Dangerous Women. Part II. Джордж Р. Р. Мартин

Dangerous Women. Part II - Джордж Р. Р. Мартин


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them. Through a fog of anxiety, he would barely notice that his morning oatmeal had been plunked down in front of him not by some anonymous First Year but by tiny Holly in guise of same. The first mouthful would not sit right with him. He would stop and examine his morning oatmeal more closely.

      It would be garnished, not with the usual generous pinch of brown sugar, but with a light dusting of aromatic, olive-green pencil shavings. Compliments of the League.

      As the day wore on, Plum got into the spirit of the prank. She knew she would. It was mostly just her mornings that were bad.

      Her schedule ground forward, ingesting the day in gulps like an anaconda swallowing a wildebeest. Accelerated Advanced Kinetics; Quantum Gramarye; Joined-Hands Tandem Magicks; Cellular-Level Plant Manipulation. All good clean American fun. Plum’s course load would have been daunting for a doctoral candidate, possibly several doctoral candidates, but Plum had arrived at Brakebills with a head full of more magical theory and practice than most people left with. She wasn’t one of these standing starters, the cold openers, who reeled through their first year with aching hands and eyes full of stars. Plum had come prepared.

      Brakebills was an extremely secret and highly exclusive institution—as the only accredited college for magic on the North American continent, it had a very large applicant pool to draw from, and it drank that pool dry. Though, technically, nobody actually applied there: Fogg simply skimmed the cream of eligible high school seniors, the cream of the cream really—the outliers, the extreme cases of precocious genius and obsessive motivation, who had the brains and the high pain tolerance necessary to cope with the intellectual and physical rigors that the study of magic would demand from them.

      Needless to say, that meant that the Brakebills student body was quite the psychological menagerie. Carrying that much onboard cognitive processing power had a way of distorting your personality. Moreover, in order to actually want to work that hard, you had to be at least a little bit fucked up.

      Plum was a little bit fucked up, but not the kind of fucked up that looked fucked up on the outside. She presented as funny and self-assured. When she got to Brakebills, she rolled up her sleeves and cracked her knuckles and did other appropriately confident body language, then she waded right in. Until they saw her in class, a lot of the First Years mistook her for an upperclasswoman.

      But Plum made sure not to do so well that, for example, she was graduated early. She was in no hurry. She liked Brakebills. Loved it, really. Needed it, even. She felt safe here. She wasn’t so funny and self-assured that she never soothed herself to sleep by imagining she was Padma Patil (because sorry, Hermione, but Ravenclaw FTW). Plum was a closet Romantic, as were most of the students, and Brakebills was a Romantic’s dream. Because what were magicians if not Romantics—dreamers who dreamed so passionately and urgently and brokenheartedly that reality itself couldn’t take it, and cracked under the strain like an old mirror?

      Plum had arrived at Brakebills cocked, locked, sound checked, and ready to rock. When people asked her what the hell kind of an adolescence she’d had that she arrived here in such a cocked, locked, and rock-ready state, she told them the truth, which is that she’d grown up in Seattle, the only daughter of a mixed couple—one magician, one Nintendo lifer who was fully briefed on the existence of magic but had never shown much talent at it himself. They’d homeschooled her, and given her her head, and quite a head it was. Basically, she knew a lot of magic because she’d had an early start and she was really good at it and nobody got in her way.

      That was the truth. But when she got to the end of the true part, she told them lies in order to skip over the part she didn’t like to talk about, or even think about. Plum was a woman of mystery, and she liked it that way. She felt safe. No one was ever going to know the whole truth about Plum. Preferably not even Plum.

      But not-thinking about the truth required a certain amount of distraction. Hence the Accelerated Advanced Kinetics and Quantum Gramarye and all her other hard-core magical academics. And hence the League.

      Plum wound up having a pretty good day; at any rate, it was a lot better than Wharton’s day. In his first-period class, he found more pencil shavings on the seat of his chair. Walking to lunch, he found his pockets stuffed full of jet-black pencil eraser rubbings. It was like a horror movie—his precious pencils were slowly dying, minute by minute, and he was powerless to save them! He would rue his short-pouring ways, so he would.

      Passing Wharton by chance in a courtyard, Plum let her eyes slide past his with a slow, satisfied smile. He looked like a haunted man—a ghost of his former self. The thought balloon over his head said, per Milton: What fresh hell is this?

      Finally—and this was Plum’s touch, and she privately thought it was the deftest one—in his fourth-period class, a practicum on diagramming magical energies, Wharton found that the Brakebills pencil he was using, on top of its bad hand feel and whatever else, wouldn’t draw what he wanted it to. Whatever spell he tried to diagram, whatever points and rays and vectors he tried to sketch, they inevitably formed a series of letters.

      The letters spelled out: COMPLIMENTS OF THE LEAGUE.

      Plum wasn’t a bad person, and she supposed that at heart Wharton probably wasn’t a bad person either. Truth be told, the sight of him in the courtyard gave her a pang. She’d actually had a bit of a crush on buff, clever, presumably virile Wharton in her Second Year, before he came out; in fact, in all psychoanalytic fairness, she couldn’t rule out the possibility that this whole prank was in part a passive-aggressive expression of said former crush. Either way, she was relieved that the final stage—Stage Nine (too many?)—was tonight at dinner, and that the whole thing wouldn’t be drawn out any further. They’d only had to destroy two of Wharton’s precious special pencils. And really, the second one wasn’t all the way destroyed.

      Dinners at Brakebills had a nice formal pomp about them; when one was cornered at alumni functions by sad, nostalgic Brakebills graduates who peaked in college, sooner or later they always got around to reminiscing about evenings in the ol’ dining hall. The hall was long and dark and narrow and paneled in dark wood and lined with murky oil paintings of past deans in various states of period dress (though Plum thought that the mid-twentieth-century portraits, aggressively Cubist and then Pop, rather subtracted from the gravitas of the overall effect). Light came from hideous, lumpy, lopsided old silver candelabras placed along the table every ten feet, and the candle flames were always flaring up or snuffing out or changing color under the influence of some stray spell or other. Everybody wore identical Brakebills uniforms. Students’ names were inscribed on the table at their assigned places, which changed nightly according to, apparently, the whim of the table. Talk was kept to a low murmur. A few people—never Plum—always showed up late, whereupon their chairs were taken away and they had to eat standing up.

      Plum ate her first course as usual, two rather uninspired crab cakes, but then excused herself to go to the ladies’. As Plum passed behind her, Darcy discreetly held out the silver pencil case behind her back, and Plum pocketed it. She wasn’t going to the ladies’, of course. Well, she was, but only because she had to. She wasn’t going back after.

      Plum walked briskly down the hall toward the Senior Common Room, which the faculty rarely bothered to lock, so confident were they that no student would dare to cross its threshold. But Plum dared.

      She closed the door quietly behind her. All was as she had envisioned it. The Senior Common Room was a cavernous, silent, L-shaped chamber with high ceilings, lined with bookcases and littered with shiny red-leather couches and sturdy reclaimed-wood worktables that looked like their wood had been reclaimed from the True Cross. It was empty, or almost. The only person there was Professor Coldwater, and he hardly counted.

      She figured he might be there; most of the faculty were at dinner right now, but according to the roster, it was Professor Coldwater’s turn to eat late, with the First Years. But that was all right, because Professor Coldwater was notoriously, shall we say, out of it.

      Or not exactly out of it, but he was preoccupied. His attention, except when he was teaching, always seemed to be somewhere else. He was always walking around frowning and running his fingers through his weird shock of white hair and executing little fizz-poppy spells with one hand, and muttering and mumbling to himself like he was doing math problems


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