The Best Short Stories of 1917, and the Yearbook of the American Short Story. Edward Joseph Harrington O'Brien
sat up, tearing the blankets back, because some one moved in the house, and the rain could be heard more loudly, as if a new window were open. He swung his legs free. Some one breathed heavily in the hall. Rawling clutched his revolver, and the cold of it stung. This might be Onnie, any one; but he put his finger on the switch.
"Straight hover—hover the way it was," said a thick, puzzled voice. "There, that one! 'Is bloody barth!"
The rattles whirred as if their first owner lived. Rawling pressed the switch.
"Your Honor!" Onnie screamed. "Your Honor! Master San! Be lockin' the door inside, Master San! Out of this, you! You!"
Rawling's foot caught in the doorway of the bright hall, and he stumbled, the light dazzling on the cockney's wet bulk hurling itself toward the great woman where she stood, her arms flung cruciform, guarding the empty room. The bodies met with a fearful jar as Rawling staggered up, and there came a crisp explosion before he could raise his hand. Bill's naked shoulder cannoned into him, charging, and Bill's revolver clinked against his own. Rawling reeled to the stair-head, aiming as Bill caught at the man's shirt; but the cockney fell backward, crumpling down, his face purple, his teeth displayed.
"In the head!" said Bill, and bent to look, pushing the plastered curls from a temple. The beast whimpered and died; the knife rattled on the planks.
"Dad," cried Sanford, "what on—"
"Stay where you are!" Rawling gasped, sick of this ugliness, dizzy with the stench of powder and brandy. Death had never seemed so vile. He looked away to the guardian where she knelt at her post, her hands clasped on the breast of her coarse white robe as if she prayed, the hair hiding her face.
"I'll get a blanket," Bill said, rising. "There come the men! That you, Ian?"
The smith and a crowd of pale faces crashed up the stairs.
"God forgie us! We let him by—the garden, sir. Alec thought he—"
"Gosh, Onnie!" said Bill, "excuse me! I'll get some clothes on. Here, Ian—"
"Onnie," said Sanford, in the doorway—"Onnie, what's the matter?"
As if to show him this, her hands, unclasping, fell from the dead bosom, and a streak of heart's blood widened from the knife-wound like the ribbon of some very noble order.
A CUP OF TEA 3
Young Burnaby was late. He was always late. One associated him with lateness and certain eager, impossible excuses—he was always coming from somewhere to somewheres, and his "train was delayed," or his huge space-devouring motor "had broken down." You imagined him, enveloped in dust and dusk, his face disguised beyond human semblance, tearing up and down the highways of the world; or else in the corridor of a train, biting his nails with poorly concealed impatience. As a matter of fact, when you saw him, he was beyond average correctly attired, and his manner was suppressed, as if to conceal the keenness that glowed behind his dark eyes and kept the color mounting and receding in his sunburnt cheeks. All of which, except the keenness, was a strange thing in a man who spent half his life shooting big game and exploring. But then, one imagined that Burnaby on the trail and Burnaby in a town were two entirely different persons. He liked his life with a thrust to it, and in a great city there are so many thrusts that, it is to be supposed, one of Burnaby's temperament hardly has hours enough in a day to appreciate all of them and at the same time keep appointments.
On this February night, at all events, he was extremely late, even beyond his custom, and Mrs. Malcolm, having waited as long as she possibly could, sighed amusedly and told her man to announce dinner. There were only three others besides herself in the drawing-room, Masters—Sir John Masters, the English financier—and his wife, and Mrs. Selden, dark, a little silent, with a flushed, finely cut face and a slightly sorrow-stricken mouth. And already these people had reached the point where talk is interesting. People did in Mrs. Malcolm's house. One went there with anticipation, and came away with the delightful, a little vague, exhilaration that follows an evening where the perfection of the material background—lights, food, wine, flowers—has been almost forgotten in the thrill of contact with real persons, a rare enough circumstance in a period when the dullest people entertain the most. In the presence of Mrs. Malcolm even the very great forgot the suspicions that grow with success and became themselves, and, having come once, came again vividly, overlooking other people who really had more right to their attentions than had she.
This was the case with Sir John Masters. And he was a very great man indeed, not only as the world goes but in himself: a short, heavy man, with a long, heavy head crowned with vibrant, still entirely dark hair and pointed by a black, carefully kept beard, above which arose—"arose" is the word, for Sir John's face was architectural—a splendid, slightly curved nose—a buccaneering nose; a nose that, willy-nilly, would have made its possessor famous. One suspected, far back in the yeoman strain, a hurried, possibly furtive marriage with gypsy or Jew; a sudden blossoming into lyricism on the part of a soil-stained Masters. Certainly from somewhere Sir John had inherited an imagination which was not insular. Dangerous men, these Sir Johns, with their hooked noses and their lyric eyes!
Mrs. Malcolm described him as fascinating. There was about him that sense of secret power that only politicians, usually meretriciously, and diplomats, and, above all, great bankers as a rule possess; yet he seldom talked of his own life, or the mission that had brought him to New York; instead, in his sonorous, slightly Hebraic voice, he drew other people on to talk about themselves, or else, to artists and writers and their sort, discovered an amazing, discouraging knowledge of the trades by which they earned their living. "One feels," said Mrs. Malcolm, "that one is eyeing a sensitive python. He uncoils beautifully."
They were seated at the round, candle-lit table, the rest of the room in partial shadow, Sir John looking like a lost Rembrandt, and his blonde wife, with her soft English face, like a rose-and-gray portrait by Reynolds, when Burnaby strode in upon them … strode in upon them, and then, as if remembering the repression he believed in, hesitated, and finally advanced quietly toward Mrs. Malcolm. One could smell the snowy February night still about him.
"I'm so sorry," he said. "I—"
"You broke down, I suppose," said Mrs. Malcolm, "or the noon train from Washington was late for the first time in six years. What do you do in Washington, anyway? Moon about the Smithsonian?"
"No," said Burnaby, as he sank into a chair and unfolded his napkin. "Y'see—well, that is—I ran across a fellow—an Englishman—who knew a chap I met last summer up on the Francis River—I didn't exactly meet him, that is, I ran into him, and it wasn't the Francis River really, it was the Upper Liara, a branch that comes in from the northwest. Strange, wasn't it?—this fellow, this Englishman, got to talking about tea, and that reminded me of the whole thing." He paused on the last word and, with a peculiar habit that is much his own, stared across the table at Lady Masters, but over and through her, as if that pretty pink-and-white woman had entirely disappeared,—and the warm shadows behind her,—and in her place were no one could guess what vistas of tumbling rivers and barren tundras.
"Tea!" ejaculated Mrs. Malcolm.
Burnaby came back to the flower-scented circle of light.
"Yes," he said soberly, "tea. Exactly."
Mrs. Malcolm's delicate eyebrows rose to a point. "What," she asked, in the tones of delighted motherhood overlaid with a slight exasperation which she habitually used toward Burnaby, "has tea got to do with a man you met on the Upper Liara last summer and a man you met this afternoon? Why tea?"
"A lot," said Burnaby cryptically, and proceeded to apply himself to his salad, for he had refused the courses his lateness had made him miss. "Y'see," he said, after a moment's reflection, "it was this way—and it's worth telling, for it's queer. I ran into this Terhune this afternoon at a club—a big, blond Englishman who's been in the army, but now he's out making money. Owns a tea house in London. Terhune & Terhune—perhaps you know them?" He turned to Sir John.
"Yes, very well. I imagine this is Arthur Terhune."
"That's the
Copyright, 1917, by Charles Scribner's Sons. Copyright, 1918, by Maxwell Struthers Burt.