A Christmas Gift. Ruby Jackson
leading role to universal acclaim … and then, very soon after, the movies – it was all supposed to start here, today, at Oliver Dantry’s Theatrical Training School.
She pictured her parents. Her mother would be making quite sure that her spotless home was indeed spotless. Her father would be in his beloved projection booth, handling the magical reels of film with experienced, caring hands; those films that had been her inspiration since she was old enough to sit still in front of them, starring actors whose faces were as familiar to her as her own. Her parents would be thinking of her, imagining her excitement as she sat in a college classroom – if there was a classroom in a theatre school – trying to persuade themselves that they were pleased that their only child had abandoned the prospect of a university degree for a dubious future in the theatre.
What could she do? Hammering on the door would solve nothing. It was obvious that the building was empty. ‘The duration’? How long was ‘the duration’? ‘Over by Christmas.’ That was the pathetic little phrase that appeared in all her school history books. The Great War had gone on for years after that first Christmas.
‘No, no, no …’ Sally sobbed loudly. Eventually her weeping abated and then, embarrassed in case she might be seen, she blew her nose in a most unladylike fashion, took a deep breath, straightened her spine, and walked away smartly.
Sitting in the Albemarle, she moved slightly, in an attempt both to banish the memory and to make herself a little more comfortable. She was not proud of how she had behaved that day and preferred instead to remember when a letter had finally arrived from Oliver Dantry.
It hadn’t started out as a red-letter day. She had expected to begin working full time as an usherette in the cinema now her theatrical training had fallen through. Selling ice cream and bars of chocolate was no substitute but she knew she had to do something useful. But that hadn’t come about either. Her parents said nothing but they must have been thinking that had she accepted a university place she would now be preparing herself for a prestigious future. They had made no secret of their dreams that their bright, talented, only child should have a good education, and go on to be the first member of either family to graduate from a university.
‘I’ve ruined all their plans,’ Sally scolded herself. ‘I’ll never be able to make them proud of me. Because of my wilful pride I have neither university place nor theatrical training. Look at me, cosseted, spoiled Sally. If the Government hadn’t closed all theatres and cinemas I’d be a cinema usherette; that’s a long way from top of the bill. Instead of studying literature at university I’m taking a first-aid class – and I know I’d be useless in an emergency.’
She closed the leaflet ‘How to Prepare Your Home for an Air Raid’ as her mother called from the bathroom, ‘Sally, be a love and turn on the gas under the milk pan while I fix my curlers; your dad should be passing on his fire-watching round and maybe he’ll pop in for some cocoa.’
Sally hurried to the kitchen. This, at least, she could do.
‘Sorry I forgot, love, there’s a letter for you, typed address, in the dresser drawer; didn’t want it to get covered in flour when I was baking.’
Sally, who had just taken the box of matches down from the shelf, dropped it, turned and pulled open the drawer. Her mother, still in the bathroom, smiled as she heard her rip open the letter.
The door opened and Ernie Brewer came in just as Elsie gave her head a final pat and walked into the kitchen where the milk was still cold on the stove. She lit the gas and waited while Sally finished the letter. While her parents stood watching Sally smiled broadly and read the letter again.
She finished, clutched the letter to her breast, threw her arms round her uniformed father, who was closest, and shouted, ‘I’ve got a job.’
Her doting parents were not surprised when their daughter burst into loud but happy tears. Elsie made cocoa while she waited for the ever-emotional Sally to be calm and at last all three were able to sit down and talk.
‘It’s from Oliver, Mr Dantry. He says he talked to a friend of his in the Dartford Rep and, even though the theatre is dark –’ she looked at her parents to see if they understood the term – ‘they’re willing to take me on as an apprentice. Learning from the ground up, he calls it. I’ll have to do everything: look after props, keep scripts in order, help with costumes, scenery too, if they think I’m any good, even make tea for the professional cast. I can start immediately, tomorrow if I want.’
‘Very kind of Mr Dantry to think of you, Sally, but actually I’ve just heard some good news too.’
Eyes wide, Ernie’s wife and daughter looked at him.
Elsie spoke first. ‘Oh, Ernie, it’s not …?’
He was too full of emotion to speak but nodded. Then, once again in control of himself, said, ‘Tomorrow, love, all cinemas and places of entertainment are to reopen. I know it’s been only a few days but some big wigs ’as managed to show the Government what a stupid thing closing us down was in the first place.’
‘Oh, Dad, that is fantastic news. You’ve got a job again.’
‘And so do thousands of other people all over the country, even you, love, if you ever need it.’
Sally looked at him pityingly. ‘Daddy, I’ve got a chance to become an actress, but if you need me on my days off I’ll come in and give you a hand.’
‘And get to watch the film in return, little minx. Bet in a thousand years you’ll never guess what film we’ve been promised soon as it’s available.’
Sally stood up. ‘Let me get you more cocoa.’
‘Sorry, love, duty calls. You two, don’t wait up.’
‘What film?’ called Sally, but the only reply was a laugh and the sound of a closing door.
Next morning Sally went to the little theatre to find the few surviving members of the company sharing a bottle of sparkling wine. Elliott Staines, the director and – usually – leading man, introduced Sally and even gave her a small glass of wine. Everyone was in a state almost of euphoria. Three young actors had joined up as soon as war was declared, two box office staff had been evacuated; the cleaning staff had been dismissed when the order to close had been received and so the company was sadly depleted.
‘It’ll get worse,’ Paul Ridley, the second director complained. ‘No offence, Sally, but that’s why we were so glad to get you. I doubt we’ll keep you long – Churchill will want you in the services – but while you’re here, we’ll work you to death. Believe me, a rep is the best place to learn your craft.’
Sally believed him and, for some time, had never been happier. She loved the smell of the theatre. Without the cleaning staff, dust and dirt were everywhere. Their smells mingled with the lingering perfumes of stage make-up, stale sweat, coffee, cigarette smoke, even beer, and Sally, newest member not of the cast but of the workforce, spent hours cleaning. It was not as she had pictured her first position but she reminded herself that at least she was actually working in the theatre.
She could smile now when she remembered her first theatrical experiences, those early days of endless hours of ironing frilled shirts or lace jabots, hours of cranking out pages of scripts on the ancient stencil duplicator, and of finding, to her stunned surprise, that she had a talent for designing and painting scenery. Less productive hours were spent making and serving endless cups of tea that in time grew weaker and weaker as rationing marched across the land.
It wasn’t too ghastly, she mused now. I read every script and memorised almost all the words. I learned to judge what was good and what was so-so and what was just plain bad acting. I must have been the best-read skivvy in the history of English theatre. And I met Sebastian, and I fell in love.
Early December 1939
‘The Theatre Royal?’ she repeated.
Elliott Staines smiled at her. ‘Of course, darling. The Theatre Royal, Drury Lane. Actually, my chum Connie