The Rosary. Barclay Florence Louisa
matchless loveliness as I see it, I shall feel all right. At present I have only painted her from memory; but she is to sit to me in October."
"From memory?" questioned Jane.
"Yes, I paint a great deal from memory. Give me one look of a certain kind at a face, let me see it at a moment which lets one penetrate beneath the surface, and I can paint that face from memory weeks after. Lots of my best studies have been done that way. Ah, the delight of it! Beauty—the worship of beauty is to me a religion."
"Rather a godless form of religion," suggested Jane.
"Ah no," said Garth reverently. "All true beauty comes from God, and leads back to God. 'Every good gift and every perfect gift is from above, and cometh down from the Father of lights.' I once met an old freak who said all sickness came from the devil. I never could believe that, for my mother was an invalid during the last years of her life, and I can testify that her sickness was a blessing to many, and borne to the glory of God. But I am, convinced all true beauty is God-given, and that is why the worship of beauty is to me a religion. Nothing bad was ever truly beautiful; nothing good is ever really ugly."
Jane smiled as she watched him, lying back in the golden sunlight, the very personification of manly beauty. The absolute lack of self-consciousness, either for himself or for her, which allowed him to talk thus to the plainest woman of his acquaintance, held a vein of humour which diverted Jane. It appealed to her more than buying coloured air-balls, or screaming because the duchess wore a mushroom hat.
"Then are plain people to be denied their share of goodness, Dal?" she asked.
"Plainness is not ugliness," replied Garth Dalmain simply. "I learned that when quite a small boy. My mother took me to hear a famous preacher. As he sat on the platform during the preliminaries he seemed to me quite the ugliest man I had ever seen. He reminded me of a grotesque gorilla, and I dreaded the moment when he should rise up and face us and give out a text. It seemed to me there ought to be bars between, and that we should want to throw nuts and oranges. But when he rose to speak, his face was transfigured. Goodness and inspiration shone from it, making it as the face of an angel. I never again thought him ugly. The beauty of his soul shone through, transfiguring his body. Child though I was, I could differentiate even then between ugliness and plainness. When he sat down at the close of his magnificent sermon, I no longer thought him a complicated form of chimpanzee. I remembered the divine halo of his smile. Of course his actual plainness of feature remained. It was not the sort of face one could have wanted to live with, or to have day after day opposite to one at table. But then one was not called to that sort of discipline, which would have been martyrdom to me. And he has always stood to my mind since as a proof of the truth that goodness is never ugly; and that divine love and aspiration shining through the plainest features may redeem them temporarily into beauty; and, permanently, into a thing one loves to remember."
"I see," said Jane. "It must have often helped you to a right view to have realised that so long ago. But now let us return to the important question of the face which you ARE to have daily opposite you at table. It cannot be Lady Brand's, nor can it be Myra's; but, you know, Dal, a very lovely one is being suggested for the position."
"No names, please," said Garth, quickly. "I object to girls' names being mentioned in this sort of conversation."
"Very well, dear boy. I understand and respect your objection. You have made her famous already by your impressionist portrait of her, and I hear you are to do a more elaborate picture 'in the fall.' Now, Dal, you know you admire her immensely. She is lovely, she is charming, she hails from the land whose women, when they possess charm, unite with it a freshness and a piquancy which place them beyond compare. In some ways you are so unique yourself that you ought to have a wife with a certain amount of originality. Now, I hardly know how far the opinion of your friends would influence you in such a matter, but you may like to hear how fully they approve your very open allegiance to—shall we say—the beautiful 'Stars and Stripes'?"
Garth Dalmain took out his cigarette case, carefully selected a cigarette, and sat with it between his fingers in absorbed contemplation.
"Smoke," said Jane.
"Thanks," said Garth. He struck a match and very deliberately lighted his cigarette. As he flung away the vesta the breeze caught it and it fell on the lawn, flaming brightly. Garth sprang up and extinguished it, then drew his chair more exactly opposite to Jane's and lay back, smoking meditatively, and watching the little rings he blew, mount into the cedar branches, expand, fade, and vanish.
Jane was watching him. The varied and characteristic ways in which her friends lighted and smoked their cigarettes always interested Jane. There were at least a dozen young men of whom she could have given the names upon hearing a description of their method. Also, she had learned from Deryck Brand the value of silences in an important conversation, and the art of not weakening a statement by a postscript.
At last Garth spoke.
"I wonder why the smoke is that lovely pale blue as it curls up from the cigarette, and a greyish-white if one blows it out."
Jane knew it was because it had become impregnated with moisture, but she did not say so, having no desire to contribute her quota of pats to this air-ball, or to encourage the superficial workings of his mind just then. She quietly awaited the response to her appeal to his deeper nature which she felt certain would be forthcoming. Presently it came.
"It is awfully good of you, Miss Champion, to take the trouble to think all this and to say it to me. May I prove my gratitude by explaining for once where my difficulty lies? I have scarcely defined it to myself, and yet I believe I can express it to you." Another long silence. Garth smoked and pondered.
Jane waited. It was a very comprehending, very companionable silence. Garth found himself parodying the last lines of an old sixteenth-century song:
"Then ever pray that heaven may send
Such weeds, such chairs, and such a friend."
Either the cigarette, or the chair, or Jane, or perhaps all three combined were producing in him a sublime sense of calm, and rest, and well-being; an uplifting of spirit which made all good things seem better; all difficult things, easy; and all ideals, possible. The silence, like the sunset, was golden; but at last he broke it.
"Two women—the only two women who have ever really been in my life—form for me a standard below which I cannot fall,—one, my mother, a sacred and ideal memory; the other, old Margery Graem, my childhood's friend and nurse, now my housekeeper and general tender and mender. Her faithful heart and constant remembrance help to keep me true to the ideal of that sweet presence which faded from beside me when I stood on the threshold of manhood. Margery lives at Castle Gleneesh. When I return home, the sight which first meets my eyes as the hall door opens is old Margery in her black satin apron, lawn kerchief, and lavender ribbons. I always feel seven then, and I always hug her. You, Miss Champion, don't like me when I feel seven; but Margery does. Now, this is what I want you to realise. When I bring a bride to Gleneesh and present her to Margery, the kind old eyes will try to see nothing but good; the faithful old heart will yearn to love and serve. And yet I shall know she knows the standard, just as I know it; I shall know she remembers the ideal of gentle, tender, Christian womanhood, just as I remember it; and I must not, I dare not, fall short. Believe me, Miss Champion, more than once, when physical attraction has been strong, and I have been tempted in the worship of the outward loveliness to disregard or forget the essentials,—the things which are unseen but eternal,—then, all unconscious of exercising any such influence, old Margery's clear eyes look into mine, old Margery's mittened hand seems to rest upon my coat sleeve, and the voice which has guided me from infancy, says, in gentle astonishment: `Is this your choice, Master Garthie, to fill my dear lady's place?' No doubt, Miss Champion, it will seem almost absurd to you when you think of our set and our sentiments, and the way we racket round that I should sit here on the duchess's lawn and confess that I have been held back from proposing marriage to the women I have most admired, because of what would have been my old nurse's opinion of them! But you must remember her opinion is formed by a memory, and that memory is the memory of my dead mother. Moreover, Margery voices my best self, and expresses my own judgment when it is not blinded by passion or warped by my worship of the beautiful. Not