You’ll Miss Me When I’m Gone: The life and work of Eric Morecambe. Gary Morecambe
couldn’t have put any ink in it. It was terrible! But my mother thought it was brilliant. ‘Oh lovely, Eric,’ she said when I gave it to her. Then she called my Dad. ‘Look, George. Come and see what our Eric has made.’ She actually kept it, along with many similar items, throughout her lifetime.
I remember once going with the family on a picnic to Hest Bank [on the edge of Morecambe]. I was ten at the time but I really remember it as though it was this morning. I would have to wear a blazer suit if I was going to look my best. That was short blue flannel trousers and a blue flannel jacket. We were standing at the bus stop waiting to go home when a thunderstorm started and it poured with rain. The whole of my suit seemed to become spongelike, soaking up the rain as it fell. I began wiping the rain from my face and hands and legs with my jacket sleeves, but it wasn’t just rain—it was blue dye pouring out of my suit. By the time I got home I was blue from head to foot.
I often have a chuckle to myself when I recollect some of my father’s endeavours. There was a time when I was a boy when I would sit and watch him catch starlings. He used a dustbin lid and a stick with a piece of string connected to it. Then he would put a lump of bread under the lid and use the stick to support it. When the starling went to have a nibble, he would pull the string and trap the poor little thing. He would catch between ten and twenty of these birds, kill them, then give them to my Auntie Maggie to bake in a pie. She needed about twenty, because when you pluck a starling you’re not looking at too much flesh. I once had an airgun as a lad and he borrowed it to shoot a seagull off our neighbour’s roof. He hit it cleanly enough, but it toppled straight down their chimney pot and into the fireplace round which the family were gathered at the time. That must have given them some shock.
I can recall walking with my mother by the river that weaves its way through Hest Bank. I was fifteen, and she turned to me and said, ‘Now one day you’ll be a big star, as long you don’t get big-headed. But when you are a big star, you will buy me a house in Hest Bank, won’t you?’
I nodded dumbly, and said, ‘Yes, Mam; I’ll buy you a house out here.’
Many years later, in the latter part of the sixties, whenever I saw her she would say, ‘Well you are a big star, and now where’s my house you promised me at Hest Bank?’ And eventually I bought her a home in Hest Bank.
Before and during these times remembered from his childhood days, my father was being his lively self, usually in the company of his biggest mate and cousin, George ‘Sonny’ Trelfall.
‘Seeing Eric go off to dance class meant we all gave him a hard time…but it was the right thing for him without a doubt.’
Like Eric, Sonny was a bundle of fun, mischief, humour, and constant laughter. Recently I was speaking with Sonny’s son, Michael (known to all as Wiggy—nicknames were seemingly obligatory in the Trelfall family), who is now sixty. Born, bred, and still living in Morecambe, he’s someone I’ve known all my life but never discussed the early days with very much. But talking to him now I learned that when Eric first decided to embark on a career in entertainment he approached Sonny to see if he wanted to form a double act with him. ‘But my dad,’ said Wiggy, totally unfazed by the notion of what might have been, ‘couldn’t really be bothered, you know. I mean, he thought it sounded like very hard work—all a bit tiring. And it wasn’t his thing. It wasn’t really anyone’s thing back then if you were a bloke. My dad went into the Army instead at that time.’ This was echoed by Alan Hodgson, who went to the same school as Eric but knew him more through being a neighbour and great friend of his cousin Sonny. ‘There’s nothing more cruel than kids,’ he explained, ‘and seeing Eric go off to dance class meant we all gave him a hard time. I don’t know how he did it. But it was the right thing for him without a doubt, considering the rest of his career.’ This was said with genuine honesty, something I would find in great supply on my research trip to Morecambe. Those still living who knew my father have such respect for what he achieved. There was never an ounce of envy or affectation shown to me.
Wiggy gave me a picture of my father that implied there were two Erics—the kid doing dance class and the kid who kicked a ball around and was one of the lads from the Christie Avenue estate. ‘Uncle Eric and my dad were never bad as such, but they were always up to mischief,’ he said. ‘They’d take Auntie Sadie’s jam pots, empty them out, go back to the shop and claim the refund on the jars.
‘But my dad was thrilled for Uncle Eric,’ Wiggy went on in his strong Lancashire accent. ‘He always thought he had it in him. And when Uncle Eric visited they would get together and laugh and laugh. All his life my dad would make your dad laugh.’
A letter from Eric to Michael Threlfall (a.k.a. ‘Wiggy’). Eric kept in touch with Sonny, his cousin and Michael’s father, throughout his life.
And he’s right! I remember my father telling me as much. That shared camaraderie of childhood never goes away. Former school and dance class friend Betty Ford remembers it well. ‘I think Eric enjoyed talking about the old times and seeing familiar faces,’ she said. Betty recalls my father with genuine fondness. ‘He would just shuffle into school, his hands deep in his pockets, totally unconcerned that he might be late for lessons. He was moonlighting, of course—doing his showbiz stuff most evenings, so was always a bit tired. He was definitely quite slovenly in appearance. But he was a very popular lad at school. I wouldn’t say he was a cheerful personality, because he looked so tired in the mornings.’
The co-ed system worked slightly differently back in the thirties, Betty explained. ‘It’s interesting to recall that back then the girls and boys were split up at school. We were literally segregated and I would talk to Eric through the railings. It was like a mixed school, but you weren’t really allowed to mix much, although you could in classes except for the last year, where it was boys—and girls-only classes. I think they didn’t want us to socialize with each other.’ With a smile she said, ‘It’s not like that now, of course. And they’ve brought the railings down.’
And what of those very average school reports that brought his mother, Sadie, close to apoplexy? ‘Well, Eric certainly wasn’t academic,’ recalled Betty, with wonderful understatement. ‘He could be very lazy. But he got on all right, though. And he was mischievous, yet in a quiet sort of way, if you know what I mean.’ I certainly do know what she means: that quiet mischievousness never left him; indeed it is the best way one can describe his antics around the family and the home and his working persona as half of Morecambe and Wise. ‘But he wasn’t a loudmouth sort of lad,’ Betty added. ‘He kept to himself quite a bit.’
And what about the teachers who must have felt very let down by my father’s lack of contribution to school life? ‘The teachers, in fact, thought a great deal about him,’ Betty told me. ‘I saw some of them a while after leaving school and they were all very fond of him.’
I was interested to get a sense of what Eric’s success meant to these childhood friends. ‘We were all thrilled for him,’ said Betty, cautiously adding, ‘Of course, his mother did push him hard, though.’ It wouldn’t be the last time I would hear this during my visit to Lancashire.
I was keen to learn a little more about Eric’s dancing lessons, which would go on to serve his career so well. On this subject Betty was a good starting point, considering she went to the Royal Ballet School and in later years started a chain of her own dance schools.
‘It was mostly through dancing that I got to know Eric,’ she said. ‘Eric went to Mrs Hunter’s dancing school, and I went to the Plaza School of Dancing. But we did dance together. We danced at the Mickey Mouse Club sometimes.’
The Mickey Mouse Club, Betty explained, was a Saturday morning cinema club at the local Odeon, where kids paid sixpence to watch a movie—like a Flash Gordon feature starring Buster Crabbe—and then danced on the stage to music.
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