Iole. Chambers Robert William
said the poet, “is what I call my den.”
Wayne, not knowing what to say, sidled around the walls. It was almost bare of furniture; what there was appeared to be of the slab variety.
“I call my house the house beautiful,” murmured Guilford with his large, sweet smile. “Beauty is simplicity; beauty is unconsciousness; beauty is the child of elimination. A single fly in an empty room is beautiful to me, Mr. Wayne.”
“They carry germs,” muttered Wayne, but the poet did not hear him and led the way to another enormous room, bare of everything save for eight thick and very beautiful Kazak rugs on the polished floor.
“My children’s bedroom,” he whispered solemnly.
“You don’t mean to say they sleep on those Oriental rugs!” stammered Wayne.
“They do,” murmured the poet. The tender sweetness of his ample smile was overpowering—like too much bay rum after shaving. “Sparta, Mr. Wayne, Sparta! And the result? My babes are perfect, physically, spiritually. Elimination wrought the miracle; yonder they sleep, innocent as the Graces, with all the windows open, clothed in moonlight or starlight, as the astronomical conditions may be. At the break of dawn they are afield, simply clothed, free limbed, unhampered by the tawdry harness of degenerate civilization. And as they wander through the verdure,” he added with rapt enthusiasm, “plucking shy blossoms, gathering simples and herbs and vegetables for our bountiful and natural repast, they sing as they go, and every tremulous thrill of melody falls like balm on a father’s heart.” The overpowering sweetness of his smile drugged Wayne. Presently he edged toward the door, and the poet followed, a dreamy radiance on his features as though emanating from sacred inward meditation.
They sat down on the veranda; Wayne fumbled for his cigar-case, but his unnerved fingers fell away; he dared not smoke.
“About—about that business matter,” he ventured feebly; but the poet raised his plump white hand.
“You are my guest,” he said graciously. “While you are my guest nothing shall intrude to cloud our happiness.”
Perplexed, almost muddled, Wayne strove in vain to find a reason for the elimination of the matter that had interrupted his cruise and brought him to Rose-Cross, the maddest yachtsman on the Atlantic. Why should Guilford forbid the topic as though its discussion were painful to Wayne?
“He always gets the wrong end foremost, as Briggs said,” thought the young man. “I wonder where the deuce Briggs can be? I’m no match for this bunch.”
His thoughts halted; he became aware that the poet was speaking in a rich, resonant voice, and he listened in an attitude of painful politeness.
“It’s the little things that are most precious,” the poet was saying, and pinched the air with forefinger and thumb and pursed up his lips as though to whistle some saccharine air.
“The little things,” he continued, delicately perforating the atmosphere as though selecting a diatom.
“Big things go, too,” ventured Wayne.
“No,” said the poet; “no—or rather they do go, in a certain sense, for every little thing is precious, and therefore little things are big!–big with portent, big in value. Do you follow me, Mr. Wayne?”
Wayne’s fascinated eyes were fixed on the poet. The latter picked out another atom from the atmosphere and held it up for Mr. Wayne’s inspection; and while that young man’s eyes protruded the poet rambled on and on until the melody of his voice became a ceaseless sound, a vague, sustained monotone, which seemed to bore into Wayne’s brain until his legs twitched with a furious desire for flight.
When he obtained command of himself the poet was saying, “It is my hour for withdrawal. It were insincere and artificial to ask your indulgence–”
He rose to his rotund height.
“You are due to sit in your cage,” stammered Wayne, comprehending.
“My den,” corrected the poet, saturating the air with the sweetness of his smile.
Wayne arose. “About that business—” he began desperately; but the poet’s soft, heavy hand hovered in mid-air, and Wayne sat down so suddenly that when his eyes recovered their focus the poet had disappeared.
A benumbed resentment struggled within him for adequate expression; he hitched his chair about to command a view of the meadow, then sat motionless, hypnotized by the view. Eight girls, clad in pink blouses and trousers, golden hair twisted up, decorated the landscape. Some were kneeling, filling baskets of woven, scented grasses with wild strawberries; some were wading the branches of the meadow brook, searching for trout with grass-woven nets; some picked early peas; two were playing a lightning set at tennis. And in the center of everything that was going on was Briggs, perfectly at ease, making himself agreeably at home.
The spectacle of Briggs among the Hamadryads appeared to paralyze Wayne.
Then an immense, intense resentment set every nerve in him tingling. Briggs, his friend, his confidential business adviser, his indispensable alter ego, had abandoned him to be tormented by this fat, saccharine poet—abandoned him while he, Briggs, made himself popular with eight of the most amazingly bewitching maidens mortal man might marvel on! The meanness stung Wayne till he jumped to his feet and strode out into the sunshine, menacing eyes fastened on Briggs.
“Now wouldn’t that sting you!” he breathed fiercely, turning up his trousers and stepping gingerly across the brook.
Whether or not Briggs saw him coming and kept sidling away he could not determine; he did not wish to shout; he kept passing pretty girls and taking off his hat, and following Briggs about, but he never seemed to come any nearer to Briggs; Briggs always appeared in the middle distance, flitting genially from girl to girl; and presently the absurdity of his performance struck Wayne, and he sat down on the bank of the brook, too mad to think. There was a pretty girl picking strawberries near-by; he rose, took off his hat to her, and sat down again. She was one of those graceful, clean-limbed, creamy-skinned creatures described by Briggs; her hair was twisted up into a heavy, glistening knot, showing the back of a white neck; her eyes matched the sky and her lips the berries she occasionally bit into or dropped to the bottom of her woven basket.
Once or twice she looked up fearlessly at Wayne as her search for berries brought her nearer; and Wayne forgot the perfidy of Briggs in an effort to look politely amiable.
Presently she straightened up where she was kneeling in the long grass and stretched her arms. Then, still kneeling, she gazed curiously at Wayne with all the charm of a friendly wild thing unafraid.
“Shall we play tennis?” she asked.
“Certainly,” said Wayne, startled.
“Come, then,” she said, picking up her basket in one hand and extending the other to Wayne.
He took the fresh, cool fingers, and turned scarlet. Once his glance sneaked toward Briggs, but that young man was absorbed in fishing for brook trout with a net! Oh, ye little fishes! with a net!
Wayne’s brain seemed to be swarming with glittering pink-winged thoughts all singing. He walked on air, holding tightly to the hand of his goddess, seeing nothing but a blur of green and sunshine. Then a clean-cut idea stabbed him like a stiletto: was this Vanessa or Iole? And, to his own astonishment, he asked her quite naturally.
“Iole,” she said, laughing. “Why?”
“Thank goodness,” he said irrationally.
“But why?” she persisted curiously.
“Briggs—Briggs—” he stammered, and got no further. Perplexed, his goddess walked on, thoughtful, pure-lidded eyes searching some reasonable interpretation for the phrase, “Briggs—Briggs.” But as Wayne gave her no aid, she presently dismissed the problem, and bade him select a tennis bat.
“I do hope you play well,” she said. Her hope was comparatively vain; she batted Wayne around the court, drove him wildly from corner to corner, stampeded him with volleys, lured