The Grip Lit Collection: The Sisters, Mother, Mother and Dark Rooms. Koren Zailckas
‘He’s gay and very flamboyant,’ she says. ‘And quite a successful artist. His parties are legendary.’
I take a deep breath before we push our way through the heavy front door and the heat hits me like an invisible wall. I find it hard to swallow, my tongue sticking to the dry roof of my mouth. There are people everywhere, clusters of them on the landing, milling about the hallway, languishing against door frames with easy smiles, glasses of bubbly in their hands. Waiters dressed in black and white manoeuvre expertly through the crowds, refilling glasses surreptitiously and handing out hors d’oeuvres from silver trays. The music pulsates in my ears, making my heart beat even faster, my pulse pounding painfully in my throat. I always knew this was going to be difficult, the first party without Lucy.
I suddenly glimpse her amongst the knots of people gathered on the sweeping staircase, a floaty scarf around her long neck, her familiar encouraging smile playing on her too-large mouth, but when I blink again she’s gone. Beatrice glances at me, mouthing if I’m okay and when I nod she squeezes my hand reassuringly, telling me I’m doing fine and to stay close to her. I follow her swishy bob, my hand gripping hers as we snake our way through the hordes of jostling bodies, in the same way I used to follow my sister whenever we went to parties or clubs.
It was always Lucy and Abi Cavendish and never the other way around. She was two minutes older than me, my better half, the brighter, shinier, more intelligent twin. I was the runt of the litter. As my mum was always so fond of telling us, as a baby I was the sickly one who suffered from acid reflux, whereas Lucy thrived, consuming all the milk and solids that she could get her chubby little mitts on. In the faded photographs taken with Dad’s instant Polaroid camera from the mid-1980s, square-shaped and yellowing, the corners curled with age, Lucy and I sit together on a sheepskin rug in front of a stone fireplace or on a picnic blanket on the lawn of our garden, two almost identical toddlers dressed in matching clothes, her pudgy-thighed and cute and me, her stunted skinny twin, Lucy’s distorted mirror image.
Even at school she made friends easier than I did; she had a natural, breezy way about her, whereas I was too intense. When she suggested we join in with the other girls in the playground I would stick out my lower lip and shake my head, which infuriated her. She was a social butterfly and I was clipping her wings. I wanted her all to myself, as if I somehow knew, even then, that the time we had together would be short, finite. When Lucy did play Hide and Seek or Tag with the other kids, I would drift around the playground by myself, inventing stories in my head of the great adventures we would have, just the two of us.
It was only at university that I stepped out of Lucy’s shadow. I had no choice. With her brains she was always going to be accepted at a red-brick, Russell Group university; my parents wanted her to be a doctor, and she didn’t disappoint them. I, on the other hand, only ever aspired to the local poly, although I think I surprised everyone, myself included, when I got into Cardiff to study journalism.
Lucy would have walked into this party with her head held high, as if she belonged in this world of wealth and art and I would have followed, her confidence rubbing off on me like body glitter.
‘Beatrice, my pretty darling,’ booms a loud voice and a big bear of a man with a frizzy beard, who looks to be at least fifty years old, parts the crowd. ‘I’m so glad you could make it.’ He’s wearing a dazzling print shirt that’s open at the neck and strains over his ample stomach. They busily air-kiss each other and then turn to me. ‘So, this is Abi,’ he says, his chocolate brown eyes meeting mine. ‘I’ve heard a lot about you. I’m Monty.’ He gives my hand a hearty shake. ‘Come and get a drink.’
They walk off together, leaving me trailing behind them. I can see the strap of a blood-red bra poking out of Beatrice’s black vest top and cutting into the flesh of her shoulder. I can’t quite catch what they are saying above the boom of the music.
