Distant Voices. Barbara Erskine

Distant Voices - Barbara Erskine


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to her mouth. ‘I have just arrived at The Laurels. I am standing in the front hall. The house is empty and has obviously been closed for a long time. No one lives here now and there is, as far as I can see, no furniture or anything here.’

      She moved to a door on her left and put her hand out to push it open. The room inside was empty; pale light filtered through round the edges of the shutters, diffused green by the ivy which clung to the outside wall. The parquet floor was scuffed and criss-crossed with old, long-dried muddy footprints.

      ‘This must have been the drawing room. It’s large. Beautiful. Ceiling mouldings; candelabra, lovely carved mantelpiece,’ she murmured into the machine in her hand. She sounded, she thought with sudden wry amusement, like a house agent preparing particulars for the sale of an especially desirable property.

      The silence was intense. She turned off her little machine and walked slowly around the room, trying to feel the atmosphere. Had they all been in here, talking, drinking, smoking, when it had happened? Dinner was over, they were all agreed on that. And the ladies had withdrawn. But what had happened after that? John Milton said they had all gathered in the drawing room and that someone had agreed to sing. Sarah Courtney said the men were sitting over their port whilst the ladies were still upstairs, powdering their noses. Stella had finished and had gone on down alone …

      Walking back to the foot of the stairs, Jan peered up. ‘The staircase is shallow, graceful, curved elegantly around the wall,’ she murmured into her machine. The banister, polished and smooth, was almost warm beneath the light touch of her fingers. ‘Stella Seymour’s body was found crumpled at the bottom by the other guests who ran from the dining room, and presumably from the bedroom, when they heard her scream. At the time her death was widely thought to be suicide. It was only four years later, after the war had ended, at the instigation of the man who claimed to have been her lover, that the first accusation of murder was heard.’

      Slowly Jan began to climb. Half-way up she stopped suddenly. She could hear something. The intense silence of the house had gone and instead, she realised, she could hear a gentle murmur of conversation coming from somewhere quite near her. She was almost at the bend in the staircase. Frozen with embarrassment she looked up and then back. David Seymour had promised her the house was empty. She could feel her heart beating fast. This was ridiculous. She had permission to be here.

      Squatters? Was that it? Could there be squatters in the house? Uncertain what to do, she clutched her tape recorder more tightly as she tiptoed on up the stairs and peered along the upper landing. Several doors stood open up there; all the rooms were empty of furniture.

      The sound of voices was louder now. She could hear the occasional chink of glass, of cutlery on china. It sounded as if a dinner party were in progress. Flattening herself against the wall she squinted back down the stairs where she could just see the door opposite the drawing room. It was closed. Why hadn’t she looked in there? Had she not noticed it in her anxiety to see the staircase? Whatever the reason, she thanked God she had not gone barging in, for that seemed to be where the noise was coming from. Get out. That was what she must do. Get out now, without anyone seeing her.

      Taking a deep breath she crept back down the stairs, intensely aware that this was where Stella Seymour had died.

      The sounds were quieter again now that she was nearly down. Gradually the hall fell silent. The front door was still ajar as she had left it. She could see the wedge of sunlight thrown across the dusty floor. How strange that the noises had been louder from upstairs.

      She stopped. She could smell cigars. Then, quite near her, she heard a man laugh. Spinning round, she faced the sound. There was no one to be seen. Her mouth dry, she switched off her tape recorder. Pushing it into her shoulder bag, she tiptoed towards the dining room door, holding her breath as she edged closer. She could see now that it was not quite shut. Cautiously she moved forward. She could hear the voices again. And subdued laughter. Smell the tobacco. There was a sudden crescendo in the noise and a shout of laughter as she brought her eye to the crack in the door.

      They were sitting around an oblong table – some dozen people – no, she saw suddenly, just men, all at one end of the table. The air was wreathed in smoke. They were all wearing dinner jackets.

      A sudden sound behind her brought her upright swiftly, her heart pounding. She could hear footsteps on the landing.

      ‘David, darling –’ The voice was clear and high. Excited. There was a rustle of skirts, the quick patter of feet and then suddenly – horribly – a high-pitched scream.

      Jan froze, her hand still clenched on the door-frame behind her back. She could hear it. The sound of a body falling, but there was nothing there. Nothing at all. The dust was untouched on the steps save for the scuff marks where her own shoes had been.

      Whirling, she stared behind her at the door. Beyond it there was total silence. Her heart was hammering so loudly in her ears she felt sure it must echo all round the house as she pulled the door-handle and swung the door open. The dining room was empty. There was no table. No scent of tobacco. The room smelled merely of damp.

      Only when she was sitting at last in her car peering back at the house did she start to breathe again. She flung her bag onto the passenger seat beside her and slammed down the door lock, then she sat for a moment, her forehead resting against the rim of the steering wheel. She was shaking all over.

      David Seymour had poured her a cup of coffee himself, from hands which were considerably less shaky than hers, despite his ninety-four years. ‘You’ve just come from The Laurels now?’ He stood looking down at her, his expression curiously neutral. ‘My dear Miss Haydon, I am so sorry you should have been so frightened. There is no one there, I can assure you. My grandson keeps an eye on the place for me. He went over there only a couple of days ago.’

      ‘I shouldn’t have come straight to you like this.’ The black coffee was taking effect. This was an old man and his memories of the house must be bad enough without her adding to them with wild stories about ghosts!

      He shook his head, sitting down opposite her. ‘I’m glad you did. Who else would you go to?’ He reached for the phone from the table beside him. ‘I’m calling my grandson now. He can go over there straightaway to check that there are no intruders.’ His voice was strong and alert, like the rest of him, Jan thought, as she leaned back against the cushions and sipped her coffee gratefully.

      She realised he was watching her intently as he replaced the receiver. ‘Simon is coming over here first.’ He reached for his own cup. He paused. ‘You are irrevocably set upon writing my wife’s biography?’

      Jan frowned. ‘There are a great many people who would love to read it. She was a very great painter. She’s been a heroine of mine for as long as I can remember.’

      ‘And that is a reason for raking over her bones?’

      The sharpness of the words brought Jan up with a shock.

      ‘I’m sorry. I understood you had no objection to the book.’

      ‘Would it matter if I had?’ His gaze was suddenly piercing.

      ‘Well …’ She hesitated.

      ‘No. Of course it wouldn’t. In fact my opposition would whet your appetite. It would make you curious. You would want to know what the old buzzard was hiding!’ He glared at her.

      She smiled shame-facedly. ‘I expect it would, if I’m honest.’

      He nodded, seemingly satisfied with her answer. ‘Good. You’ll do. Now, do you believe that I murdered her?’ The directness of the question was shocking.

      ‘I – no – of course not.’ She was embarrassed.

      ‘There is no of course not about it, my dear. You must search the evidence. You must be a thorough and honest investigator.’

      ‘But they never charged you.’

      ‘No.’

      ‘You loved her.’

      The old face softened. ‘Indeed


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