The Sisters. Volume 3. Georg Ebers
but we must," said Publius decisively; "and if we did not we should be contemptible wretches. Since the recluse took me into his confidence I feel as if it were my, duty to watch over these girls whose parents have been stolen from them, as if I were their guardian— and you, my Lysias, shall help me. The elder sister is not now very friendly towards me, but I do not esteem her the less for that; the younger one seems less grave and reserved than Klea; I saw how she responded to your smile when the procession broke up. Afterwards, you did not come home immediately any more than I did, and I suspect that it was Irene who detained you. Be frank, I earnestly beseech you, and tell me all; for we must act in unison, and with thorough deliberation, if we hope to succeed in spoiling Euergetes' game."
"I have not much to tell you," replied the Corinthian. "After the procession I went to the Pastophorium—naturally it was to see Irene, and in order not to fail in this I allowed the pilgrims to tell me what visions the god had sent them in their dreams, and what advice had been given them in the temple of Asclepius as to what to do for their own complaints, and those of their cousins, male and female.
"Quite half an hour had passed so before Irene came. She carried a little basket in which lay the gold ornaments she had worn at the festival, and which she had to restore to the keeper of the temple- treasure. My pomegranate-flower, which she had accepted in the morning, shone upon me from afar, and then, when she caught sight of me and blushed all over, casting down her eyes, then it was that it first struck me 'just like the Hebe on our cistern.'
"She wanted to pass me, but I detained her, begging her to show me the ornaments in her hand; I said a number of things such as girls like to hear, and then I asked her if she were strictly watched, and whether they gave her delicate little hands and feet—which were worthy of better occupation than water-carrying—a great deal to do. She did not hesitate to answer, but with all she said she rarely raised her eyes. The longer you look at her the lovelier she is—and yet she is still a mere child- though a child certainly who no longer loves staying at home, who has dreams of splendor, and enjoyment, and freedom while she is kept shut up in a dismal, dark place, and left to starve.
"The poor creatures may never quit the temple excepting for a procession, or before sunrise. It sounded too delightful when she said that she was always so horribly tired, and so glad to go to sleep again after she was waked, and had to go out at once just when it is coldest, in the twilight before sunrise. Then she has to draw water from a cistern called the Well of the Sun."
"Do you know where that cistern lies?" asked Publius.
"Behind the acacia-grove," answered Lysias. "The guide pointed it out to me. It is said to hold particularly sacred water, which must be poured as a libation to the god at sunrise, unmixed with any other. The girls must get up so early, that as soon as dawn breaks water from this cistern shall not be lacking at the altar of Serapis. It is poured out on the earth by the priests as a drink-offering."
Publius had listened attentively, and had not lost a word of his friend's narrative. He now quitted him hastily, opened the tent-door, and went out into the night, looking up to discover the hour from the stars which were silently pursuing their everlasting courses in countless thousands, and sparkling with extraordinary brilliancy in the deep blue sky. The moon was already set, and the morning-star was slowly rising—every night since the Roman had been in the land of the Pyramids he had admired its magnificent size and brightness.
A cold breeze fanned the young man's brow, and as he drew his robe across his breast with a shiver, he thought of the sisters, who, before long, would have to go out in the fresh morning air. Once more he raised his eyes from the earth to the firmament over his head, and it seemed to him that he saw before his very eyes the proud form of Klea, enveloped in a mantle sown over with stars. His heart throbbed high, and he felt as if the breeze that his heaving breast inhaled in deep breaths was as fresh and pure as the ether that floats over Elysium, and of a strange potency withal, as if too rare to breathe. Still he fancied he saw before him the image of Klea, but as he stretched out his hand towards the beautiful vision it vanished—a sound of hoofs and wheels fell upon his ear. Publius was not accustomed to abandon himself to dreaming when action was needed, and this reminded him of the purpose for which he had come out into the open air. Chariot after chariot came driving past as he returned into his tent. Lysias, who during his absence had been pacing up and down and reflecting, met him with the question:
"How long is it yet till sunrise?"
Hardly two hours," replied the Roman. "And we must make good use of them if we would not arrive too late."
"So I think too," said the Corinthian. "The sisters will soon be at the Well of the Sun outside the temple walls, and I will persuade Irene to follow me. You think I shall not be successful? Nor do I myself—but still perhaps she will if I promise to show her something very pretty, and if she does not suspect that she is to be parted from her sister, for she is like a child."
"But Klea," interrupted Publius thoughtfully, "is grave and prudent; and the light tone which you are so ready to adopt will be very little to her taste, Consider that, and dare the attempt—no, you dare not deceive her. Tell her the whole truth, out of Irene's hearing, with the gravity the matter deserves, and she will not hinder her sister when she knows how great and how imminent is the danger that threatens her."
"Good!" said the Corinthian. "I will be so solemnly earnest that the most wrinkled and furrowed graybeard among the censors of your native city shall seem a Dionysiac dancer compared with me. I will speak like your Cato when he so bitterly complained that the epicures of Rome paid more now for a barrel of fresh herrings than for a yoke of oxen. You shall be perfectly satisfied with me!—But whither am I to conduct Irene? I might perhaps make use of one of the king's chariots which are passing now by dozens to carry the guests home."
"I also had thought of that," replied Publius. "Go with the chief of the Diadoches, whose splendid house was shown to us yesterday. It is on the way to the Serapeum, and just now at the feast you were talking with him incessantly. When there, indemnify the driver by the gift of a gold piece, so that he may not betray us, and do not return here but proceed to the harbor. I will await you near the little temple of Isis with our travelling chariot and my own horses, will receive Irene, and conduct her to some new refuge while you drive back Fuergetes' chariot, and restore it to the driver."
"That will not satisfy me by any means," said Lysias very gravely; "I was ready to give up my pomegranate-flower to you yesterday for Irene, but herself—"
"I want nothing of her," exclaimed Publius annoyed. "But you might—it seems to me—be rather more zealous in helping me to preserve her from the misfortune which threatens her through your own blunder. We cannot bring her here, but I think that I have thought of a safe hiding-place for her.
"Do you remember Apollodorus, the sculptor, to whom we were recommended by my father, and his kind and friendly wife who set before us that capital Chios wine? The man owes me a service, for my father commissioned him and his assistants to execute the mosaic pavement in the new arcade he was having built in the capitol; and subsequently, when the envy of rival artists threatened his life, my father saved him. You yourself heard him say that he and his were all at my disposal."
"Certainly, certainly," said Lysias. "But say, does it not strike you as most extraordinary that artists, the very men, that is to say, who beyond all others devote themselves to ideal aims and efforts, are particularly ready to yield to the basest impulses; envy, detraction, and—"
"Man!" exclaimed Publius, angrily interrupting the Greek, "can you never for ten seconds keep on the same subject, and never keep anything to yourself that comes into your head? We have just now, as it seems to me, more important matters to discuss than the jealousy of each other shown by artists—and in my opinion, by learned men too. The sculptor Apollodorus, who is thus beholden to me, has been living here for the last six months with his wife and daughters, for he has been executing for Philometor the busts of the philosophers, and the animal groups to decorate the open space in front of the tomb of Apis. His sons are managers of his large factory in Alexandria, and when he next goes there, down the Nile in his boat, as often happens, he can take Irene with him, and put her on board a ship.
"As to where we can have her taken to keep her safe from Euergetes, we will talk that over afterwards with Apollodorus."
"Good,