Will Warburton. George Gissing
it was deliberate," replied Warburton, "there's nothing to be said. In your position—since you ask advice—I should try to think that it wasn't, but that the girl had simply changed her mind, and went on and on, struggling with herself till she could stand it no longer. I've no taste for melodrama quiet comedy is much more in my line—comedy ending with mutual tolerance and forgiveness. To be sure, if you feel you can't live without her, if you're determined to fight for her—"
"Fight with whom?" cried Franks.
"With her; then read Browning, and blaze away. It may be the best; who can tell? Only—on this point I am clear—no self-deception! Don't go in for heroics just because they seem fine. Settle with yourself whether she is indispensable to you or not.– Indispensable? why, no woman is that to any man; sooner or later, it's a matter of indifference. And if you feel, talking plainly with yourself, that the worst is over already, that it doesn't after all matter as much as you thought; why, get back to your painting. If you can paint only ugly women, so much the better, I've no doubt."
Franks stood reflecting. Then he nodded.
"All that is sensible enough. But, if I give her up, I shall marry some one else straight away."
Then he abruptly said good-night, leaving Warburton not unhopeful about him, and much consoled by the disappearance of the shadow which had threatened their good understanding.
CHAPTER 11
The Crosses, mother and daughter, lived at Walham Green. The house was less pleasant than another which Mrs. Cross owned at Putney, but it also represented a lower rental, and poverty obliged them to take this into account. When the second house stood tenantless, as had now been the case for half a year, Mrs. Cross' habitually querulous comment on life rose to a note of acrimony very afflictive to her daughter Bertha. The two bore as little resemblance to each other, physical or mental, as mother and child well could. Bertha Cross was a sensible, thoughtful girl, full of kindly feeling, and blest with a humorous turn that enabled her to see the amusing rather than the carking side of her pinched life. These virtues she had from her father. Poor Cross, who supplemented a small income from office routine by occasional comic journalism, and even wrote a farce (which brought money to a theatrical manager), made on his deathbed a characteristic joke. He had just signed his will, and was left alone with his wife. "I'm sure I've, always wished to make your life happy," piped the afflicted woman. "And I yours," he faintly answered; adding, with a sad, kind smile, as he pointed to the testamentary document, "Take the will for the deed."
The two sons had emigrated to British Columbia, and Bertha would not have been sorry to join her brothers there, for domestic labour on a farm, in peace and health, seemed to her considerably better than the quasi-genteel life she painfully supported. She had never dreamt of being an artist, but, showing some facility with the pencil, was sent by her father to South Kensington, where she met and made friends with Rosamund Elvan. Her necessity and her application being greater than Rosamund's, Bertha before long succeeded in earning a little money; without this help, life at home would scarcely have been possible for her. They might, to be sure, have taken a lodger, having spare rooms, but Mrs. Cross could only face that possibility if the person received into the house were "respectable" enough to be called a paying guest, and no such person offered. So they lived, as no end of "respectable" families do, a life of penury and seclusion, sometimes going without a meal that they might have decent clothing to wear abroad, never able to buy a book, to hear a concert, and only by painful sacrifice able to entertain a friend. When, on a certain occasion, Miss Elvan passed a week at their house (Mrs. Cross approved of this friendship, and hoped it might be a means of discovering the paying guest), it meant for them a near approach to starvation during the month that ensued.
Time would have weighed heavily on Mrs. Cross but for her one recreation, which was perennial, ever fresh, constantly full of surprises and excitement. Poor as she was, she contrived to hire a domestic servant; to say that she "kept" one would come near to a verbal impropriety, seeing that no servant ever remained in the house for more than a few months, whilst it occasionally happened that the space of half a year would see a succession of some half dozen "generals." Underpaid and underfed, these persons (they varied in age from fourteen to forty) were of course incompetent, careless, rebellious, and Mrs. Cross found the sole genuine pleasure of her life in the war she waged with them. Having no reasonable way of spending her hours, she was thus supplied with occupation; being of acrid temper, she was thus supplied with a subject upon whom she could fearlessly exercise it; being remarkably mean of disposition, she saw in the paring-down of her servant's rations to a working minimum, at once profit and sport; lastly, being fond of the most trivial gossip, she had a never-failing topic of discussion with such ladies as could endure her society.
Bertha, having been accustomed to this domestic turbulence all her life long, for the most part paid no heed to it. She knew that if the management of the house were in her hands, instead of her mother's, things would go much more smoothly, but the mere suggestion of such a change (ventured once at a moment of acute crisis) had so amazed and exasperated Mrs. Cross, that Bertha never again looked in that direction. Yet from time to time a revolt of common sense forced her to speak, and as the only possible way, if quarrel were to be avoided, she began her remonstrance on the humorous note. Then when her mother had been wearying her for half an hour with complaints and lamentations over the misdoings of one Emma, Bertha as the alternative to throwing up her hands and rushing out of the house, began laughing to herself, whereat Mrs. Cross indignantly begged to be informed what there was so very amusing in a state of affairs which would assuredly bring her to her grave.
"If only you could see the comical side of it, mother," replied Bertha. "It really has one, you know. Emma, if only you would be patient with her, is a well-meaning creature, and she says the funniest things. I asked her this morning if she didn't think she could find some way of remembering to put the salt on the table. And she looked at me very solemnly, and said, 'Indeed, I will, miss. I'll put it into my prayers, just after 'our daily bread.'"
Mrs. Cross saw nothing in this but profanity. She turned the attack on Bertha, who, by her soft way of speaking, simply encouraged the servants, she declared, in negligence and insolence.
"Look at it in this way, mother," replied the girl, as soon as she was suffered to speak. "To be badly served is bad enough, in itself; why make it worse by ceaseless talking about it, so leaving ourselves not a moment of peace and quiet? I'm sure I'd rather put the salt on the table myself at every meal, and think no more about it, than worry, worry, worry over the missing salt-cellars from one meal to the next. Don't you feel, dear mother, that it's shocking waste of life?"
"What nonsense you talk, child! Are we to live in dirt and disorder? Am I never to correct a servant, or teach her her duties? But of course everything I do is wrong. Of course you could do everything so very much better. That's what children are nowadays."
Whilst Mrs. Cross piped on, Bertha regarded her with eyes of humorous sadness. The girl often felt it a dreary thing not to be able to respect—nay, not to be able to feel much love for—her mother. At such times, her thought turned to the other parent, with whom, had he and she been left alone, she could have lived so happily, in so much mutual intelligence and affection. She sighed and moved away.
The unlet house was a very serious matter, and when one day Norbert Franks came to talk about it, saying that he would want a house very soon, and thought this of Mrs. Cross's might suit him, Bertha rejoiced no less than her mother. In consequence of the artist's announcement, she wrote to her friend Rosamund, saying how glad she was to hear that her marriage approached. The reply to this letter surprised her. Rosamund had been remiss in correspondence for the last few months; her few and brief letters, though they were as affectionate as ever, making no mention of what had formerly been an inexhaustible topic—the genius, goodness, and brilliant hopes of Franks. Now she wrote as if in utter despondency, a letter so confused in style and vague in expression, that Bertha could gather from it little or nothing except a grave doubt whether Franks' marriage was as near as he supposed. A week or two passed, and Rosamund again wrote—from Switzerland; again the letter was an unintelligible maze of dreary words, and a mere moaning and sighing, which puzzled Bertha as much as it distressed her. Rosamund's epistolary style, when she wrote to this bosom friend, was always pitched in a key of lyrical emotion, which