A Rebellious Heroine. Bangs John Kendrick

         To step aside is human.”

      When, a few days later, Harley came to the reconstruction of his story, he began to appreciate the fact that what had seemed at first to be his misfortune was, on the whole, a matter for congratulation; and as he thought over the people he had sent to sea, he came to rejoice that Marguerite was not one of the party.

      “Osborne wasn’t her sort, after all,” he mused to himself that night over his coffee.  “He hadn’t much mind.  I’m afraid I banked too much on his good looks, and too little upon what I might call her independence; for of all the heroines I ever had, she is the most sufficient unto herself.  Had she gone along I’m half afraid I couldn’t have got rid of Balderstone so easily either, for he’s a determined devil as I see him; and his intellectual qualities were so vastly superior to those of Osborne that by mere contrast they would most certainly have appealed to her strongly.  The baleful influence might have affected her seriously, and Osborne was never the man to overcome it, and strict realism would have forced her into an undesirable marriage.  Yes, I’m glad it turned out the way it did; she’s too good for either of them.  I couldn’t have done the tale as I intended without a certain amount of compulsion, which would never have worked out well.  She’d have been miserable with Osborne for a husband anyhow, even if he did succeed in outwitting Balderstone.”

      Then Harley went into a trance for a moment.  From this he emerged almost immediately with a laugh.  The travellers on the sea had come to his mind.

      “Poor Mrs. Corwin,” he said, “she’s awfully upset.  I shall have to give her some diversion.  Let’s see, what shall it be?  She’s a widow, young and fascinating.  H’m—not a bad foundation for a romance.  There must be a man on the ship who’d like her; but, hang it all! there are those twins.  Not much romance for her with those twins along, unless the man’s a fool; and she’s too fine a woman for a fool.  Men don’t fall in love with whole families that way.  Now if they had only been left on the pier with Miss Andrews, it would have worked up well.  Mrs. Corwin could have fascinated some fellow-traveller, won his heart, accepted him at Southampton, and told him about the twins afterwards.  As a test of his affection that would be a strong situation; but with the twins along, making the remarks they are likely to make, and all that—no, there is no hope for Mrs. Corwin, except in a juvenile story—something like ‘Two Twins in a Boat, not to Mention the Widow,’ or something of that sort.  Poor woman!  I’ll let her rest in peace, for the present.  She’ll enjoy her trip, anyhow; and as for Osborne and Balderstone, I’ll let them fight it out for that dark-eyed little woman from Chicago I saw on board, and when the best man wins I’ll put the whole thing into a short story.”

      Then began a new quest for characters to go with Marguerite Andrews.

      “She must have a chaperon, to begin with,” thought Harley.  “That is indispensable.  Herring, Beemer, & Chadwick regard themselves as conservators of public morals, in their ‘Blue and Silver Series,’ so a girl unmarried and without a chaperon would never do for this book.  If they were to publish it in their ‘Yellow Prism Series’ I could fling all such considerations to the winds, for there they cater to stronger palates, palates cultivated by French literary cooks, and morals need not be considered, provided the story is well told and likely to sell; but this is for the other series, and a chaperon is a sine qua non