Leninsky Prospekt. Katherine Bucknell
by that, he realized, by the official OK. All along, I was expecting someone to tell us we couldn’t go. Waiting to be told no, that the risk was absurd. But nobody tried to stop us, apart from Nina’s mother. Nobody interfered. Then again, we were the only ones who knew the truth about Nina’s place of birth; why would anyone else suggest it was an obstacle? When the papers came, we opened a bottle of champagne; we looked on it as a victory – getting away with it. After that, I never let myself pause to imagine what difficulties there might be once Nina was here. I just pictured how happily she would take to a familiar city, how it would be a lark for her.
Finally he said, solemn, reluctant, ‘OK. Well. No baby. I agree. All precautions in place, then.’
‘You’ve said that before, too, haven’t you?’ She was accusing him of something. He felt confused by her unexpectedly strident tone.
‘I want to trust you,’ she almost shouted. She was back at the sink, slapping at the dirty dishwater, whacking dishes with a cloth. ‘But it all gets so – impossible. Heated. You never are as careful as you say. Condoms, all this stuff, it’s so unbeautiful, so distracting. I know how you feel about it. I feel the same. It’s one thing we intended to be free of once we were married, isn’t it? And I am no good at resisting anything, at stopping you or even slowing you down. And they are listening to us, John. I can’t talk. I can’t tell you what I feel. What I want. They are in bed with us and I’m not sure you even care! Even that doesn’t stop you.’
John went deep painful red. And his voice came out tipped with rage. ‘We don’t have to discuss this any more, Nina. Not that I think the KGB bothers to listen to drunken domestic quarrels. Our guys wouldn’t. Who can afford the resources? We’re not teenagers. And I’m not such a cad. Don’t lay all the blame at my door. I don’t think that’s fair. You’re the one who’s shouting, if you’re so worried about being overheard. And you’ve got methods of contraception you haven’t even bothered to take out of the box. What about that diaphragm you’ve made so much fun of? All you’ve shown me is soul-destroying lingerie from Paris.’
Now she was crying, but she tried not to let him see. She knew it was true, that she was blaming him more than was fair. Ever since he had brought her to Moscow, she had tended to blame him more and more for everything. She had forgotten how to take responsibility for herself. There were no avenues for it; she had no choices. She felt boxed in, suspended.
‘They do listen!’ she said with a feeling of pathetic self-righteousness. ‘They think they know just when people will let their guard down. And anyway I’m sure they’re bored out of their minds, so it’s like – it’s like – pornography to them – which you can’t get here.’ Her voice trailed away querulously. ‘This is a – very – puritanical society. You know the joke – Khrushchev’s joke – everyone repeats – there IS no sex in the Soviet Union. The atmosphere here is not – natural. It affects people in the weirdest ways. It makes them – sick.’
‘Oh, Christ, Nina. You’re talking nuts. Where do you get this stuff? Just stop.’ There was disgust in his voice, and a kind of horror. She was right for all he knew, but he couldn’t let these ideas into his head. He didn’t want to start thinking like this. He was already afraid that what she had said might never leave him now; he felt it spreading in him, like a disease.
‘I don’t think tonight’s the night anyway, Nina,’ he growled as she stood there with her tears dropping into the sink, ignored. ‘Frankly, I feel chilled to the core. But maybe that’s what you’re trying for. You’ll be perfectly safe from sex and babymaking. I’ll sleep on the sofa.’
October 9. Nina slipped into the Bolshoi through the stage door in Petrovka Street. The guard was a woman, stocky, formidable. As she lurched forward on her stool, studying Nina’s face, her neat, expensive suit, her Russian-language paperwork, her photograph and her name, then strained over the list of foreigners, outsiders, Nina felt from her a deep familiar chemistry: resentment reacting with benevolence. There on the threshold, the custodial instinct to keep Nina out was mingling with and giving way to a motherly instinct to take Nina in. Nina was moved so powerfully by this chemistry that she nearly spoke up with the truth, Yes, you’re right. You do know me. You watched over my other, girlish life, my years of training. I was one of the cosseted brood, a dancing bird in Cinderella, the Breadcrumb Fairy in Sleeping Beauty, a stick-legged hopeful at the yearly graduation show.
But the fact is, Nina realized, my American identity works like a disguise, a mask. The guard could never recognize me now, in my American Embassy role, not without a great deal of persuading and explaining. And Nina didn’t ask for it, the recognition which she knew might feel warm if it were simple and wholehearted but which might feel painful if it were uncertain or even angry. Anyway, her name was on the list; she was expected.
As she climbed the tiled stairs, sooty diamonds of red set with black and yellow, she thought she could hear piano music from the ballet room, a leaping yowl, all tempo and cowboy boot heels – ‘Red River Valley’, ‘Goodnight Ladies’ – starting, stopping. She crept up the half-flight and looked around the door, catching sight of attitudes at the barre: stretched, scattered bodies layered with wraps of wool at the ankle, below the hip; a curve of lower back exposed in the mottled shine of the wide, heavily framed mirror, studied, straightened; and one slender wreath of arms carried in front like an enormous platter of air, delicate, steel-bound, nowhere to put it down on the pale, rippling floorboards.
An urgent, slim, black-clad woman pressed by her with a clipboard, approached a splay-footed girl who sat on a broken chair cracking away at the soles of her silky shoes. An old fear darted at Nina, that she herself would not be called. Silly, she thought, turning away.
All along the pipe-slung hallways, there was a pressure of hurry and focus, brusque commands, hushed intensity. The atmosphere encased her like a uniform; she knew this discipline, felt beckoned, pulled in.
Nobody noticed her as she emerged under the stairs to the prop room at the back of the enormous set-strewn stage. She crept past the lighting control board and the prompter’s station towards the dim revelation of the auditorium. She could just see the rows of polished dark wooden armchairs and the rising circles of creamy, gold-embossed boxes facing her, shabby-looking without their occupants, the red velvet seats worn and unevenly faded. Five or six people were sitting in the front row on the far side of the stage. Press, thought Nina.
Near her, she heard a piping complaint. ‘The thing is Danny, it makes me feel like I’m going to land right on my face.’ Nina didn’t look around.
Then came a low, reassuring reply. ‘What you need to realize is how well it makes you work. From the minute you come onstage, nothing is neutral. Even when you stand still on this raked floor, you’re in motion because you’re working against gravity all the time. It won’t let you be dead; it won’t let you give no energy. It’s very exciting. That practice stage upstairs has the same rake, you know. And you were fine. Take it slower for now. Think about footwork, but don’t overcompensate because at a certain point you have to just throw yourself into it. You’ll get so used to it, you won’t be able to land or take off on the flat stage when we get home, I promise you. Watch the boys jump. We all love it, because the rake launches us so high.’
Still the needy whine continued, ‘I know it’s just confidence. But, God, when I have to go upstage, I’m completely exhausted.’
‘Yeah. Upstage is hard work. It’s because – well, upstage is up. But Mr B. will make all your big moves go downstage for you. Just wait.’ Then, ‘Look – he wants you back now. Go on.’
And the small troubled figure swung herself around into the light, strode hip through hip across the stage, toe shoes knocking the steep wooden pitch with hollow defiance, head bowed to receive guidance. Nina realized it was Alice.
Balanchine was like sparks popping at the dancers, gesture and flash, chin up, thin as a wraith, a few disjointed words, and then a conflagration of silent, hot scrutiny, his eyes energizing them. Even where she stood in the shadows at the side of the stage, Nina could feel his concentration wax when he fell