Mafia Princess. Marisa Merico

Mafia Princess - Marisa  Merico


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it wasn’t all one way. Uncle Domenico – a lovely, lovely man, full of laughter and fun, my Nan’s brother, one of my favourite uncles – was shot dead as he strolled onto his bedroom balcony to smoke a cigar.

      How many people have relatives who are shot and killed? I grew up with it.

      These were insane times.

      It was violence against violence and even then it was clear to me that the winner is the one who has the more homicidal equipment. And intentions.

      I’ve learned such things for, even before I was born, violence was vital to my life.

      It got me born.

       CHAPTER ONE GUCCI GUCCI COO

       Fidarsi è bene, non fidarsi è meglio.

      [To trust is good, not to trust is better.]

      ITALIAN SAYING

      I was born on my Nan’s kitchen table. I emerged reluctantly, just in time for breakfast, in the middle room of her house in the Piazza Prealpi in Milan.

      It was the same table on which my Nan had given birth to her twelve children, including her youngest, Angela, who’d arrived just four weeks earlier.

      My mum didn’t have any contractions. She was taking her time to deliver me and Nan’s household wasn’t used to that.

      ‘Push! Push, push!’ Nan’s friend Francesca the midwife shouted at her.

      Mum wasn’t pushing, not at all. She didn’t know what all the fuss was about. She was in a haze. She had no energy left. She’d been in labour for more than twelve hours.

      ‘Go on, push!’

      Nan couldn’t understand the delay. When she’d given birth to Angela the month before, the production line had been as smooth as ever. This silly English girl on the kitchen table just didn’t have a clue how to have babies. Shouting wasn’t helping. The family had been up most of the night; they wandered around, yawning, trying to stay alert, but the coffee had stopped working hours before.

      Now, at 8 a.m. on Thursday the 19th of February 1970, they’d had enough. Certainly my grandpa Rosario Di Giovine had. He wanted his breakfast.

      ‘Nothing’s happening, nothing at all,’ said Nan.

      Grandpa rolled up his sleeve: ‘Right, come on! Come on, my girl…Vai! Vai!

      He gave Mum a real slap on the leg. Then another, harder, on the backside: ‘Come on – let’s have you.’

      Mum pushed.

      I arrived at 8.09 a.m.

      Grandpa went off to eat, as if nothing had happened. My nan went to a cupboard at the side of the room. The midwife swaddled me in cotton cloths, and Nan returned with a purple cashmere Gucci blanket, a gift from an associate, and wrapped me up in it.

      It was appropriate. I’d been born into the Mob. I was a Mafia Princess.

      My mum didn’t have a lot of milk, so Nan breastfed me a few times. I loved my nan. I was always her favourite. Yet that Gucci blanket was no glass slipper. My early life was more like Cinderella’s before the prince came on the scene. And certainly no fairytale.

      As I grew up, the family were ferociously pursuing their business, and that involved a great deal of guns and drugs and death. For my father’s family it had always been that way.

      Nan was a pure bloodline Serraino, born in Reggio Calabria to one of the legendary ’Ndrangheta clans that make up the Calabrian Mafia. Pronounced en-drang-ay-ta, it translates as honour or loyalty, and loyalty to the family (or ’ndrina) is in the blood, flowing through their veins.

      Nan can’t sign her name – she uses an X on documents – but she is one of the most remarkable Mafia figures of the past few decades, known widely as La Signora Maria, the Lady Maria. The authorities are ever so complimentary about her. I’ve seen Italian legal paperwork that ranks her the most dangerous woman in Italy.

      I was named after her – Maria Elena Marisa (Di Giovine) – but people always called me Marisa; to avoid confusion, they said. Confusion? That was a good one. La Signora Maria is unique.

      You don’t join the ’Ndrangheta; your membership is ordained. All Nan’s children knew the laws of such an indigenous and territorial Mafia family. They saw it as kids in Calabria, where my nan learned the gospel of violence first hand. People think that men run everything in the Mafia and the little woman isn’t even allowed to stir the pasta sauce. About half an hour’s sail across the Strait of Messina in Sicily, home of the Cosa Nostra, female roles were more like those you see in the movies, but in Calabria’s ’Ndrangheta, built for more than 150 years on the blood family, women have always been heavily involved in both the kitchen and the crime. There are even sisters in omertà – the Mafia code of silence. There are stories of initiation ceremonies for women not born into the family to be formally accepted. Blood relations and family ceremonies such as weddings, communions, christenings and funerals, are the core of the life. And death. There wasn’t ever a grey area with my nan. Nothing ambiguous about La Signora Maria.

      She was the boss, the ultimate law.

      And Pat Riley from Blackpool’s mother-in-law.

      Mum was a stunner – blonde, shapely and fun to be around – but brought up in the suburbs of north-west England to be practical and sensible. Up to a point. She’s always been determined, her own person. The Blackpool Illuminations were never going to be the only bright lights in her life.

      Patricia Carol Riley is a baby boomer, born on 17 January 1946, a little more than a year after her father, Jack Riley, returned from his wartime service in the ambulance corps. He and Grandma Dorothy had two more daughters, Gillian and Sharon. Granddad worked as a greengrocer, and Grandma had two jobs, one in a grocery store and another at the local Odeon. The long hours finally allowed them to buy themselves out of a council estate and into their own home for the sum of £3,000.

      A treat for the girls was salmon paste sandwiches and tea on the beach next to Blackpool Promenade. It was a good life but quiet, ordinary. There were never going to be any surprises. It’s easy to understand that it got boring for a bright teenager like my mum.

      She has her artistic side, she has an ‘eye’. She’s absolutely brilliant at art. She’s got an ‘A’ level in it and could have taught it but her dad wouldn’t let her go to art college. He thought it would be a waste of time – a degree and then she’d be off to get married and have kids. He and my grandma just wanted husbands, not complications, for their girls.

      Mum was fed up. She liked her job as a window dresser for Littlewoods in Blackpool but she felt she was going down a predictable road, which she had to somehow turn off. As Monday to Friday rolled along she felt more and more trapped. She had a nice boyfriend: Alan, tall, good-looking and someone you could take home to fish fingers for tea. It wasn’t hot passion. When Alan started talking marriage, the alarm bells went off. There had to be something more, hadn’t there? Brenda, her best pal, had found that working as an au pair in America. Or so she said in her many gossipy blue airmail letters about the boys and the wild nights out.

      ‘America? Never!’ screamed Grandma Dorothy. ‘What’s wrong with life here? It’s good enough for the rest of us.’

      But it wasn’t for Mum. She felt she’d been nowhere, done nothing. And, strangely, she didn’t belong. She was searching for something that she, never mind her mum and dad, couldn’t understand. She dismissed her parents’ predictions that she’d be bored and homesick. But she respected them enough to compromise about going to America. She read an advertisement in the Lancashire Evening Post placed by an Italian company that employed English au pairs. The catch was she had to get to Italy to get the job. Her mum and dad reluctantly gave


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