The Victoria Letters: The official companion to the ITV Victoria series. Helen Rappaport
his asthma. During William’s reign the interior of the house underwent extensive renovations designed by the architect Sir Christopher Wren. Queen Anne loved it so much that in 1704 she added a grand orangery, and George I ordered its beautiful gardens to be laid out in 1723–27 by the landscape gardener William Kent.
Little money, however, was spent on maintaining the exterior fabric of the building and it fell into disuse as a royal residence after the death there of George II in 1760. Once Buckingham House (later Palace) was built in central London, George III preferred to live there and Kensington instead became a home for minor royals. The Duke of Kent had been allocated two floors of apartments in 1798, which he furnished, at considerable expense, with new upholstery, curtains and bed hangings. The new furnishings, however, did little to enhance the dark and gloomy interior, which had long been infested with black beetles and other insects, and the Duke’s mounting debts drove him to seek refuge abroad.
By the time Victoria was born, Kensington Palace’s only remaining occupant was her rather frightening and eccentric Uncle Sussex. She later recalled:
My earliest recollections are connected with Kensington Palace, where I can remember crawling on a yellow carpet spread out for that purpose – and being told that if I cried and was naughty my Uncle Sussex would hear me and punish me, for which reason I always screamed when I saw him!
VICTORIA’S REMINISCENCES OF HER EARLY CHILDHOOD, WRITTEN IN 1872
Uncle William and Aunt Adelaide send their love to dear little Victoria with their best wishes on her birthday, and hope that she will now become a very good Girl, being now three years old. Uncle William and Aunt Adelaide also beg little Victoria to give dear Mamma and to dear Sissi a kiss in their name, and to Aunt Augusta, Aunt Mary and Aunt Sophia too, and also to the big Doll. Uncle William and Aunt Adelaide are very sorry to be absent on that day and not to see their dear, dear little Victoria, as they are sure she will be very good and obedient to dear Mamma on that day, and on many, many others. They also hope that dear little Victoria will not forget them and know them again when Uncle and Aunt return.
LETTER FROM THE DUCHESS OF CLARENCE TO VICTORIA, 24 MAY 1822
My dearest Uncle – I wish you many happy returns on your birthday; I very often think of you, and I hope to see you soon again, for I am very fond of you. I see my Aunt Sophia often, who looks very well, and is very well. I use every day your pretty soup-basin. Is it very warm in Italy? It is so mild here, that I go out every day. Mama is tolerable well and am quite well. Your affectionate Niece, Victoria.
P.S. I am very angry with you, Uncle, for you have never written to me once since you went, and that is a long while.
LETTER FROM VICTORIA TO LEOPOLD, 25 NOVEMBER 1828
FOR THE MOST PART, life at Kensington Palace was unremittingly quiet and uneventful for the young Victoria:
We lived in a very simple, plain manner; breakfast was at half-past eight, luncheon at half-past one, dinner at seven – to which I came generally (when it was no regular large dinner party) – eating my bread and milk out of a small silver basin. Tea was only allowed as a great treat in later years.
~ VICTORIA’S REMINISCENCES OF HER EARLY CHILDHOOD, WRITTEN IN 1872
The Duchess, seeking to protect her precious daughter at Kensington from the pernicious influence of court and her predatory Hanoverian uncles, installed little Drina’s chintz-curtained bed on one side of her own. ‘I was brought up very simply, never had a room to myself till I was nearly grown up and always slept in my Mother’s room till I came to the throne,’ Victoria later wrote.
On the other side of the Duchess’s bed slept Feodora, her daughter from her previous marriage. With playmates very few and strictly vetted, Drina clung to her adored half-sister. Feodora cosseted her and would often take her into her own bed in the mornings; she liked nothing better than pulling her baby sister along in a hand-carriage in the gardens outside. But with the emphasis so much on Drina, Feodora remained a shadowy figure, a ‘timid onlooker’, as she herself said, of the life of her far more important half-sister.
Victoria adored her: ‘My dearest sister was friend, sister, companion, all to me, we agreed so well together in all our feelings and amusements,’ she later wrote. It hurt her that so little attention was paid to dearest Fidi, as she called her. ‘Why do all the gentlemen raise their hats to me, and not to Feodora?’ she once asked.
Script quote:
Mrs Jenkins:
Funny to think she’s never slept a night alone or even walked down the stairs without her hand needing holding and now she is Queen.
Character Feature:
DUCHESS OF KENT
- Victoria’s Mother -
‘Like having an enemy in the house’
– Victoria –
THE DUCHESS OF KENT WAS born Marie Louise Victoire, daughter of the Duke of Saxe-Coburg-Saalfeld and his wife Augusta in 1786. She was the sister of Leopold, King of the Belgians, and Ernst I, Duke of Saxe-Coburg Gotha – Prince Albert’s father. At the age of seventeen she was married to the Prince of Leiningen, a man 23 years her senior, and had two children by him, Charles in 1804 and Feodora in 1807. Widowed in 1814, she was steered in the direction of the unmarried Duke of Kent by her ambitious brother Leopold, who knew that the Duke was keen to father a legitimate heir to the British throne. Although on paper it was an advantageous royal match for a relatively lowly Saxe-Coburg, the Duchess’s brief life with the Duke was plagued by financial insecurity and an endless and repeated flight around Europe from their creditors. When the Duke died unexpectedly in 1820, Victoire was left penniless and socially isolated until Leopold, with his eye on the prize of his niece’s accession to the throne, bailed her out with an annuity.
Alienated from the court and King William, who disliked her intensely, the Duchess immured herself and her daughter at Kensington Palace. Her vulnerability, isolated and friendless as she was, laid her open to the domineering influence of the controller of her household, Sir John Conroy, who brought out the worst in her by encouraging her ambitions to become Regent. Aware of this and infuriated by the Duchess’s constant demands over precedence, William willed himself to stay alive until his niece Victoria had reached her eighteenth birthday in May 1837.
Once upon the throne, Victoria ruthlessly relegated her mother to a separate suite of rooms and it was only later, thanks to Prince Albert, that mother and daughter were reconciled.
Catherine H. Flemming Plays the Duchess:
‘With all the political manoeuvring around the young Victoria, her mother didn’t want her to choose the wrong path. Conroy was guiding [the Duchess] and he was the only one she trusted. The Duchess stayed at court even though she was a complete lone wolf. She was never able to step into the bubble of the English royals. She was always someone on the side watching, as a spy, in order to protect her daughter.’
ONCE DRINA REACHED THE AGE OF FOUR, a carefully monitored regime, which became known as the ‘Kensington System’, was devised for her by the Duchess, on advice from the controller of her household, Sir John Conroy. Conroy had previously served as the Duke of Kent’s equerry and since his death had gained a considerable hold over the Duchess and her financial affairs. This system of concerted isolation of the young and impressionable child – and which Drina’s governess, Fräulein Louise Lehzen, assisted