Killing the Shadows. Val McDermid

Killing the Shadows - Val  McDermid


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typical response was to shrug and say, ‘Somebody has to do it. Better it’s somebody like me who knows what she’s doing. Nobody can bring back the dead but sometimes it’s possible to prevent more of the living joining them.’

      It was, she knew, a glib riposte, carefully calculated to deflect further questioning. The truth was she hated the inevitable confrontation with violent death that her work with various police forces had brought into her life, not least because of the memories it stirred in her. She knew more about what could be inflicted on the human body, more about the sufferings the spirit could sustain than she had ever wished to. But such exposure was inescapable and because it always exacted a heavy toll from her, she only ever accepted a new assignment when she felt sufficiently recovered from her last direct encounter with the victims of a serial killer.

      It had been almost four months since Fiona had worked a murder series. A man had killed four prostitutes in Merseyside over a period of eighteen months. Thanks in part to the data analysis that Fiona and one of her graduate students had completed, the police had been able to narrow down their pool of suspects to the point where forensic detection could be applied. Now they had a man in custody charged with three of the four killings, and thanks to DNA matches they were reasonably sure of a conviction.

      Since then, her only police consultation project had been a long-term study of recidivist burglars with the Swedish Police. It was, she thought, time to get her hands dirty again. She hit the <reply> key.

      From: Fiona Cameron

      <[email protected]>

      To: Salvador Berrocal <[email protected]>

      Subject: Re: Consultation request

      Dear Major Berrocal

      Thank you for your invitation to act as consultant to the Cuerpo Nacional de Policia. In principle, I am willing to consider your request favourably. However, before I can be certain that I can be of use to you, I need more detail than you have provided in your e-mail. Ideally, I would like to see an outline of the circumstances of both murders, a digest of the pathology reports and any witness statements. I am reasonably competent in written Spanish, so in the interests of speed, you need not have these documents translated for my benefit. Of course, any communications I receive from you will be treated in complete confidence.

      For the sake of security, I suggest you fax these documents to my home.

      Fiona typed in the details of her home fax and phone then sent the e-mail. At best, she’d be able to contribute to the prevention of more murders and acquire useful data for her researches in the process. At worst, she’d have a valid excuse for staying out of the way of the fallout from the Hampstead Heath trial collapse. Someone—or rather a couple of Spanish someones—had paid a high price to keep Candid Cameron out of the headlines.

       2

      Fiona walked through the door to the sound of REM telling her that nobody loved a sad professor. As usual, Kit had stacked up half a dozen CDs in the player in his study, hit the random button and walked out the door while there were still hours of playing time left. He couldn’t abide silence. She had learned this early on in their relationship, when she’d taken him walking in her beloved Derbyshire and had been horrified to watch him filling his backpack with cassettes for his Walkman. More than once, she’d come home to an empty house where music spilled out of Kit’s study, the TV in the living room blared like a bull and the radio in the kitchen added a mad counterpoint to the racket. The louder the din, the easier he seemed to find it to escape into his own imagined universe. For Fiona, who needed silence in order to concentrate on anything vaguely creative, it was an incomprehensible paradox.

      When they’d first talked about living together, Fiona had insisted that whatever property they bought, it had to be capable of providing her with a quiet space to work in. They’d ended up with a tall thin house in Dartmouth Park whose previous owner had been a rock musician. He’d converted the attic into a soundproof studio that provided Fiona with the perfect eyrie to escape Kit’s background racket. It was even big enough to allow her to install a futon for those nights when Kit was up against a deadline and needed to write into the early hours of the morning. Sometimes she felt deeply sorry for their long-suffering neighbours. They must dread February when, invariably, the end of a book and late-night Radiohead loomed.

      Fiona dropped her bags and went into Kit’s ground-floor study to turn off the music. Blessed silence fell like balm on her head. She continued upstairs, stopping off in their bedroom to shuck off her walking gear and pull on her house clothes. She trudged up the remaining two flights to her office, feeling the hills in the pull of her leg muscles. The first thing she registered was the flashing light of the answering machine. Fifteen messages. She’d put money on them all being from journalists, and she wasn’t in the mood to listen to them, never mind to respond. This was one occasion where she was absolute in her determination not to provide a single quote that could be twisted to suit someone else’s agenda.

      Leaving her laptop by the desk, Fiona noticed that Major Berrocal hadn’t wasted any time. A pile of paper lay accusingly in the fax tray. That she couldn’t ignore. Stifling a sigh, she picked it up, automatically straightening the edges, and headed back downstairs.

      As Kit had promised, her dinner sat in the fridge. She wondered fleetingly how many of his fans would credit that the man who created scenes of graphic violence that gave critics nightmares was the same creature whose idea of relaxation after a hard day’s writing was to cook gourmet food for his lover. They’d probably prefer to believe he spent his evenings on Hampstead Heath, biting the heads off small furry animals. Smiling at the thought, Fiona poured herself a glass of cold Sauvignon while she waited for the risotto to heat up, then settled down at the kitchen table with the Spanish fax and a pencil. Glancing at the clock, she decided to catch the news headlines before she began the chore of deciphering foreign police reports.

      The theme music of the late evening news thundered out its familiar fanfare. The camera zoomed in on the solemn face of the newsreader. ‘Good evening. The headlines tonight. The man accused of the Hampstead Heath murder walks free after a judge accuses the police of entrapment.’ Top item, Fiona noted without surprise. ‘Middle East peace talks are on the verge of breakdown in spite of a personal intervention by the US President. And the rouble tumbles as fresh scandal hits Russia’s banking system.’

      The screen behind the newsreader’s head changed from the programme logo to a shot of the exterior of the Central Criminal Court. ‘At the Old Bailey today, the man accused of the savage rape and murder of Susan Blanchard was freed on the order of the trial judge. Mrs Justice Mary Delancey said there was no doubt that the Metropolitan Police had entrapped Francis Blake in an operation which she described as “little short of a witch-hunt”. In spite of the lack of any solid evidence against Mr Blake, she said, they had decided that he was the killer. Over to our Home Affairs Correspondent, Danielle Rutherford, who was in court today.’

      A woman in her thirties with mouse-brown hair tangled by the wind gazed earnestly at the camera. ‘There were angry scenes in court today as Mrs Justice Delancey ordered the release of Francis Blake. The family of Susan Blanchard, who was raped and murdered as she walked on Hampstead Heath with her twin babies, were outraged at the judge’s decision and at Blake’s obvious jubilation in the dock.

      ‘But the judge was unmoved by their protests, saving her condemnation for the Metropolitan Police whose methods she described as an affront to civilized democracy. Acting on the advice of a psychological profiler, the police had set up a sting using an attractive female detective in an attempt to win Mr Blake’s affections and to lure him into confessing to the murder. The sting, which cost hundreds of thousands of pounds of the police operations budget and lasted for almost three months, did not lead to a direct confession, but police believed they had obtained sufficient evidence to bring Mr Blake to trial.

      ‘The defence argued that whatever Mr Blake had said had been at the instigation of the female detective and had been calculated to impress the personality she had falsely projected.


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