The Good Mother: A tense psychological thriller with a shocking twist. A. Bird L.

The Good Mother: A tense psychological thriller with a shocking twist - A. Bird L.


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Chapter 27

       Chapter 28

       Chapter 29

       Chapter 30

       Chapter 31

       Chapter 32

       Chapter 33

       Chapter 34

       Chapter 35

       Chapter 36

       Chapter 37

       Chapter 38

       Chapter 39

       Chapter 40

       Chapter 41

       Chapter 42

       Chapter 43

       Chapter 44

       Chapter 45

       Chapter 46

       Chapter 47

       Chapter 48

       Chapter 49

       Chapter 50

       Chapter 51

       Chapter 52

       Chapter 53

       Chapter 54

       Chapter 55

       Chapter 56

       Chapter 57

       Chapter 58

       Chapter 59

       Chapter 60

       Chapter 61

       Chapter 62

       Chapter 63

       Chapter 64

       Chapter 65

       Chapter 66

       Chapter 67

       Chapter 68

       Chapter 69

       Endpages

       About the Publisher

      The girl gets into the car that’s waiting for her. She looks over her shoulder first, like he’s told her to, to check Mummy isn’t watching. Would Mummy really mind? She can’t be sure. But he seems to think so. And he knows best, right? So she does the covert glance then slings her school bag into the back seat, like all the other times. He holds his cheek towards her for a kiss, which she dutifully bestows. Then he starts the engine with a vroom. Familiar buildings pass by. Buses on their way to places she recognises: Muswell Hill Broadway; Barnet (The Spires); North Finchley. There are a couple of kids from school. She raises her hand to wave but the man, seeing her, says, ‘Best not.’ So she lowers her hand and plays with the hem of her skirt, gazing absently out of the window.

      Gradually, the territory becomes less familiar. The other man, the man they are going to meet, always insists on meeting outside of her home area. Says it’s safer that way. She hopes he’ll buy her a hot chocolate again. That was nice. Lots of whipped cream. Mummy always says whipped cream is bad: ‘You’ll end up big-boned. No one wants to be big-boned.’ The girl commented that the women at Mummy’s cupcake studio don’t seem big-boned. And they have lots of cream. ‘That’s because they spend a lot of time in the bathroom after each session,’ Mummy explained. That didn’t make much sense. But still, after the last visit, she hung round in the bathroom for a good ten minutes, so that the cream didn’t invade her bones and make them puff up.

      And if there is hot chocolate, the girl thinks, it will be something to keep me busy. Because there’s not a lot of talking on these trips, so far. The other man doesn’t seem to know what to say. He looks at her a lot. Taking her in, from top to toe. She can feel his gaze travel down then up, up then down. Sometimes he gives a little smile. Other times a frown. She wants to please him, of course. She wants to please everyone. But when she tells him about the usual stuff – school, Mummy, music, boys even – he doesn’t say much back. And the two men glare at each other whenever they’re not looking at her. She can’t figure out why they keep hanging around together. Or what they want her to do on these occasions. So perhaps better just to concentrate on pushing the little wooden stirrer stick up and down in the hot chocolate to make holes, revealing the hot chocolate below. You have to get it to just the right meltiness to drink it. Then it’s delicious. She licks her lips in anticipation. Last time, the other man, the man they’re going to visit, looked like he was anticipating hot chocolate the whole time. Kept licking his lips. If he wanted some of her drink, he should just have said.

      This might be the last time at this place, though. Because the previous time the other man, the man they’re going to see, had suggested they meet at his home. More relaxing. They could learn more about each other. He’d even given directions.

      ‘I just want us to be close, Cara,’ he’d said. ‘You’ll be quite safe. You’ll have your chaperone there throughout.’ He said ‘chaperone’ in a funny way. Like he was making a joke. Perhaps he only used that word because he didn’t know what to call the man who brought her. She didn’t, either, not really. Not once they’d had the little chat that evening in the car, his hand on her knee. Everything changed


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