Don't You Cry: A gripping suspense full of secrets. Mary Kubica
random papers in place. I set my hand on a desk drawer handle, but I don’t look inside. That would be rude, somehow, more rude than riffling through the items left on top of the desk: her laptop, her iPod, her headphones and more.
Thumbtacked to the wall I find a photograph of Esther and me, taken last year. It was Christmas and together we stood before our artificial Fraser fir, snapping a selfie. I smile at the memory, remembering how Esther and I trekked together through mounds of snow to collect that tree. In the picture, Esther and I are pressed together, the boughs of the evergreen prodding our heads, the tinsel getting stuck to our clothing. We’re laughing, me with a complacent smirk, and Esther with her gregarious smile. The tree is Esther’s, one she keeps at a storage facility down the street, a ten-by-five box where, for sixty bucks a month, she keeps old guitars, a lute and whatever else she can’t fit into her pint-size bedroom. Her bike. And, of course, the tree.
We’d gone to that facility together last December, on a mission to find that Christmas tree. We trudged through embankments of newly fallen snow, our feet getting stuck in it like quicksand. It was snowing still, the kind of snowflakes that poured down from the sky like big, fat, fluffy cotton balls. The cars that lined the city streets were buried deep; they’d have to be dug out or wait for a forty-degree thaw. Half the city was shut down thanks to the blizzard, and so the streets were a rare quiet as Esther and I slogged along, singing Christmas carols at the tops of our lungs because there was hardly anyone around to hear. Only snowplows braved the city streets that day, and even they skidded along in a zigzag line. Work had been canceled, for Esther, for me.
And so we plodded to the storage facility to hunt down that small plastic tree to haul home for the holiday season, stopping in the concrete corridor to do a giddy dance for the security camera and plunging ourselves into hysterics as we did. We imagined the employee—a creepy, quiet introvert—sitting at the front desk, watching as we danced an Irish jig on screen. We laughed and laughed, and then, when we finally stopped laughing, Esther used her padlock key to let us inside and we began to search unit 203, me prattling on and on about the irony of that number, seeing as my own parents lived at 203 David Drive. Fate, said Esther, but I said it was more like a stupid coincidence.
Seeing as the tree was disassembled and stuffed in a box, it was hard to find. There were a lot of boxes in that storage facility. A lot of boxes. And I inadvertently stumbled upon the wrong one apparently, because when I lifted the lid of a box and exposed a mound of photographs of some happy little family sitting beside a squat home, lifting one up and asking of Esther, Who’s this? she snatched it quickly from my hand and said point-blank, No one. I didn’t really have a chance to see the picture, but still, it didn’t look like no one to me. But I didn’t push the issue. Esther didn’t like to talk about her family. That I knew. While I groaned and griped about mine all the time, Esther kept her feelings on the inside.
She tossed the picture back in the box and replaced the lid.
We found that tree and lugged it home together, but not before first stopping by our favorite diner where we sat nearly alone in the vacant place, eating pancakes and sipping coffee in the middle of the day. We watched the snow fall. We laughed at people trying to drag themselves through it, or excavate their cars from pyramids of snow. Those who were fortunate enough to dig themselves out called dibs on their parking spots. They filled them with random things—a bucket, a chair—so no one else would park there. Parking spots were like gold around here, especially in winter. That day, Esther and I sat in the window of the diner and watched this, too—we watched our neighbors lug chairs from their homes to stake a claim in the scooped-out parking spots, ones which would soon fill again with snow—feeling grateful all the time for public transportation.
And then Esther and I carried that tree home where we spent the night prettifying it with lights and ornaments galore, and when we were done, Esther sat crisscross-applesauce on the rose-colored sofa and strummed her guitar while I hummed along: “Silent Night,” “Jingle Bells.” That was last year, the year she bought for me a pair of woolly slipper socks to keep my feet warm because in our apartment I was cold twenty-four hours a day, seven days a week. I could hardly ever get warm. It was a thoughtful gift, an attentive gift, the kind that proved she’d been listening to me as I complained time and again about my cold feet. I look down at my feet and there they are: the woolly slipper socks.
But where is Esther?
I continue my search, for what I don’t know, but I find stray pens and mechanical pencils. A stuffed animal from her childhood days, ratty and worn, hides on the shelf of a piddling closet whose doors no longer run on the track. Boxes of shoes line the closet floor. I peer inside, finding every last one of the pairs to be sensible and boring: flats, loafers, sneakers.
Absolutely nothing with heels.
Absolutely nothing in a color other than black or white or brown.
And a note.
A note tucked there on top of the IKEA desk, in the stash of paper beneath the occupational therapy textbook, among a cell phone bill and a homework assignment.
A note, unsent and folded in thirds as if she was on the verge of sticking it in an envelope and placing it in the mail, but then got sidetracked.
I put the cap back on the water; I pick up the pens. How was it that I never realized Esther was such a slob? I muse over the thought: What else don’t I know about my roomie?
And then I read the note because, of course, how could I not read the note? It’s a note, which is all sorts of stalker-ish. It’s typed—which is such an anal-retentive Saint Esther thing to do—and signed All my love, with an E and a V. All my love, EV. Esther Vaughan.
And that’s when it hits me: maybe Saint Esther isn’t such a saint, after all.
One thing should be clear: I don’t believe in ghosts.
There are logical explanations for everything: something as simple as a loose lightbulb. A faulty switch. A problem with the wiring.
I stand in the kitchen, swallowing the last of a Mountain Dew, one shoe on and one shoe off, stepping into the second of the black sneakers, when I see a spasm of light from across the street. On. Off. On. Off. Like an involuntary muscle contraction. A charley horse. A twitch, a tic.
On. Off.
And then it’s done and I’m not even sure if it happened anymore or if it was just my imagination playing tricks on me.
Pops is on the sofa when I go, his arms and legs spread out in all directions. There’s an open bottle of Canadian whiskey on the coffee table—Gibson’s Finest—the cap lost somewhere in the cushions of the sofa, or clutched in the palm of a clammy hand probably. He’s snoring, his chest rattling like an eastern diamondback. His mouth is open, head slung over the arm of the sofa so that when he finally does wake up—hungover, no doubt—he’s sure to have a kink in his neck. The stench of morning breath fills the room, exuding like car exhaust from the open mouth—nitrogen, carbon monoxide and sulfur oxides flowing into the air, making it black. Not really, but that’s the way I picture it, anyway—black—as I hold a hand to my nose so I don’t have to smell it.
Pops wears his shoes still, a pair of dark brown leather boots, the left one untied, frayed laces trailing down the side of the sofa. He wears his coat, a zippered nylon thing the color of spruce trees. The stench of old-school cologne imparts to me the details of his night, another pathetic night that would have gone scores better had he thought to remove his ring. The man has more hair than a man his age should have, cut short, and yet bushy on the tops and sides, a russet color to tag along with the ruddy skin. Other men his age are going bald, thinning hair or no hair at all. They’re getting fat, too. But not Pops. He’s a good-looking guy.
But still, even in sleep, I see defeat. He’s a defeatist, a calamity much worse for forty-five-year-old men than love handles and receding hairlines.
He’s also a drunk.
The TV is on from last night, now playing early-morning