The Dead Command. Blasco Ibáñez Vicente
but it had dwindled with the passing of the centuries and with the exigencies of the family. Now a part of it had become a residence for nuns, and other parts had been acquired by certain rich people who disfigured with modern balconies the original unity of the design, which was still suggested by the regular line of eaves and tile-covered roofs. The Febrers themselves who were living in that portion of the great house which looked upon the garden and the sea, had been compelled to let the lower stories to warehousemen and small shopkeepers, in order to augment their rents. Near the lordly portal, inside the glass windows, some girls who greeted Don Jaime with a respectful smile were busy ironing linen. He stood motionless contemplating the ancient house. How beautiful it was still in spite of its amputations and its age!
The foundation wall, perforated and worn by people and carriages, was cleft by several windows with grilles on a level with the ground. The lower story of the palace was worn, lacerated, and dusty, like feet which had been plodding for centuries.
As it rose above the mezzanine, a story with an independent entrance which had been rented to a druggist, the lordly splendor of the façade developed. Three rows of windows on a level with the arch of the portal, divided by double columns, had frames of black marble delicately carved. Stone thistles climbed over the columns which sustained the cornices, while above them were three great medallions—that in the center being the bust of the Emperor with the inscription DOMINUS CAROLUS IMPERATOR, 1541, in memory of his passing through Majorca on the unfortunate expedition against Algiers; those on either side bore the Febrer arms held by fish with bearded heads of men. Above the jambs and cornices of the great windows of the first story were wreaths formed of anchors and dolphins, testifying to the glories of a family of navigators. On their finials were enormous shells. Along the upper portion of the façade was a compact row of small windows with Gothic decorations, some plastered over, others open to admit light to the garrets, and above them the monumental eaves, such as are found only in Majorcan palaces, their masses of carved timbers blackened by time and supported by sturdy gargoyles projecting as far as the middle of the street.
Over the entire façade extended cleats of worm-eaten wood with nails and bands of rusted iron. They were the remains of the grand illuminations with which the household had commemorated certain feasts in its times of splendor.
Jaime seemed satisfied with this examination. The palace of his ancestors was still beautiful despite the broken panes in the windows, the dust and cobwebs gathered in the crevices, the cracks which centuries had opened in its plaster. When he should marry, and old Valls' fortune should pass into his hands, everyone would be astounded at the magnificent resurrection of the Febrers. And yet, would some people be scandalized at his decision, and did he himself not feel certain scruples? Courage, forward!
He turned in the direction of El Borne, a broad avenue which is the center of Palma, a stream bed which in ancient times divided the city into two villages and into two hostile factions—Can Amunt and Can Avall. There he would find a carriage to take him to Valldemosa.
As he entered the Paseo del Borne his attention was attracted by a group of people standing in the shade of the dense-crowned trees staring at a peasant family which had stopped before the display windows of a shop. Febrer recognized their dress, different from that worn by the peasants on the island. They were Ivizans. Ah, Iviza! The name of this island recalled the memory of a year he had spent there long ago in his youth. Seeing these people who caused the Majorcans to grin as if they were foreigners, Jaime smiled also, looking with interest at their dress and figures.
They were, undoubtedly, father, son and daughter. The elder rustic wore white hempen sandals, above which hung the broad bell of a pair of blue trousers. His jacket-blouse was caught across his breast by a clasp, affording glimpses of his shirt and belt. A dark mantle hung over his shoulders like a woman's shawl, and to complete this feminine garb, which contrasted strongly with his hard, brown, Moorish features, he wore a handkerchief knotted across his forehead beneath his hat, with the ends hanging down behind. The boy, who was about fourteen, was dressed like the father, with the same style of trousers, narrow in the leg and bell-shaped over the foot, but without the kerchief and mantle. A pink ribbon hung down his breast like a cravat, a spray of flowers peeped from behind one of his ears, and his hat with a flower-embroidered band, thrust back on his head, allowed a wave of curls to fall around his face, brown, spare and mischievous, animated by African eyes of intense lustrous black.
The girl it was who attracted the greatest attention with her accordeon-plaited green skirt beneath which the presence of other skirts could be divined, forming an inflated globe of several layers which seemed to make still smaller her fine and graceful feet encased in white sandals. The prominent curves of her breast were concealed beneath a small yellow jacket with red flowers. It had velvet sleeves of a different color decorated with a double row of filigree buttons, the work of the Chueta silversmiths. A triple shining gold chain, terminated by a cross, hung over her breast, but so enormous were the links, that, had they not been hollow, they must have borne her down by their weight. Her black and glossy hair was parted over her forehead and concealed beneath a white kerchief tied under her chin, appearing again behind in long heavy braids tied with multi-colored ribbons falling to the hem of her skirt.
The girl, with her basket over her arm, stood looking at the strange sights, admiring the tall houses and the terraces of the cafés. She was pink and white, without the hard coppery roughness of the country women. Her features had the delicacy of an aristocratic and well cared for nun, the pale texture of milk and roses, lightened by the luminous reflection of her teeth and the timid glow of her eyes, under a kerchief resembling a monastic head-dress.
Impelled by curiosity Jaime approached the father and son whose backs were turned to the girl and who were absorbed in contemplation of the show window. It was a gun store. The two Ivizans were examining the weapons exposed with ardent eyes and gestures of adoration, as if worshipping miraculous idols. The boy pressed his eager, Moorish face against the glass as if he would thrust it through the pane.
"Fluxas—pa're, fluxas!" he cried with the excitement of one who meets an unexpected friend, calling his father's attention to the display of huge Lefaucheux pistols.
The admiration of the two was concentrated upon the unfamiliar weapons, which seemed to them marvelous works of art—the guns with invisible locks, repeating rifles, pistols with magazines which could hurl shot after shot. What wonderful things men invent! What treasures the rich enjoy! These lifeless weapons seemed to them animate creatures with malignant souls and limitless power. Doubtless such as these could kill automatically, without giving their owner the trouble of taking aim!
The image of Febrer, reflected in the glass, caused the father to turn suddenly.
"Don Jaime! Ah, Don Jaime!"
Such was his astonishment and surprise, and so great his joy, that, grasping Febrer's hands, he almost knelt before him, while he spoke in a tremulous voice. He had been killing time along the Paseo del Borne so as to reach Don Jaime's house about the time he should arise. Of course he knew that gentlemen always retire late! What a joy to see him! Here were his children—let them take a good look at the Señor! This was Don Jaime; this was the master! He had not seen him for ten years, but he would have recognized him among a thousand.
Febrer, disconcerted by the peasant and by the deferential curiosity of the two children who stood planted before him, could not recall his name. The worthy fellow guessed this slip of memory from Jaime's hesitant glance. Truly did he not recognize him? Pèp Arabi, from Iviza! Even this did not tell much, because on that little island there were but six or seven surnames, and Arabi was borne by a fourth part of the inhabitants. He would explain more clearly—Pèp of Can Mallorquí.
Febrer smiled. Ah, Can Mallorquí! A poor predio in Iviza, a farm where he had passed a year when he was a boy, his sole inheritance from his mother. Can Mallorquí had not belonged to him for twelve years. He had sold it to Pèp, whose fathers and grandfathers had cultivated it. That was during the time when he still had money; but of what use was that land on a separate island to which he would never return? So with the geniality of a benevolent gran señor he had sold it to Pèp at a low figure, valuing it in accord with the traditional rents; and conceding easy terms for payment, sums which, when hard times pressed upon him, had often come as an unexpected joy. Years had passed since Pèp had satisfied the debt, and