight from a pair of gently sloping shoulders, clearly outlined beneath the light muslin frock that covered them. He could see that she was tastefully, though not richly, dressed, and that she walked with an elastic step that revealed a light heart and the vigor of perfect health. Her face, of course, he could not analyze, since he had caught only the one brief but convincing glimpse of it.
The young woman kept on down Front Street, Warwick maintaining his distance a few rods behind her. They passed a factory, a warehouse or two, and then, leaving the brick pavement, walked along on mother earth, under a leafy arcade of spreading oaks and elms. Their way led now through a residential portion of the town, which, as they advanced, gradually declined from staid respectability to poverty, open and unabashed. Warwick observed, as they passed through the respectable quarter, that few people who met the girl greeted her, and that some others whom she passed at gates or doorways gave her no sign of recognition; from which he inferred that she was possibly a visitor in the town and not well acquainted.
Their walk had continued not more than ten minutes when they crossed a creek by a wooden bridge and came to a row of mean houses standing flush with the street. At the door of one, an old black woman had stooped to lift a large basket, piled high with laundered clothes. The girl, as she passed, seized one end of the basket and helped the old woman to raise it to her head, where it rested solidly on the cushion of her head-kerchief. During this interlude, Warwick, though he had slackened his pace measurably, had so nearly closed the gap between himself and them as to hear the old woman say, with the dulcet negro intonation:—
"T'anky', honey; de Lawd gwine bless you sho'. You wuz alluz a good gal, and de Lawd love eve'ybody w'at he'p de po' ole nigger. You gwine ter hab good luck all yo' bawn days."
"I hope you're a true prophet, Aunt Zilphy," laughed the girl in response.
The sound of her voice gave Warwick a thrill. It was soft and sweet and clear—quite in harmony with her appearance. That it had a faint suggestiveness of the old woman's accent he hardly noticed, for the current Southern speech, including his own, was rarely without a touch of it. The corruption of the white people's speech was one element—only one—of the negro's unconscious revenge for his own debasement.
The houses they passed now grew scattering, and the quarter of the town more neglected. Warwick felt himself wondering where the girl might be going in a neighborhood so uninviting. When she stopped to pull a half-naked negro child out of a mudhole and set him upon his feet, he thought she might be some young lady from the upper part of the town, bound on some errand of mercy, or going, perhaps, to visit an old servant or look for a new one. Once she threw a backward glance at Warwick, thus enabling him to catch a second glimpse of a singularly pretty face. Perhaps the young woman found his presence in the neighborhood as unaccountable as he had deemed hers; for, finding his glance fixed upon her, she quickened her pace with an air of startled timidity.
"A woman with such a figure," thought Warwick, "ought to be able to face the world with the confidence of Phryne confronting her judges."
By this time Warwick was conscious that something more than mere grace or beauty had attracted him with increasing force toward this young woman. A suggestion, at first faint and elusive, of something familiar, had grown stronger when he heard her voice, and became more and more pronounced with each rod of their advance; and when she stopped finally before a gate, and, opening it, went into a yard shut off from the street by a row of dwarf cedars, Warwick had already discounted in some measure the surprise he would have felt at seeing her enter there had he not walked down Front Street behind her. There was still sufficient unexpectedness about the act, however, to give him a decided thrill of pleasure.
"It must be Rena," he murmured. "Who could have dreamed that she would blossom out like that? It must surely be Rena!"
He walked slowly past the gate and peered through a narrow gap in the cedar hedge. The girl was moving along a sanded walk, toward a gray, unpainted house, with a steep roof, broken by dormer windows. The trace of timidity he had observed in her had given place to the more assured bearing of one who is upon his own ground. The garden walks were bordered by long rows of jonquils, pinks, and carnations, inclosing clumps of fragrant shrubs, lilies, and roses already in bloom. Toward the middle of the garden stood two fine magnolia-trees, with heavy, dark green, glistening leaves, while nearer the house two mighty elms shaded a wide piazza, at one end of which a honeysuckle vine, and at the other a Virginia creeper, running over a wooden lattice, furnished additional shade and seclusion. On dark or wintry days, the aspect of this garden must have been extremely sombre and depressing, and it might well have seemed a fit place to hide some guilty or disgraceful secret. But on the bright morning when Warwick stood looking through the cedars, it seemed, with its green frame and canopy and its bright carpet of flowers, an ideal retreat from the fierce sunshine and the sultry heat of the approaching summer.
The girl stooped to pluck a rose, and as she bent over it, her profile was clearly outlined. She held the flower to her face with a long-drawn inhalation, then went up the steps, crossed the piazza, opened the door without knocking, and entered the house with the air of one thoroughly at home.
"Yes," said the young man to himself, "it's Rena, sure enough."
The house stood on a corner, around which the cedar hedge turned, continuing along the side of the garden until it reached the line of the front of the house. The piazza to a rear wing, at right angles to the front of the house, was open to inspection from the side street, which, to judge from its deserted look, seemed to be but little used. Turning into this street and walking leisurely past the back yard, which was only slightly screened from the street by a china-tree, Warwick perceived the young woman standing on the piazza, facing an elderly woman, who sat in a large rocking-chair, plying a pair of knitting-needles on a half-finished stocking. Warwick's walk led him within three feet of the side gate, which he felt an almost irresistible impulse to enter. Every detail of the house and garden was familiar; a thousand cords of memory and affection drew him thither; but a stronger counter-motive prevailed. With a great effort he restrained himself, and after a momentary pause, walked slowly on past the house, with a backward glance, which he turned away when he saw that it was observed.
Warwick's attention had been so fully absorbed by the house behind the cedars and the women there, that he had scarcely noticed, on the other side of the neglected by-street, two men working by a large open window, in a low, rude building with a clapboarded roof, directly opposite the back piazza occupied by the two women. Both the men were busily engaged in shaping barrel-staves, each wielding a sharp-edged drawing-knife on a piece of seasoned oak clasped tightly in a wooden vise.
"I jes' wonder who dat man is, an' w'at he 's doin' on dis street," observed the younger of the two, with a suspicious air. He had noticed the gentleman's involuntary pause and his interest in the opposite house, and had stopped work for a moment to watch the stranger as he went on down the street.
"Nev' min' 'bout dat man," said the elder one. "You 'ten' ter yo' wuk an' finish dat bairl-stave. You spen's enti'ely too much er yo' time stretchin' yo' neck atter other people. An' you need n' 'sturb yo'se'f 'bout dem folks 'cross de street, fer dey ain't yo' kin', an' you're wastin' yo' time both'in' yo' min' wid 'em, er wid folks w'at comes on de street on account of 'em. Look sha'p now, boy, er you'll git dat stave trim' too much."
The younger man resumed his work, but still found time to throw a slanting glance out of the window. The gentleman, he perceived, stood for a moment on the rotting bridge across the old canal, and then walked slowly ahead until he turned to the right into Back Street, a few rods farther on.
II
AN EVENING VISIT
Toward evening of the same day, Warwick took his way down Front Street in the gathering dusk. By the time night had spread its mantle over the earth, he had reached the gate by which he had seen the girl of his morning walk enter the cedar-bordered garden. He stopped at the gate and glanced toward the house, which seemed dark and silent and deserted.
"It's more than likely," he thought, "that they are in the kitchen. I reckon I'd better try the back door."
But