Home for Christmas. Annie Groves
rel="nofollow" href="#ulink_ebfa8f21-8f46-5717-a7f7-bcd398e0b4ec">Chapter Three
‘But, Mum, you can’t just up and leave London.’
As she spoke Dulcie couldn’t help looking at the firmly tied and bulging sacks of household goods in the middle of the floor of the main room of her family home, the bed linen tied up in a sheet. The family didn’t possess the luxury of proper suitcases. Very few of those living in Stepney did, unless they were the sort that, for one reason or another were constantly on the move. The sort her own parents had always kept clear of and thought were beneath them. The sort that couldn’t go to church unless they’d got enough money to get their good clothes out of hock at the pawnshop.
For Dulcie, seeing her parents’ possessions gathered together came far too close for comfort to the images from the newspapers she had inside her head: the dispossessed of the East End wandering helplessly and hopelessly through the streets of London clutching their sad bundles of whatever they had managed to rescue from their bombed homes.
The last thing Dulcie had expected when Sergeant Dawson had delivered her to the door of her parents’ home, before checking his watch and telling her that she’d got an hour before he came back for her, was that she would find her mother on the verge of leaving London. But her mother’s nerves were so shattered by the relentless bombing that her hands had been shaking too much for her to fill the kettle and make them a cup of tea.
Having taken over that task for her, Dulcie had waited for her mother to say something about her accident and to express maternal concern, but she might as well have not bothered because, despite the fact that Dulcie was on crutches with her ankle in plaster, her mother hadn’t said a word about her injury, merely greeting her with a blunt, ‘Oh, it’s you, is it?’
‘You can’t just leave,’ Dulcie reiterated now.
‘Oh, can’t I? We’ll just see about that. It’s all right for you, Dulcie, living in Holborn. That hasn’t been touched. You’re safe. You should have tried living down here since Hitler started bombing us.’
Mary Simmonds’ hand shook so much that she had to put her teacup back in its saucer, spilling some of the tea as she did so.
‘I didn’t get this running for a bus,’ Dulcie felt justified in pointing out smartly as she held out her plastered leg, ‘and I’m going to have to keep this ruddy plaster on for longer than normal on account of me having such delicate ankles.’
When her mother still didn’t say anything Dulcie was unable to prevent herself from adding bitterly, ‘Not that you seem to care that much.’
‘Oh, that’s typical of you, Dulcie. You’ve always been selfish and thinking only of yourself. Not one word have you said about poor Edith. I can’t sleep at night for thinking about what might have happened to your sister, and how she might have suffered. I can’t stay here in London, knowing them Germans have taken her life.’
Tears filled Dulcie’s mother’s eyes, her hands now shaking so badly that she folded them together in her lap as she and Dulcie sat opposite one another on the two hard dining chairs either side of the battered oak table, which had to be pushed up against the wall to make space for people to walk past it. The fire that heated the room was, for once, unlit, the September sunshine cruelly bright on the faded striped wallpaper. The three plaster ducks, which had adorned the wall opposite the fireplace, and of which her mother had been so proud, had been removed, leaving brighter patches of paper. Even the curtains had been taken down, allowing the sunlight to highlight the shabbiness of the room.
It had been in here, on the rag rug in front of the fire, that Dulcie and Edith has squabbled and, indeed, fought, pulling one another’s hair and screaming over the possession of some toy; fights that Edith had always won, of course, because she had had their mother to take her side. Now any sisterly sense of loss was stamped out by Dulcie’s knowledge that her sister had always been their mother’s favourite.
‘You don’t know that she is dead yet,’ she reminded her mother.
Dulcie had never got on with her sister, but deep down, although she wasn’t willing to admit it, there was a small scratchy sore place, an unhappy feeling, because several bombs had fallen on the area where Edith had been.
‘There’s not been any official notice, or anything . . .’ A body, Dulcie meant; concrete evidence that Edith was in fact dead, but she couldn’t say that to her mother. ‘She might just be missing.’ But she offered these words more dismissively than comfortingly.
‘Missing?’ Mary retorted. ‘Of course she isn’t missing. Me and your dad have been to all the hospitals and all the rest centres. I know my Edith: the first thing she would have done once the air raid was over, if she’d been all right, was come home to let me know that she was safe.’ Her voice shook, tears filling her already swollen eyes. ‘No. She’s gone. Killed by Hitler when she was singing her heart out trying to do her best for other people. The theatre she was in took a direct hit, after all. She didn’t have a selfish bone in her body, Edith didn’t. Always thinking of others, she was.’
Always thinking of herself, more like, Dulcie thought, but she knew there was no point in saying that to her mother, who had thought that the sun shone out of Edith’s backside. It felt odd to think that Edith had gone, that they’d never quarrel with one another again, that she’d never see her sister again. Dulcie’s heart started to beat faster, a lump of emotion clogging her throat as unexpected feelings gripped her. There had been no love lost between her and Edith, after all, so there was no cause for her to go all soft about her now. It was a shock, though, to think of her being dead.
Unsettled by her own emotions, Dulcie reached for her mother’s hand but immediately her mother shrugged her off, saying despairingly, ‘I don’t know how I’m supposed to go on without Edith. She was the best daughter any mother could want.’
A far better daughter than she was, Dulcie knew her mother meant, the brief moment of sadness and loss she had been feeling overtaken by the bitterness their mother’s favouritism always aroused in her.
‘There’s nothing to keep me here now,’ her mother continued bleakly.
‘What about Dad?’
‘Your dad’s leaving as well. Dunham’s that he works for had their yard bombed and everything in it destroyed, and so Paul Dunham has decided to get out of London and go into business with a cousin he’s got who’s a builder down in Kent. He’s offered your dad a job with him, and there’s a couple of rooms we can have with a chap who’s already working for this cousin of his. We’re going down in Dunham’s lorry tomorrow morning.’
For once in her life Dulcie was silent, struggling to take in everything that her mother had told her and all that she hadn’t said as well.
‘And what about Rick and the Dunhams’ son, John?’ she finally demanded in a sharp voice. ‘What about them when they get leave from the army and find that they haven’t got a home to come to any more?’
‘Your dad wrote to Rick last night to tell him about Edith and what we’re doing.’
‘And I suppose you were going to send me a letter as well, were you?’ Dulcie asked sarcastically, causing a dull flush of colour to spread up under her mother’s previously pale face.
‘Don’t you take that tone with me, my girl. You were the one who chose to move out and go and live somewhere else.’
‘I only moved to Holborn, not Kent, and I came back every Sunday for church,’ Dulcie pointed out, using her anger to conceal the pain burning inside her.
‘Your dad was going to arrange to send a message round to Holborn to let you know that we’re leaving. ‘
‘But you weren’t going to take the trouble to come and see me,’ Dulcie accused her mother, ‘even though you knew I’d got a broken ankle.’
‘Trust you to make a fuss about yourself, Dulcie. Your dad and me knew that you were all right and, after all, a broken ankle’s nothing