War and Peace: Original Version. Лев Толстой
too.”
He winked at her; the guest did not reply.
“Why do you say that this young man is so rich?” asked the countess, leaning away from the girls, who immediately pretended not to be listening. “Surely he only has illegitimate children. And I think … Pierre is also illegitimate.”
The guest gestured vaguely.
“He has twenty illegitimate children, I believe.”
Princess Anna Mikhailovna intervened in the conversation, clearly wishing to demonstrate her connections and her knowledge of all the affairs of high society.
“That is the point,” she said significantly, and also in a half-whisper. “Count Kirill Vladimirovich’s reputation is well known … He has lost count of his children, but this Pierre was his favourite.”
“What a fine man he was,” said the countess, “only last year! I never laid eyes on a more handsome man.”
“He is greatly changed now,” said Princess Anna Mikhailovna. “What I wanted to say,” she continued, “is that on his wife’s side, the direct heir to the entire estate is Prince Vasily, but Pierre was greatly loved by his father, who provided for his education and wrote to His Majesty … So no one knows, if he dies (and he is in such a bad way that it is expected any minute, and Lorrain has come from St. Petersburg), who will get this immense fortune, Pierre or Prince Vasily. Forty thousand souls and millions upon millions. I know this so well, because Prince Vasily told me himself. And Kirill Vladimirovich is a third cousin of mine on my mother’s side, and he was Borya’s godfather,” she added, as though she attached no importance whatever to that circumstance.
“Prince Vasily arrived in Moscow yesterday. He is going for some audit, I am told,” said the guest.
“Yes, but between you and me,” said the princess, “that is a mere pretext: he has actually come to see Count Kirill Vladimirovich after hearing that he is in such a bad way.”
“Nonetheless, ma chère, it was an excellent prank,” said the count and then, noticing that the senior guest was not listening to him, he turned to the young ladies. “That policeman cut a fine figure, I imagine.”
And demonstrating the policeman waving his arms, he began laughing again with that resonant bass laughter that shook his entire plump body, the way people laugh who always eat and, especially, drink well.
XIV
Silence fell. The countess looked at her guest with a polite smile, but without disguising the fact that she would now be not in the least offended if her guest were to get up and leave. The guest’s daughter was already adjusting her dress and glancing enquiringly at her mother, when suddenly from the next room there was the sound of several male and female feet running towards the door, the clatter of a stool dragged and overturned, and a thirteen-year-old girl with the skirt of her short muslin frock oddly tucked up came bursting into the room and stopped in the middle. She seemed to have misjudged her speed and galloped so far in by accident. That very same moment four figures appeared in the doorway: two young men – one a student with a crimson collar, the other a Guards officer – a fifteen-year-old girl and a fat, ruddy-cheeked boy in a child’s smock.
The count leapt up and, swaying on his feet, spread his arms wide around the girl who had run in.
“Ah, there she is!” he cried, laughing. “The name-day girl! Ma chère name-day girl!”
“My dear, there is a time for everything,” the countess said to her daughter, obviously merely in order to say something, because it was clear at a glance that her daughter was not the least bit afraid of her. “You’re always spoiling her,” she added, speaking to her husband.
“Hello, my dear, happy name-day to you,” said the guest. “What a charming child!” she added, addressing her flattery to the mother.
The black-eyed, large-mouthed and plain but lively little girl, with her childish, exposed little shoulders heaving and contracting in their bodice after the fast run, with her tangle of black curls swept backwards, thin little bare arms and fast little legs in little lacy pantaloons and little open shoes, was at that sweet age when the little girl is no longer a child, but the child is not yet a young woman. Twisting away from her father, quick and graceful and evidently unused to the drawing room, she ran across to her mother and, paying no attention to her rebuke, hid her flushed little face in the lacework of her mother’s mantilla and burst into laughter.
“Mama! We wanted to marry Boris … Ha, ha!… To the doll … Ha, ha! Yes … Ah … Mimi …” she said through her laughter. “And … Ah … He ran away.”
She pulled a large doll out from under her skirt and showed it to them: a black, broken-off nose, a cracked cardboard head and kidskin bottom, legs and arms that dangled loosely at the elbows and knees, but still with a fresh, elegant, carmine smile and thick-black, arching brows.
The countess had been acquainted for four years with this Mimi, Natasha’s inseparable friend, a gift from her godfather.
“You see?” And Natasha could not say any more (everything seemed funny to her). She fell down onto her mother and broke into such loud, resounding laughter that everybody, even the prim and proper guest, began laughing in spite of themselves. This laughter could even be heard in the footman’s room. The countess’s menservants exchanged smiling glances with the visiting liveried footman, who had been sitting glumly on his chair all the while.
“Now, off with you, you and your monster!” said the little girl’s mother, pushing her daughter away in feigned anger. “This is my youngest, a spoilt little girl, as you can see,” she said to the guest.
Tearing her little face away for a moment from her mother’s lacy shawl and glancing up at her, Natasha said quietly through her tears of laughter:
“I feel so embarrassed, mama!” And quick as could be, as if she were afraid of being caught, she hid her face again.
The guest, obliged to admire the family scene, felt it necessary to take some kind of part in it.
“Tell me, my dear,” she said, addressing Natasha, “who is this Mimi to you? Your daughter, I suppose?”
Natasha did not like this guest and the tone in which she condescended to make conversation with a child.
“No, madame, she’s not my daughter, she’s a doll,” she said, smiling boldly, got up off her mother and sat down beside her eldest sister, demonstrating in this way that she could behave like a big girl.
Meanwhile the entire young generation (Boris the officer, Anna Mikhailovna’s son; Nikolai the student, the count’s eldest son; Sonya, the count’s fifteen-year-old niece; and little Petrushka, the youngest son) had all distributed themselves round the drawing room as if they had suddenly been dropped into cold water and were clearly struggling to restrain within the limits of decorum the excitement and merriment that were still glowing in every feature of their faces. It was plain to see that out there, in the back rooms from which they had come running in so impetuously, their conversations had been more fun than the talk here of town scandals, the weather and Countess Apraksina.
The two young men, student and officer, were childhood friends, both the same age and both handsome, although they were quite unalike. Boris, a tall, fair-haired youth, had a long face with fine, regular features. A calm and thoughtful mind was expressed in his pleasant grey eyes, but in the corners of his still hairless lips there lurked a constantly mocking and slightly cunning smile, which instead of spoiling his expression, seemed in fact to add spice to his fresh, handsome face that was so obviously still untouched by either vice or grief. Nikolai was not very tall, with a broad chest and a very subtle, fine figure. His open face, with soft, wavy, light-brown hair surrounding a prominent, broad forehead, and the ecstatic gaze of his half-closed, prominent brown eyes, always expressed the impression of the moment. Little black hairs had