Marching Men. Sherwood Anderson
rooms over the undertaker’s shop stood the tall pale girl. One of the running boys stopped and addressed her, “Your red-head,” he shouted, “is blind drunk lying on the stable floor. He has cut his head and is bleeding.”
The tall girl ran down the street to the offices of the mine. With Nance McGregor she hurried to the stable. The store keepers along Main Street looked out of their doors and saw the two women pale and with set faces half-carrying the huge form of Beaut McGregor along the street and in at the door of the bakery.
At eight o’clock that evening Beaut McGregor, his legs still unsteady, his face white, climbed aboard a passenger train and passed out of the life of Coal Creek. On the seat beside him a bag contained all his clothes. In his pocket lay a ticket to Chicago and eighty-five dollars, the last of Cracked McGregor’s savings. He looked out of the car window at the little woman thin and worn standing alone on the station platform and a great wave of anger passed through him. “I’ll show them,” he muttered. The woman looked at him and forced a smile to her lips. The train began to move into the west. Beaut looked at his mother and at the deserted streets of Coal Creek and put his head down upon his hands and in the crowded car before the gaping people wept with joy that he had seen the last of youth. He looked back at Coal Creek, full of hate. Like Nero he might have wished that all of the people of the town had but one head so that he might have cut it off with a sweep of a sword or knocked it into the gutter with one swinging blow.
BOOK II
CHAPTER I
It was late in the summer of 1893 when McGregor came to Chicago, an ill time for boy or man in that city. The big exposition of the year before had brought multiplied thousands of restless labourers into the city and its leading citizens, who had clamoured for the exposition and had loudly talked of the great growth that was to come, did not know what to do with the growth now that it had come. The depression that followed on the heels of the great show and the financial panic that ran over the country in that year had set thousands of hungry men to wait dumbly on park benches poring over want advertisements in the daily papers and looking vacantly at the lake or had driven them to tramp aimlessly through the streets, filled with forebodings.
In time of plenty a great American city like Chicago goes on showing a more or less cheerful face to the world while in nooks and crannies down side-streets and alleys poverty and misery sit hunched up in little ill-smelling rooms breeding vice. In times of depression these creatures crawl forth and joined by thousands of the unemployed tramp the streets through the long nights or sleep upon benches in the parks. In the alleyways off Madison Street on the West Side and off State Street, on the South Side, eager women driven by want sold their bodies to passersby for twenty-five cents. An advertisement in the newspapers of one unfilled job brought a thousand men to block the streets at daylight before a factory door. In the crowds men swore and knocked each other about. Working-men driven to desperation went forth into quiet streets and knocking over citizens took their money and watches and ran trembling into the darkness. A girl of Twenty-fourth Street was kicked and knocked into the gutter because when attacked by thieves she had but thirty-five cents in her purse. A professor of the University of Chicago addressing his class said that, having looked into the hungry distorted faces of five hundred men clamouring for a position as dishwasher in a cheap restaurant, he was ready to pronounce all claims to social advancement in America a figment in the brains of optimistic fools. A tall awkward man walking up State Street threw a stone through the window of a store. A policeman hustled him through the crowd. “You’ll get a workhouse sentence for this,” he said.
“You fool that’s what I want. I want to make property that won’t employ me feed me,” said the tall gaunt man who, trained in the cleaner and more wholesome poverty of the frontier, might have been a Lincoln suffering for mankind.
Into this maelstrom of misery and grim desperate want walked Beaut McGregor of Coal Creek—huge, graceless of body, indolent of mind, untrained, uneducated, hating the world. Within two days he had snatched before the very eyes of that hungry marching army three prizes, three places where a man might by working all day get clothes to wear upon his back and food to put into his stomach.
In a way McGregor had already sensed something the realisation of which will go far toward making any man a strong figure in the world. He was not to be bullied with words. Orators might have preached to him all day about the progress of mankind in America, flags might have been flapped and newspapers might have dinned the wonders of his country into his brain. He would only have shaken his big head. He did not yet know the whole story of how men, coming out of Europe and given millions of square miles of black fertile land mines and forests, have failed in the challenge given them by fate and have produced out of the stately order of nature only the sordid disorder of man. McGregor did not know the fullness of the tragic story of his race. He only knew that the men he had seen were for the most part pigmies. On the train coming to Chicago a change had come over him. The hatred of Coal Creek that burned in him had set fire to something else. He sat looking out of the car window at the stations running past during the night and the following day at the cornfields of Indiana, making his plans. In Chicago he meant to do something. Coming from a community where no man arose above a condition of silent brute labour he meant to step up into the light of power. Filled with hatred and contempt of mankind he meant that mankind should serve him. Raised among men who were but men he meant to be a master.
And his equipment was better than he knew. In a disorderly haphazard world hatred is as effective an impulse to drive men forward to success as love and high hope. It is a world-old impulse sleeping in the heart of man since the day of Cain. In a way it rings true and strong above the hideous jangle of modern life. Inspiring fear it usurps power.
McGregor was without fear. He had not yet met his master and looked with contempt upon the men and women he had known. Without knowing it he had, besides a huge body hard as adamant, a clear and lucid brain. The fact that he hated Coal Creek and thought it horrible proved his keenness. It was horrible. Well might Chicago have trembled and rich men strolling in the evening along Michigan Boulevard have looked fearfully about as this huge red fellow, carrying the cheap handbag and staring with his blue eyes at the restless moving mobs of people, walked for the first time through its streets. In his very frame there was the possibility of something, a blow, a shock, a thrust out of the lean soul of strength into the jelly-like fleshiness of weakness.
In the world of men nothing is so rare as a knowledge of men. Christ himself found the merchants hawking their wares even on the floor of the temple and in his naive youth was stirred to wrath and drove them through the door like flies. And history has represented him in turn as a man of peace so that after these centuries the temples are again supported by the hawking of wares and his fine boyish wrath is forgotten. In France after the great revolution and the babbling of many voices talking of the brotherhood of man it wanted but a short and very determined man with an instinctive knowledge of drums, of cannons and of stirring words to send the same babblers screaming across open spaces, stumbling through ditches and pitching headlong into the arms of death. In the interest of one who believed not at all in the brotherhood of man they who had wept at the mention of the word brotherhood died fighting brothers.
In the heart of all men lies sleeping the love of order. How to achieve order out of our strange jumble of forms, out of democracies and monarchies, dreams and endeavours is the riddle of the Universe and the thing that in the artist is called the passion for form and for which he also will laugh in the face of death is in all men. By grasping that fact Caesar, Alexander, Napoleon and our own Grant have made heroes of the dullest clods that walk and not a man of all the thousands who marched with Sherman to the sea but lived the rest of his life with a something sweeter, braver and finer sleeping in his soul than will ever be produced by the reformer scolding of brotherhood from a soap-box. The long march, the burning of the throat and the stinging of the dust in the nostrils, the touch of shoulder against shoulder, the quick bond of a common, unquestioned, instinctive passion that bursts in the orgasm of battle, the forgetting of words and the doing of the thing, be it winning battles or destroying ugliness, the passionate massing of men for accomplishment—these are the signs, if they ever awake in our land, by which you may know you have come to the days of the making of men.
In Chicago in 1893 and in the men who went aimlessly seeking work in the streets