Mademoiselle of Monte Carlo. Le Queux William
eager excited throng around the table looked across at her with envy. But her handsome countenance was quite expressionless. She simply thrust the counters into the big gold-chain purse at her side, glanced at the white-gloved fingers which were soiled by handling the counters, and then counting out twenty-five, each representing a louis, gave them to the croupier, exclaiming:
“Zero-trois!”
Next moment a dozen persons followed her play, staking their cent-sous and louis upon the spot where she had asked the croupier at the end of the table to place her stake.
“Messieurs! Faites vos jeux!” came the strident cry again.
Then a few seconds later the croupier cried:
“Rien ne vas plus!”
The red and black wheel was already spinning, and the little ivory ball sent by the croupier’s hand in the opposite direction was clicking quickly over the numbered spaces.
Six hundred or more eyes of men and women, fevered by the gambling mania, watched the result. Slowly it lost its impetus, and after spinning about unevenly it made a final jump and fell with a loud click.
“Zer-r-o!” cried the croupier.
And a moment later Mademoiselle had pushed before her at the end of the croupier’s rake another pile of counters, while all those who had followed the remarkable woman’s play were also paid.
“Mademoiselle is in good form to-day,” remarked one ugly old Frenchwoman who had been a well-known figure at the tables for the past ten years, and who played carefully and lived by gambling. She was one of those queer, mysterious old creatures who enter the Rooms each morning as soon as they are open, secure the best seats, occupy them all the luncheon hour pretending to play, and then sell them to wealthy gamblers for a consideration—two or three louis—perhaps—and then at once go to their ease in their own obscure abode.
The public who go to Monte know little of its strange mysteries, or of the odd people who pick up livings there in all sorts of queer ways.
“Ah!” exclaimed a man who overheard her. “Mademoiselle has wonderful luck! She won seventy-five thousand francs at the Cercle Prive last night. She won en plein five times running. Dieu! Such luck! And it never causes her the slightest excitement.”
“The lady must be very rich!” remarked an American woman sitting next to the old Frenchwoman, and who knew French well.
“Rich! Of course! She must have won several million francs from the Administration. They don’t like to see her here. But I suppose her success attracts others to play. The gambling fever is as infectious as the influenza,” declared the old Frenchwoman. “Everyone tries to discover who she is, and where she came from five years ago. But nobody has yet found out. Even Monsieur Bernard, the chief of the Surveillance, does not know,” she went on in a whisper. “He is a friend of mine, and I asked him one day. She came from Paris, he told me. She may be American, she may be Belgian, or she may be English. She speaks English and French so well that nobody can tell her true nationality.”
“And she makes money at the tables,” said the American woman in the well-cut coat and skirt and small hat. She came from Chelsea, Mass., and it was her first visit to what her pious father had always referred to as the plague spot of Europe.
“Money!” exclaimed the old woman. “Money! Dieu! She has losses, it is true, but oh!—what she wins! I only wish I had ten per cent of it. I should then be rich. Mine is a poor game, madame—waiting for someone to buy my seat instead of standing the whole afternoon. You see, there is only one row of chairs all around. So if a smart woman wants to play, some man always buys her a chair—and that is how I live. Ah! madame, life is a great game here in the Principality.”
Meanwhile young Hugh Henfrey, who had travelled from London to the Riviera and identified the mysterious mademoiselle, had passed with his friend, Walter Brock, through the atrium and out into the afternoon sunshine.
As they turned upon the broad gravelled terrace in front of the great white facade of the Casino amid the palms, the giant geraniums and mimosa, the sapphire Mediterranean stretched before them. Below, beyond the railway line which is the one blemish to the picturesque scene, out upon the point in the sea the constant pop-pop showed that the tir-aux-pigeons was in progress; while up and down the terrace, enjoying the quiet silence of the warm winter sunshine with the blue hills of the Italian coast to the left, strolled a gay, irresponsible crowd—the cosmopolitans of the world: politicians, financiers, merchants, princes, authors, and artists—the crowd which puts off its morals as easily as it discards its fur coats and its silk hats, and which lives only for gaiety and without thought of the morrow.
“Let’s sit down,” suggested Hugh wearily. “I’m sure that she’s the same woman—absolutely certain!”
“You are quite confident you have made no mistake—eh?”
“Quite, my dear Walter. I’d know that woman among ten thousand. I only know that her surname is Ferad. Her Christian name I do not know.”
“And you suspect that she knows the secret of your father’s death?”
“I’m confident that she does,” replied the good-looking young Englishman. “But it is a secret she will, I fear, never reveal, unless—unless I compel her.”
“And how can you compel her?” asked the elder of the two men, whose dark hair was slightly tinged with grey. “It is difficult to compel a woman to do anything,” he added.
“I mean to know the truth!” cried Hugh Henfrey fiercely, a look of determination in his eyes. “That woman knows the true story of my father’s death, and I’ll make her reveal it. By gad—I will! I mean it!”
“Don’t be rash, Hugh,” urged the other.
“Rash!” he cried. “It’s true that when my father died so suddenly I had an amazing surprise. My father was a very curious man. I always thought him to be on the verge of bankruptcy and that the Manor and the land might be sold up any day. When old Charman, the solicitor, read the will, I found that my father had a quarter of a million lying at the bank, and that he had left it all to me—provided I married Louise!”
“Well, why not marry her?” queried Brock lazily. “You’re always so mysterious, my dear Hugh.”
“Why!—because I love Dorise Ranscomb. But Louise interests me, and I’m worried on her account because of that infernal fellow Charles Benton. Louise poses as his adopted daughter. Benton is a bachelor of forty-five, and, according to his story, he adopted Louise when she was a child and put her to school. Her parentage is a mystery. After leaving school she at first went to live with a Mrs. Sheldon, a young widow, in an expensive suite in Queen Anne’s Mansions, Westminster. After that she has travelled about with friends and has, I believe, been abroad quite a lot. I’ve nothing against Louise, except—well, except for the strange uncanny influence which that man Benton has over her. I hate the fellow!”
“I see! And as you cannot yet reach Woodthorpe and your father’s fortune, except by marrying Louise—which you don’t intend to do—what are you going to do now?”
“First, I intend that this woman they call ‘Mademoiselle of Monte Carlo,’ the lucky woman who is a decoy of the Administration of the Bains de Mer, shall tell me the true circumstance of my father’s death. If I know them—then my hand will be strengthened.”
“Meanwhile you love Lady Ranscomb’s daughter, you say?”
“Yes. I love Dorise with all my heart. She, of course, knows nothing of the conditions of the will.”
There was a silence of some moments, interrupted only by the pop-pop of the pigeon-shots below.
Away across the white balustrade of the broad magnificent terrace the calm sapphire sea was deepening as the winter afternoon drew in. An engine whistled—that of the flower train which daily travels express from Cannes to Boulogne faster than the passenger train-deluxe, and bearing mimosa, carnations, and violets from the Cote d’Azur to Covent Garden, and to the florists’ shops in England.
“You’ve