The Egoist: A Comedy in Narrative. George Meredith
noticed the wit. The corrupted hearing of people required a collision of sounds, Vernon supposed. For his part, to prove their excellence, he recollected a great many of Miss Middleton's remarks; they came flying to him; and so long as he forbore to speak them aloud, they had a curious wealth of meaning. It could not be all her manner, however much his own manner might spoil them. It might be, to a certain degree, her quickness at catching the hue and shade of evanescent conversation. Possibly by remembering the whole of a conversation wherein she had her place, the wit was to be tested; only how could any one retain the heavy portion? As there was no use in being argumentative on a subject affording him personally, and apparently solitarily, refreshment and enjoyment, Vernon resolved to keep it to himself. The eulogies of her beauty, a possession in which he did not consider her so very conspicuous, irritated him in consequence. To flatter Sir Willoughby, it was the fashion to exalt her as one of the types of beauty; the one providentially selected to set off his masculine type. She was compared to those delicate flowers, the ladies of the Court of China, on rice-paper. A little French dressing would make her at home on the sward by the fountain among the lutes and whispers of the bewitching silken shepherdesses who live though they never were. Lady Busshe was reminded of the favourite lineaments of the women of Leonardo, the angels of Luini. Lady Culmer had seen crayon sketches of demoiselles of the French aristocracy resembling her. Some one mentioned an antique statue of a figure breathing into a flute: and the mouth at the flutestop might have a distant semblance of the bend of her mouth, but this comparison was repelled as grotesque.
For once Mrs. Mountstuart Jenkinson was unsuccessful.
Her "dainty rogue in porcelain" displeased Sir Willoughby. "Why rogue?" he said. The lady's fame for hitting the mark fretted him, and the grace of his bride's fine bearing stood to support him in his objection. Clara was young, healthy, handsome; she was therefore fitted to be his wife, the mother of his children, his companion picture. Certainly they looked well side by side. In walking with her, in drooping to her, the whole man was made conscious of the female image of himself by her exquisite unlikeness. She completed him, added the softer lines wanting to his portrait before the world. He had wooed her rageingly; he courted her becomingly; with the manly self-possession enlivened by watchful tact which is pleasing to girls. He never seemed to undervalue himself in valuing her: a secret priceless in the courtship of young women that have heads; the lover doubles their sense of personal worth through not forfeiting his own. Those were proud and happy days when he rode Black Norman over to Upton Park, and his lady looked forth for him and knew him coming by the faster beating of her heart.
Her mind, too, was receptive. She took impressions of his characteristics, and supplied him a feast. She remembered his chance phrases; noted his ways, his peculiarities, as no one of her sex had done. He thanked his cousin Vernon for saying she had wit. She had it, and of so high a flavour that the more he thought of the epigram launched at her the more he grew displeased. With the wit to understand him, and the heart to worship, she had a dignity rarely seen in young ladies.
"Why rogue?" he insisted with Mrs. Mountstuart.
"I said—in porcelain," she replied.
"Rogue perplexes me."
"Porcelain explains it."
"She has the keenest sense of honour."
"I am sure she is a paragon of rectitude."
"She has a beautiful bearing."
"The carriage of a young princess!"
"I find her perfect."
"And still she may be a dainty rogue in porcelain."
"Are you judging by the mind or the person, ma'am?"
"Both."
"And which is which?"
"There's no distinction."
"Rogue and mistress of Patterne do not go together."
"Why not? She will be a novelty to our neighbourhood and an animation of the Hall."
"To be frank, rogue does not rightly match with me."
"Take her for a supplement."
"You like her?"
"In love with her! I can imagine life-long amusement in her company.
Attend to my advice: prize the porcelain and play with the rogue."
Sir Willoughby nodded, unilluminated. There was nothing of rogue in himself, so there could be nothing of it in his bride. Elfishness, tricksiness, freakishness, were antipathetic to his nature; and he argued that it was impossible he should have chosen for his complement a person deserving the title. It would not have been sanctioned by his guardian genius. His closer acquaintance with Miss Middleton squared with his first impressions; you know that this is convincing; the common jury justifies the presentation of the case to them by the grand jury; and his original conclusion that she was essentially feminine, in other words, a parasite and a chalice, Clara's conduct confirmed from day to day. He began to instruct her in the knowledge of himself without reserve, and she, as she grew less timid with him, became more reflective.
"I judge by character," he said to Mrs. Mountstuart.
"If you have caught the character of a girl," said she.
"I think I am not far off it."
"So it was thought by the man who dived for the moon in a well."
"How women despise their sex!"
"Not a bit. She has no character yet. You are forming it, and pray be advised and be merry; the solid is your safest guide; physiognomy and manners will give you more of a girl's character than all the divings you can do. She is a charming young woman, only she is one of that sort."
"Of what sort?" Sir Willoughby asked, impatiently.
"Rogues in porcelain."
"I am persuaded I shall never comprehend it."
"I cannot help you one bit further."
"The word rogue!"
"It was dainty rogue."
"Brittle, would you say?"
"I am quite unable to say."
"An innocent naughtiness?"
"Prettily moulded in a delicate substance."
"You are thinking of some piece of Dresden you suppose her to resemble."
"I dare say."
"Artificial?"
"You would not have her natural?"
"I am heartily satisfied with her from head to foot, my dear Mrs.
Mountstuart."
"Nothing could be better. And sometimes she will lead, and generally you will lead, and everything will go well, my dear Sir Willoughby."
Like all rapid phrasers, Mrs. Mountstuart detested the analysis of her sentence. It had an outline in vagueness, and was flung out to be apprehended, not dissected. Her directions for the reading of Miss Middleton's character were the same that she practised in reading Sir Willoughby's, whose physiognomy and manners bespoke him what she presumed him to be, a splendidly proud gentleman, with good reason.
Mrs. Mountstuart's advice was wiser than her procedure, for she stopped short where he declined to begin. He dived below the surface without studying that index-page. He had won Miss Middleton's hand; he believed he had captured her heart; but he was not so certain of his possession of her soul, and he went after it. Our enamoured gentleman had therefore no tally of Nature's writing above to set beside his discoveries in the deeps. Now it is a dangerous accompaniment of this habit of driving, that where we do not light on the discoveries we anticipate, we fall to work sowing and planting; which becomes a disturbance of the gentle bosom. Miss Middleton's features were legible as to the mainspring of her character. He could have seen that she had a spirit with a natural love of liberty, and required the next thing to liberty, spaciousness, if she was to own allegiance. Those features, unhappily, instead of serving for an introduction to the within, were treated as the mirror of himself. They were indeed of an amiable sweetness to tempt an accepted lover to angle for the first person in the second. But he had made the discovery that their