We reach a huge, high-ceilinged drawing room with white walls, the coving and Georgian shutters painted a lead grey. Monty thrusts a glass of something orange into my hand and then resumes his conversation with Beatrice and I’m hit with a twinge of jealousy that he’s taking up so much of her time. I take a gulp of my cocktail; it’s so strong the alcohol burns the back of my throat, coating my anxiety, and before I know it I’ve finished the glass and taken another one from the tray of a passing waiter. I feel light-headed as my eyes sweep the room, noticing the many gilt-framed oil paintings of scantily clad, angelic-faced men and women, almost like modern versions of Botticelli, that adorn the walls. I recognize the paintings as being Monty’s own work. Beatrice had shoved a leaflet from his most recent exhibition under my nose while we were in the taxi on the way here. His paintings aren’t to my taste.
I catch snippets of conversations about artists I’ve never heard of or books I’ve never read, and I’m reminded of the parties in London that I attended with Nia and Lucy. They were similar to this; glossy, monied people, effortlessly cool and confident. But I didn’t mind that I never quite fitted in, because I had Nia and Lucy, and we usually only went along for a laugh and a free goody bag.
A cluster of thirty-somethings are dancing rather self-consciously in the corner to Happy Mondays. I turn my attention back to Beatrice, relieved when I see Monty drifting away from her to talk to an elegant woman in her mid-sixties. Beatrice raises her eyebrows at me and wrinkles her nose. ‘Is that woman wearing a real fur stole?’ she giggles. ‘Look, it’s even got a head.’ She seems to find this hilarious and I stare at her, perplexed; how many cocktails has she been plied with? ‘Come on, let’s go and explore,’ she says. ‘I’ve always wanted to have a nose around Monty’s place.’ She takes my hand and we make our way through the different rooms, all as huge and elaborate as the drawing room and filled with people drinking cocktails or champagne. It’s like being in a Stephen Poliakoff film. My heart pounds in my chest. Not with the usual anxiety but with a growing sense of exhilaration at being so near to Beatrice. Her confidence, her joy, is infectious. When I’m with her I experience that heady rush of adrenalin at being around someone who I admire so much. She makes me believe that I can do anything, be anyone.
Giggling and clutching each other, we stumble across a small music room and dump our now-empty cocktail glasses on top of a glossy cream piano. ‘At last,’ sighs Beatrice as she leaps on to a Chesterfield leather sofa, dangling her long legs over the arm. ‘A room with nobody in it. There’s too many people at this party. And my feet are killing me.’
To emphasize this point she kicks off her high heels and stretches her toes, webbed like a duck’s in her opaque tights. I plonk myself next to her, grateful for a break from the relentless music and chatter and noise that accompanied us around every room as if we were being chased by a swarm of bees. The lighting is dim and I’m flattered that Beatrice is comfortable enough with me to lean back against me. I breathe in her smell; her perfume, the apple shampoo from her hair. We sit this way for a while in companionable silence. Me, upright against the stiff back of the Chesterfield, with Beatrice using my lap for a pillow, her legs stretched out so that she takes up most of the sofa.
Without consciously thinking about it, I reach out and gingerly brush her fair hair back from her face. It’s so fine, the skin of her forehead as soft as velvet. Her eyes are closed and at my touch she exhales contentedly. And as I stare down at her beautiful face, so similar to Lucy’s yet so different, my feelings for her merge like the paints on a palette until they become murky, unclear. On one hand she’s becoming a friend, a sister … and yet, just out of reach, a shadow in my peripheral vision, I’m experiencing another, unfamiliar feeling. I lean over her, studying her delicate features. Her eyes are still closed, her long lashes casting shadows on her smooth cheeks and I suddenly long to kiss the freckles that fan across her nose, to touch the clavicle in her throat. I imagine kissing a girl would be softer, sweeter somehow. I lean over her, my mouth hovering above hers and time seems to slow down.
As if reading my thoughts, Beatrice opens her eyes and lifts her head from my lap in one swift movement and I shrink back against the sofa, my face burning at what I was almost compelled to do. What was I thinking? Those two cocktails have obviously gone to my head. I don’t fancy Beatrice. The feelings I have for her are confused in my mind, that’s all. I admire you, Beatrice, I want to yell. You remind