The Devil and Miss Prym. Пауло Коэльо

The Devil and Miss Prym - Пауло Коэльо


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there on special food, the village itself might well be sold to a big multinational that would turn it into a ski resort.

      That is what had happened to other villages in the region, but Viscos had resisted – because it owed a debt to the past, to the strong traditions of those ancestors who had once chosen to live here, and who had taught them the importance of fighting to the bitter end.

      The stranger carefully read the form he was given to fill in at the hotel, deciding what he was going to put. From his accent, they would know he came from some South American country, and he decided it should be Argentina, because he really liked their football team. In the space left for his address, he wrote Colombia Street, knowing that South Americans are in the habit of paying homage to each other by naming important places after neighbouring countries. As his name, he chose that of a famous terrorist from the previous century.

      In less than two hours, all the 281 inhabitants of Viscos knew that a stranger named Carlos had arrived in the village, that he had been born in Argentina and now lived in a pleasant street in Buenos Aires. That is the advantage of very small villages: without making the slightest effort, you can learn all there is to know about a person’s life.

      Which was precisely what the newcomer wanted.

      He went up to his room and unpacked his rucksack: it contained a few clothes, a shaving kit, an extra pair of shoes, vitamins to ward off colds, a thick notebook to write in, and eleven bars of gold, each weighing two kilos. Worn out by tension, by the climb and by the weight he had been carrying, the stranger fell asleep almost at once, though not before placing a chair under the door handle, even though he knew he could count on each and every one of Viscos’ 281 inhabitants. The next morning he ate breakfast, left his dirty clothes at reception to be laundered, put the gold bars back in his rucksack, and set off for the mountain to the east of the village. On his way, he saw only one villager, an old woman sitting in front of her house, who was looking at him with great interest.

      He plunged into the forest, where he waited until his hearing had become used to the noises made by the insects and birds, and by the wind rattling the leafless branches; he knew that in a place like this someone could easily be observing him without his being aware of it, so he stood there for almost an hour without doing anything.

      When he felt sure that any possible observer would have lost interest and moved on without anything to report, he dug a hole close to a rocky outcrop in the shape of a Y and hid one of the bars there. Then he climbed a little higher, spent another hour as if in rapt contemplation of nature, spotted another rocky outcrop – this time in the form of an eagle – and dug another hole, in which he placed the remaining ten gold bars.

      The first person he saw as he walked back to the village was a young woman sitting beside one of the many temporary rivers that formed when the ice melted high up in the mountains. She looked up from her book, acknowledged his presence, and resumed her reading; doubtless her mother had told her never to talk to strangers.

      Strangers, however, when they arrive in a new place, have the right to try and make friends with people they do not know, and so he went over to her.

      ‘Hello,’ he said. ‘Very hot for the time of year.’

      She nodded in agreement.

      The stranger went on: ‘I’d like you to come and look at something.’

      She politely put down her book, held out her hand, and introduced herself.

      ‘My name’s Chantal. I work in the evenings at the bar of the hotel where you’re staying, and I was surprised when you didn’t come down to dinner, because a hotel doesn’t make its money just from renting rooms, you know, but from everything the guests consume. You are Carlos from Argentina and you live in Colombia Street; everyone in the village knows that already, because a man arriving here outside of the hunting season is always an object of curiosity. A man in his fifties, with greying hair, and the look of someone whom has been around a bit.

      ‘And thank you for your invitation, but I’ve already seen the landscape around Viscos from every possible and imaginable angle; perhaps it would be better if I showed you places you haven’t seen, but I suppose you must be very busy.’

      ‘I’m 52, my name isn’t Carlos, and everything I wrote on the form at the hotel is false.’

      Chantal didn’t know what to say. The stranger went on:

      ‘It’s not Viscos I want to show you. It’s something you’ve never seen before.’

      She had read many stories about young women who decide to go into the forest with a stranger, only to vanish without trace. For a moment she was afraid, but her fear was quickly replaced by a desire for adventure: after all, this man wouldn’t dare do anything to her when she had just told him that everyone in the village knew all about him – even if none of the details were actually true.

      ‘Who are you?’ she asked. ‘If what you say is true, surely you realise I could turn you in to the police for passing yourself off with a false identity?’

      ‘I promise to answer all your questions, but first you have to come with me, because I really do want to show you something. It’s about five minutes’ walk from here.’

      Chantal closed her book, took a deep breath and offered up a silent prayer, while her heart beat in fear and excitement. Then she got up and followed the stranger, convinced that this would prove to be yet another disappointing encounter, one which started out full of promise and turned into yet another dream of impossible love.

      The man went over to the Y-shaped rock, indicated the recently dug earth, and suggested she uncover what lay buried there.

      ‘I’ll get my hands dirty,’ protested Chantal. ‘I’ll get my dress dirty too.’

      The man grabbed a branch, broke it and handed it to her to use as a spade. She found such behaviour distinctly odd, but decided to do as he asked.

      Five minutes later, a grubby, yellowish bar lay before her.

      ‘It looks like gold,’ she said.

      ‘It is gold. And it’s mine. Now please cover it over again.’

      She did as she was told. The man led her to the next hiding place. Again she began digging, and this time was astonished at the quantity of gold she saw before her.

      ‘That’s gold too. And it’s also mine,’ said the stranger.

      Chantal was beginning to cover the gold over again with soil, when he asked her to leave the hole as it was. He sat down on one of the rocks, lit a cigarette, and stared at the horizon.

      ‘Why did you want to show me this?’ she asked.

      He didn’t respond.

      ‘Who are you exactly? And what are you doing here? Why did you show me this, knowing I could go and tell everyone what’s hidden here on the mountain?’

      ‘So many questions all at once,’ the stranger replied, keeping his eyes fixed on the mountains, as if oblivious to her presence. ‘As for telling the others, that’s precisely what I want you to do.’

      ‘You promised me that, if I came with you, you would answer any questions I asked you.’

      ‘In the first place, you shouldn’t believe in promises. The world is full of them: promises of riches, of eternal salvation, of infinite love. Some people think they can promise anything, others accept whatever seems to guarantee better days ahead, as, I suspect, is your case. Those who make promises they don’t keep end up powerless and frustrated, and exactly the same fate awaits those who believe those promises.’

      He was making things too complicated; he was talking about his own life, about the night that had changed his destiny, about the lies he had been obliged to believe because he could not accept reality. He needed, rather, to use the kind of language the young woman would understand.

      Chantal, however, had understood just about everything. Like all older men, he was obsessed with the


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