The Woman in the Alcove. Green Anna Katharine
like the present. Guests entering there find a special hall and staircase, by which they can reach the upstairs dressing-rooms, without crossing the main hall. Is that what you mean?”
“Yes, that is what I mean.”
I stared at him in wonder. What lay back of such questions as these?
“You came in, as others did, by this side entrance,” he now proceeded. “Did you notice, as you turned to go up stairs, an arch opening into a small passageway at your left?”
“I did not,” I began, flushing, for I thought I understood him now. “I was too eager to reach the dressing-room to look about me.”
“Very well,” he replied; “I may want to show you that arch.”
The outline of an arch, backing the figure we were endeavoring to identify, was a marked feature in the sketch I had shown him.
“Will you take a seat near by while I make a study of this matter?”
I turned with alacrity to obey. There was something in his air and manner which made me almost buoyant. Had my fanciful interpretation of what I had seen reached him with the conviction it had me? If so, there was hope,—hope for the man I loved, who had gone in and out between curtains, and not through any arch such as he had mentioned or I had described. Providence was working for me. I saw it in the way the men now moved about, swinging the window to and fro, under the instruction of the inspector, manipulating the lights, opening doors and drawing back curtains. Providence was working for me, and when, a few minutes later, I was asked to reseat myself in my old place at the supper-table and take another look in that slightly deflected glass, I knew that my effort had met with its reward, and that for the second time I was to receive the impression of a place now indelibly imprinted on my consciousness.
“Is not that it?” asked the inspector, pointing at the glass with a last look at the imperfect sketch I had made him, and which he still held in his hand.
“Yes,” I eagerly responded. “All but the man. He whose figure I see there is another person entirely; I see no remorse, or even fear, in his looks.”
“Of course not. You are looking at the reflection of one of my men. Miss Van Arsdale, do you recognize the place now under your eye?”
“I do not. You spoke of an arch in the hall, at the left of the carriage entrance, and I see an arch in the window-pane before me, but—”
“You are looking straight through the alcove,—perhaps you did not know that another door opened at its back,—into the passage which runs behind it. Farther on is the arch, and beyond that arch the side hall and staircase leading to the dressing-rooms. This door, the one in the rear of the alcove, I mean, is hidden from those entering from the main hall by draperies which have been hung over it for this occasion, but it is quite visible from the back passageway, and there can be no doubt that it was by its means the man, whose reflected image you saw, both entered and left the alcove. It is an important fact to establish, and we feel very much obliged to you for the aid you have given us in this matter.”
Then, as I continued to stare at him in my elation and surprise, he added, in quick explanation:
“The lights in the alcove, and in the several parlors, are all hung with shades, as you must perceive, but the one in the hall, beyond the arch, is very bright, which accounts for the distinctness of this double reflection. Another thing,—and it is a very interesting point,—it would have been impossible for this reflection to be noticeable from where you sit, if the level of the alcove flooring had not been considerably higher than that of the main floor. But for this freak of the architect, the continual passing to and fro of people would have prevented the reflection in its passage from surface to surface. Miss Van Arsdale, it would seem that by one of those chances which happen but once or twice in a lifetime, every condition was propitious at the moment to make this reflection a possible occurrence, even the location and width of the several doorways and the exact point at which the portiere was drawn aside from the entrance to the alcove.”
“It is wonderful,” I cried, “wonderful!” Then, to his astonishment, perhaps, I asked if there was not a small door of communication between the passageway back of the alcove and the large central hall.
“Yes,” he replied. “It opens just beyond the fireplace. Three small steps lead to it.”
“I thought so,” I murmured, but more to myself than to him. In my mind I was thinking how a man, if he so wished, could pass from the very heart of this assemblage into the quiet passageway, and so on into the alcove, without attracting very much attention from his fellow guests. I forgot that there was another way of approach even less noticeable that by the small staircase running up beyond the arch directly to the dressing-rooms.
That no confusion may arise in any one’s mind in regard to these curious approaches, I subjoin a plan of this portion of the lower floor as it afterward appeared in the leading dailies.
“And Mr. Durand?” I stammered, as I followed the inspector back to the room where we had left that gentleman. “You will believe his statement now and look for this second intruder with the guiltily-hanging head and frightened mien?”
“Yes,” he replied, stopping me on the threshold of the door and taking my hand kindly in his, “if—(don’t start, my dear; life is full of trouble for young and old, and youth is the best time to face a sad experience) if he is not himself the man you saw staring in frightened horror at his breast. Have you not noticed that he is not dressed in all respects like the other gentlemen present? That, though he has not donned his overcoat, he has put on, somewhat prematurely, one might say, the large silk handkerchief lie presumably wears under it? Have you not noticed this, and asked yourself why?”
I had noticed it. I had noticed it from the moment I recovered from my fainting fit, but I had not thought it a matter of sufficient interest to ask, even of myself, his reason for thus hiding his shirt-front. Now I could not. My faculties were too confused, my heart too deeply shaken by the suggestion which the inspector’s words conveyed, for me to be conscious of anything but the devouring question as to what I should do if, by my own mistaken zeal, I had succeeded in plunging the man I loved yet deeper into the toils in which he had become enmeshed.
The inspector left me no time for the settlement of this question. Ushering me back into the room where Mr. Durand and my uncle awaited our return in apparently unrelieved silence, he closed the door upon the curious eyes of the various persons still lingering in the hall, and abruptly said to Mr. Durand:
“The explanations you have been pleased to give of the manner in which this diamond came into your possession are not too fanciful for credence, if you can satisfy us on another point which has awakened some doubt in the mind of one of my men. Mr. Durand, you appear to have prepared yourself for departure somewhat prematurely. Do you mind removing that handkerchief for a moment? My reason for so peculiar a request will presently appear.”
Alas, for my last fond hope! Mr. Durand, with a face as white as the background of snow framed by the uncurtained window against which he leaned, lifted his hand as if to comply with the inspector’s request, then let it fall again with a grating laugh.
“I see that I am not likely to escape any of the results of my imprudence,” he cried, and with a quick jerk bared his shirt-front.
A splash of red defiled its otherwise uniform whiteness! That it was the red of heart’s blood was proved by the shrinking look he unconsciously cast at it.
IV. EXPLANATIONS
My love for Anson Durand died at sight of that crimson splash or I thought it did. In this spot of blood on the breast of him to whom I had given my heart I could read but one word—guilt—heinous guilt, guilt denied and now brought to light in language that could be seen and read by all men. Why should I stay in such a presence? Had not the inspector himself advised me to go?
Yes, but another voice bade me remain. Just as I reached the door, Anson Durand found his voice and I heard, in the full, sweet tones I loved so well:
“Wait I am not to be judged like this. I will explain!”
But here