The Lovely Lady. Mary Hunter Austin
skunk!" Peter's list of expletives was not extensive. He picked up the flat little purse and handed it back to her. "Shall I go after him? Did you know him?"
The girl was holding on to the parapet with a little choky laugh. "Oh, yes, I know that kind. No, I don't want him!"
"He ought to have a good thrashing," Peter was convinced. The girl looked up at him with a sudden curiosity.
"You're from the country, ain't you? I thought so the other night. I can always tell."
"I guess you're from the country yourself," Peter hazarded. She was prettier even than he had thought. Her glance had left his, however, and was roving up and down the hurrying crowd as though testing it for some plunge she was about to make.
"If you wanted me to see you home–" Peter hinted; he did not know quite what was expected of him. She answered with a little sharp noise which ended in a cough.
"I guess you're real kind," she admitted, "but I ain't goin' home just yet. I got a date." She moved off then, and since it was in the direction he was going, there was nothing for Peter to do but move with her, on the other side of the wide pavement. At the turn she drifted back to his side again; it seemed to Peter there was amusement in her tone.
"You got anything to do Saturday about this time?" Peter hadn't. "Well, I'll be here—savvy?" But before he could make her any assurance she laughed again and slipped into the crowd.
Peter knew a great many facts about life. There were human failings even in Bloombury, and what Peter didn't know about the city had been largely made up to him by the choice conversation of J. Wilkinson Cohn, in staples, at the next counter to him. Anybody who listened long enough to J. Wilkinson's personal reminiscences would have found himself fully instructed for every possible contingency likely to arise between a gentleman of undoubted attractions and the ladies, but there are forces in youth that are stronger than experience. It is a very old, old way of the world for young things to walk abroad in the spring and meet one another.
Peter strolled along the viaduct Saturday and felt his youth beat in him pleasantly when he saw her come. She had on a different hat, and the earlier hour showed him the shining of her eyes above the raddled cheeks.
"We could go down in the park a piece," he suggested as they turned in together along the parapet. There was a delicate damp smell coming up from it on the night, like the Bloombury lanes.
"You're regular country, aren't you?" There was an accent of impatience in her tone, "I haven't had my supper yet."
"Well, what do you say to a piece of roast beef and a cup of coffee?" Peter had planned this magnificence as he came along fingering his pay envelope. He knew just the place, he told her. The feeling of his proper male ascendency as he drew her through the crowd was a tonic to him; the man tossing pancakes in the window where he hesitated looking for the ladies' entrance seemed quite to enjoy doing it, as though he had known all along there was to be company.
"Oh, I don't care for any of these places." Peter felt her pull at his elbow. "I'll show you." They went along then, brushing lightly shoulder to shoulder until they came to one of those revolving doors from which gusts of music issued. There was a girl standing up to sing as they sat down and the whole air of the place was beyond even the retailed splendour of J. Wilkinson. The girl threw back her wraps and began to order freely. Peter, who had a glimpse of the card, stiffened.
"I—I guess I'm not so very hungry," he cautioned. She looked up from the menu sharply and her face softened; she made one or two deft changes in it.
"This is Dutch, you know," she threw out. "Oh, I know you invited me, but you didn't think I was one of the kind that let a strange gentleman pay for my dinner, did you?" Peter denied it, stricken with embarrassment. She seemed in the light, to take him in more completely.
"Say, would you have licked that fellow the other night, honest?"
"Well, if he was disrespectful to a lady–" Peter began.
"Oh, excuse me!" She turned her head aside for a moment in her long gloves. "You are country!" she said again, but it seemed not to displease her. "I don't care so much for her voice, do you?" She turned on the singer. They discussed the entertainment and the dinner. They were a long time about it. The orchestra played a waltz at last, and Ethel—she had told him to call her that—put her arms on the table and leaned across to him, and though Peter knew by this time that her cheeks were painted, he didn't somehow mind it.
"What's it like up in the country where you lived?" she wished to know.
"Hills mostly, little wooded ones, and high pastures, and the apple orchards going right up over them...."
"I know," she nodded. "I guess it's them I been smelling … or laylocks."
"Things coming up in the garden," Peter contributed: "peonies, and long rows of daffodils...." He did not realize it, but he had described to her no place that he had known but the way to the House. The girl cut him off.
"Don't!" she said sharply. "You know," she half apologized, "you kind of remind me of somebody … a boy I knew up country. It was him that got me here–" She made her little admission quietly, the horror of it long worn down to daily habit. "That first time I saw you, it seemed almost as if it was him … I ain't never blamed him—much. He didn't mean to be bad, but when the trouble came he couldn't help none.... I guess real help is about the hardest thing to find there is."
"I guess it is."
"Oh, well, we gotta make the best of it." She glanced at Peter with her head on one side as she twiddled her fingers across the cloth to the tune of the orchestra.
They went out at last and walked in the least frequented streets, and Peter held her hand; the warmth of it ran with a pleasant tingling in his veins. He seemed to have touched in her palm the point at which the city came alive to him. They walked and walked and yet it seemed that something lacked to bring the evening to a finish; it was incredible to Peter that after all his loneliness he should have to let her go.
"We could go up to my place," Ethel suggested. "It's up here." He hadn't suspected that she had been guiding him.
"I guess not to-night." Peter's blood was singing in his ears. In the dark of the unfrequented street he could feel her young body leaning toward his.
"Say, you know I ain't after the money the way some girls are; I like you … honest–"
"I guess I'd better go home." But they went on up the side street a little farther. "Good-bye," he said, but he did not let her go.
She shook her hand free at last.
"Oh, well, of course, if you don't want to...." He felt her soft hands fumbling at his face; she drew him down to a kiss. Suddenly she sprang away, laughing. "Go, you silly!"
"Ethel!" he cried, but he lost her in the dark. He should have let her go at that; he knew he should. In spite of her paying half, his dinner had cost him more than two ordinary dinners … and besides.... He couldn't help, however, walking around by the viaduct for several evenings the next week, and at last he saw her. She was going by without speaking, but he got squarely in front of her.
"Ethel!"
She pretended just to have recognized him.
"Oh, you here? I thought you'd gone back to the country!"
"You aren't mad with me about … the other night?" He did not quite know how to express the quality of his desertion.
"Who? Me?" airily. "Oh, I guess there's just as good fish in the sea–" She changed all at once under his young hunger for companionship. "You're good," she said; "you're the real thing."
"You're good, too," he was certain, "when you're with me."
"Oh, it rubs off. Say, kid, I guess you got folks at home you're sending money to and all that, and you got to get ahead in the world. Well, you don't want to have nothing to do with my kind, and that's straight." The deviltry she put on toward him failed pitifully. "Chase yourself, kid; I just ain't good for you any more." Nevertheless they moved along the parapet to the dark interval between the lights and there they kissed again, this time with no undercurrent.
"Good-bye,