Scarhaven Keep. Fletcher Joseph Smith
he said, had talked a little to him about the coast scenery between Northborough and Norcaster, and had asked him which stretch of it was worth seeing. It was his impression that Mr. Oliver meant to break his journey somewhere along the coast.
"Of course, that's it," said Stafford, as he and Copplestone drove off again. "He's gone to some place between the two towns. But where? Anyhow, nobody's likely to forget Oliver if they've once seen him, and wherever he went, he'd have to take a ticket. Therefore—the booking-office."
Here at last, was light. One of the clerks in the booking-office came forward at once with news. Mr. Bassett Oliver, whom he knew well enough, having seen him on and off the stage regularly for the past five years, had come there the previous morning, and had taken a first-class single ticket for Scarhaven. He would travel to Scarhaven by the 11.35 train, which arrived at Scarhaven at 12.10. Where was Scarhaven? On the coast, twenty miles off, on the way to Norcaster; you changed for it at Tilmouth Junction. Was there a train leaving soon for Scarhaven? There was—in five minutes.
Stafford and Copplestone presently found themselves travelling back along the main line. A run of twenty minutes brought them to the junction, where, at an adjacent siding they found a sort of train in miniature which ran over a narrow-gauge railway towards the sea. Its course lay through a romantic valley hidden between high heather-clad moorland; they saw nothing of their destination nor of the coast until, coming to a stop in a little station perched high on the side of a hill they emerged to see shore and sea lying far beneath them. With a mutual consent they passed outside the grey walls of the station-yard to take a comprehensive view of the scene.
"Just the place to attract Oliver!" muttered Stafford, as he gazed around him. "He'd revel in it—fairly revel!"
Copplestone gazed at the scene in silence. That was the first time he had ever seen the Northern coast, and the strange glamour and romance of this stretch of it appealed strongly to his artistic senses. He found himself standing high above the landward extremity of a narrow bay or creek, much resembling a Norwegian fiord in its general outlines; it ran in from the sea between high shelving cliffs, the slopes of which were thickly wooded with the hardier varieties of tree and shrub, through which at intervals great, gaunt masses of grey rock cropped out. On the edge of the water at either side of the bay were lines of ancient houses and cottages of grey walls and red roofs, built and grouped with the irregularity of individual liking; on the north side rose the square tower and low nave of a venerable church; amidst a mass of wood on the opposite side stood a great Norman keep, half ruinous, which looked down on a picturesque house at its foot. Quays, primitive and quaint, ran along between the old cottages and the water's edge; in the bay itself or nestling against the worn timbers of the quays, were small craft whose red sails hung idly against their tall masts and spars. And at the end of the quays and the wooded promontories which terminated the land view, lay the North Sea, cold, grey, and mysterious in the waning October light, and out of its bosom rose, close to the shore, great masses of high grey rocks, strong and fantastic of shape, and further away, almost indistinct in the distance, an island, on the highest point of which the ruins of some old religious house were silhouetted against the horizon.
"Just the place!" repeated Stafford. "He'd have cheerfully travelled a thousand miles to see this. And now—we know he came here—what we next want to know is, what he did when he got here?"
Copplestone, who had been taking in every detail of the scene before him, pointed to a house of many gables and queer chimneys which stood a little way beneath them at the point where the waters of a narrow stream ran into the bay.
"That looks like an inn," he said. "I think I can make out a sign on the gable-end. Let's go down there and inquire. He would get here just about time for lunch, wouldn't he, and he'd probably turn in there. Also—they may have a telephone there, and you can call up the theatre at Norcaster and find out if anything's been heard yet."
Stafford smiled approvingly and started out in the direction of the buildings towards which Copplestone had pointed.
"Excellent notion!" he said. "You're quite a business man—an unusual thing in authors, isn't it? Come on, then—and that is an inn, too—I can make out the sign now—The 'Admiral's Arms'—Mary Wooler. Let's hope Mary Wooler, who's presumably the landlady, can give us some useful news!"
The "Admiral's Arms" proved to be an old-fashioned, capacious hostelry, eminently promising and comfortable in appearance, which stood on the edge of a broad shelf of headland, and commanded a fine view of the little village and the bay. Stafford and Copplestone, turning in at the front door, found themselves in a deep, stone-paved hall, on one side of which, behind a bar window, a pleasant-faced, buxom woman, silk-aproned and smartly-capped, was busily engaged in adding up columns of figures in a big account-book. At sight of strangers she threw open a door and smilingly invited them to walk into a snugly furnished bar-parlour where a bright fire burned in an open hearth. Stafford gave his companion a look—this again was just the sort of old-world place which would appeal to Basset Oliver, supposing he had come across it.
"I wonder if you can give me some information?" he asked presently, when the good-looking landlady had attended to their requests for refreshment. "I suppose you are the landlady—Mrs. Wooler? Well, now, Mrs. Wooler, did you have a tall, handsome, slightly grey-haired gentleman in here to lunch yesterday—say about one o'clock?"
The landlady turned on her questioner with an intelligent smile.
"You mean Mr. Oliver, the actor?" she said.
"Good!" exclaimed Stafford, with a hearty sigh of relief. "I do! You know him, then?"
"I've often seen him, both at Northborough and at Norcaster," replied Mrs. Wooler. "But I never saw him here before yesterday. Oh, yes! of course I knew him as soon as he walked in, and I had a bit of chat with him before he went out, and he remarked that though he'd been coming into these parts for some years, he'd never been to Scarhaven before—usually, he said, he'd gone inland of a Sunday, amongst the hills. Oh, yes, he was here—he had lunch here."
"We're seeking him," said Stafford, going directly to the question. "He ought to have turned up at the 'Angel Hotel' at Norcaster last night, and at the theatre today at noon—he did neither. I'm his business manager, Mrs. Wooler. Now can you tell us anything—more than you've already told, I mean?"
The landlady, whose face expressed more and more concern as Stafford spoke, shook her head.
"I can't!" she answered. "I don't know any more. He was here perhaps an hour or so. Then he went away, saying he was going to have a look round the place. I expected he'd come in again on his way to the station, but he never did. Dear, dear! I hope nothing's happened to him—such a fine, pleasant man. And—"
"And—what?" asked Stafford.
"These cliffs and rocks are so dangerous," murmured Mrs. Wooler. "I often say that no stranger ought to go alone here. They aren't safe, these cliffs."
Stafford set down his glass and rose.
"I think you've got a telephone in your hall," he said. "I'll just call up Norcaster and find out if they've heard anything. If they haven't—"
He shook his head and went out, and Copplestone glanced at the landlady.
"You say the cliffs are dangerous," he said. "Are they particularly so?"
"To people who don't know them, yes," she replied. "They ought to be protected, but then, of course, we don't get many tourists here, and the Scarhaven people know the danger spots well enough. Then again at the end of the south promontory there, beyond the Keep—"
"Is the Keep that high square tower amongst the woods?" asked Copplestone.
"That's it—it's all that's left of the old castle," answered Mrs. Wooler. "Well, off the point beneath that, there's a group of rocks—you'd perhaps noticed them as you came down from the station? They've various names—there's the King, the Queen, the Sugar-Loaf, and so on. At low tide you can walk across to them. And of course, some people like to climb them. Now, they're particularly dangerous! On the Queen rock there's a great hole called the Devil's Spout, up which the sea rushes. Everybody wants to look over it, you know, and if a man was there alone, and his foot slipped, and he fell, why—"
Stafford