About Grace. Anthony Doerr
He could feel his lip swelling against his teeth. He was wearing his suit but his shirt had been buttoned improperly and his tie was tucked into his trouser pocket. Everything—his clothes, his hair, the seats and mats of the Newport—was wet. His hands shook in front of his eyes.
There was no traffic. From the River Road Bridge he realized he could no longer make out where the river originally ran—it had become a lake sliding through trees. A police car ahead of him rolled haltingly through a deep pool. For a moment he wondered if the sun had burned out and the entire planet was listing off into space.
He locked himself in the weather room at Channel 3, hung his suit over two chairs, and sat in his wet underwear watching the rain-spattered window and the slurred lights of the city. In the morning he taped three outdoor spots in a poncho emblazoned with the network logo. Throughout the watershed, streams were collecting and merging. Even when the rain let up, he told the camera, it would be at least another fifteen hours before the river reached floodpoint. Churches and gyms were filling; neighborhoods lining drainage creeks were evacuating. The mayor had petitioned the governor; the governor was mobilizing the National Guard.
He called the motel, room 7. No answer. It wasn’t until early evening that he could get back there. The manager had to let him in.
They were gone. Not in the shower, not in the bed. Sandy’s sweater hung in the closet; a stack of diapers waited by the television. There was no note. There was a familiarity to the room that he felt outside of; it was as if, already, he was trespassing, as if the red plaid suitcase on the floor and the green toothbrush on the sink belonged not to Sandy but to some stranger whose possessions he had no right to.
He checked the diner, but they weren’t there; he dialed the house, but no one picked up. He had a half hour until his evening spot—he was supposed to be on the Main Street Bridge interviewing volunteer sandbag fillers.
Were they eating somewhere? Walking? The only theory that made any sense was Sandy’s Paradise Tree—Sandy was at the house, trying to save it. She had hitched a ride somehow, and had brought Grace with her, and was trying to save her sculpture.
He backed out of the room. Out in the street the daylight was failing. The clouds were matted tightly. He pointed the Chrysler toward the house. When he reached the base of Shadow Hill he could not believe how much water had collected there. The parking lot of the middle school had become a foaming brown lake. Spirals of debris eddied against the gymnasium wall.
It was impossible to drive farther. He parked on a small knoll and climbed through wet, naked trees, hurrying along the ridge above the neighborhood. Soon he was near the top of Shadow Hill, a couple hundred feet above the lane. Below him the rooftops of neighbors’ houses looked like the peaked roofs of so many houseboats. Three separate creeks funneled in at the head of the street and poured through the center of the neighborhood; the front yards and the half of the lane closest to the Chagrin had become a river of mud.
The sound of all that water was pervasive: gurgling, spitting, swallowing, pouring down the hillside and down the trunks of the trees—it sounded as if the atmosphere had liquefied. He counted rooftops: the Stevensons, the Harts, the Corddrys, that Italian family who had barbecues every Saturday. The Sachses’ lawn was entirely underwater, just the candy-striped apex of their daughter’s swing set showing. In the backyard of his own house the heads of fence posts were the only things visible, wooden buoys marking a shore.
Rain ran down his neck; his soles were heavy with mud. A lesson, half remembered, rose in his memory: Water craves, water is hungry—look at what it does to the stems of roses left in a vase too long. Who had said that? A professor? His mother?
Shades of mist ascended from the hillside. A helicopter shuttled past, passing in and out of low clouds, winking a small light. Already there was an odor in the air like mildew, like wet carpet, as if the houses were great moldy tea bags that had begun to steep.
As he gazed through the rain, at the flooded neighborhood, the tall and stately maple in the Sachses’ front yard fell. It leaned grandly, then gave out with a singular groan, a thousand rootlets tearing and snapping, the trunk splashing down, the high branches reaching across the street, a series of percussive waves going out. The current pushed; the tree turned a bit, and held steady.
The smell, the collapsed maple, the sound of water rising and muttering—it was hopelessly recognizable. He wavered a long moment, studying the wet shingles on the roof of his house, feeling every minute of his life funnel into an instant. Here was a line from one of his hydrology texts: convergence, confluence, conflux; a point at which two or more streams combine, and a new stream forms by their combining.
And if Grace was in there? If he waded into the house, looked upstairs, downstairs, found her finally on the top shelf of Sandy’s plant stand? If he gathered her in his arms and tried to carry her out, up the street? Her yellow woolie, her bassinet, the cereal boxes on the dresser—everything was in place.
He took a few steps forward, then turned, and walked back over the hill, the way he had come. Down through the mud and leaves. He fell once, twice, lurching back to his feet. He did not run but tried to keep his pace steady, resolved. The soles of his shoes slid in the wet leaves. He staggered to the Chrysler, started it, and turned south on Music Street, Shadow Hill at his back.
He taped his spot in borrowed waders on the Main Street Bridge above Chagrin Falls. Rain was running down his glasses and he could see only the light mounted on top of the camera, a white smear on a field of gray. Behind him men in slickers shoveled sand into burlap sacks. The falls roared.
At the end of the segment he faced the camera and said he hoped the river would crest that night. He said he hoped the rain would not turn to ice. He said we would all have to keep our fingers crossed, and watch the sky, and pray.
By 10 P.M. he was crossing the Springfield line into Pennsylvania. He rented a motel room in Erie and burst through the door and switched on the television. There were two and a half minutes of footage: a car floating in the library parking lot; an uprooted tree rolling over the falls; a gymnasium lined with cots. Lampposts sparked and drowned in the night; there was the customary video of stop signs submerged to the letters. But no mention of fatalities, injuries, drownings. The anchor signed off, and a movie came on—soldiers storming a hillside, shouting to one another. He turned to the window. A breeze came in, damp, stinking of diesel. He dialed the house—no ringing, just static. He dialed the motel on Eaton Road and asked for room 7 but the phone rang on and on and no one answered. He let it ring until he could not hold his eyelids open.
Exhaustion trundled over him. In a dream he piloted the Chrysler back down Music toward Shadow Hill, descending into the valley. The car stalled a few hundred feet past the middle school, swamped. He waded out into the cold, muddy water. It was soon at his waist; the light was failing. He half waded, half swam the inundated street. Bloated magazines hung in branches; dolls rode the current facedown. Whole clumps of sod turned in eddies. He entered the house, climbed the stairs, roved the rooms. Grace was crying; it was dusk. He lived through the dream again: finding her on the plant stand, lifting her out of the bassinet, wading with her into the street. He slipped. They went under. She drowned.
He had fallen asleep in his still-damp suit and woke to a chill deep inside him, as though he had been sleeping underwater. Beside the window two cords, caught in the updraft from the heater, knocked against the blinds. He bent over the sink and rinsed his face.
It was 5 A.M. Again he dialed: no one in room 7; no connection at the house. Already he had reached a state where he expected the phone to ring on and on, for no one to be there. At Channel 3 the station attendant said she knew of no fatalities. “When are you coming in?” she asked. He hung up.
Everything seemed intractable. What were his choices? To return home and possibly be the instrument of his daughter’s death? How many times would she have to drown? The future had become a swarming horizon, an advancing wall just down the road, raging forward, black and insatiable, swallowing houses and fields