Dracula. Bram Stoker
me. I am very, very happy, and I
don’t know what I have done to deserve it. I must only try in the
future to show that I am not ungrateful to God for all His good*
ness to me in sending to me such a lover, such a husband, and
such a friend.
«Good-bye.»
Dr. Seward’s Diary.
(Kept in phonograph)
25 M ay. Ebb tide in appetite to-day. Cannot eat, cannot rest,
so diary instead. Since my rebuff of yesterday I have a sort of
empty feeling; nothing in the world seems of sufficient impor-
tance to be worth the doing. … As I knew that the only cure
for this sort of thing was work, I went down amongst the pa-
tients. I picked out one who has afforded me a study of much
interest. He is so quaint that I am determined to understand him
as well as I can. To-day I seemed to get nearer than ever before
to the heart of his mystery.
I questioned him more fully than I had ever done, with a
view to making myself master of the facts of his hallucination..
In my manner of doing it there was, I now see, something of
cruelty. I seemed to wish to keep him to the point of his madness
a thing which I avoid with the patients as I would the mouth
of hell.
(Mem., under what circumstances would I not avoid the pit
of hell?) Omnia Ronuz venalia sunt. Hell has its price! verb. sap.
If there be anything behind this instinct it will be valuable to
trace it afterwards accurately, so I had better commence to do
so, therefore
R. M. Renfield, aetat 59. Sanguine temperament; R great
physical strength; morbidly excitable; periods of gloom, ending
in some fixed idea which I cannot make out. I presume that the
sanguine temperament itself and the disturbing influence end
in a mentally-accomplished finish; a possibly dangerous man,
probably dangerous if unselfish. In selfish men caution is as
secure an armour for their foes as for themselves. What I think
of on ^this point is, when self is the fixed point the centripetal
force is balanced with the centrifugal; when duty, a cause, etc, f
58 Dracula
is the fixed point, the latter force is paramount, and only acci*
dent or a series of accidents can balance it.
Letter, Quincey P. Morris to Hon. Arthur Holmwood.
11 25 May.
f>: My dear Art,
«We’ve told yarns by the camp-fire in the prairies; and dressed
one another’s wounds after trying a landing at the Marquesas;
and drunk healths on the shore of Titicaca. There are more
yarns to be told, and other wounds to be healed, and another
health to be drunk. Won’t you let this be at my camp-fire to-
morrow night? I have no hesitation hi asking you, as I know a
certain lady is engaged to a certain dinner-party, and that you
are free. There will only be one other, our old pal at the Korea,
Jack Seward. He’s coming, too, and we both want to mingle our
weeps over the wine-cup, and to dr-ink a health with all our
hearts to the happiest man in all the wide world, who has won
the noblest heart that God has made and the best worth whining.
We promise you a hearty welcome, and a loving greeting, and a
health as true as your own right hand. We shall both swear to
leave you at home if you drink too deep to a certain pair of eyes.
Come!
«Yours, as ever and always,
«QUINCEY P. MORRIS.»»
Telegram from Arthur Holmwood to Quincey P. Morris.
«26 May.
u Count me in every time. I bear messages which will make
both your ears tingle.
CHAPTER VI
MINA MURRAY’S JOURNAL
24 July. Whitby. Lucy met me at the station, jookingsweeter
and loj/elie^thaiLe^er, and we drove up to the houseTftnTCres-
cen t irTwhlcf they have rooms. This is a lovely place. The little
river, the Esk, runs through a deep valley, which broadens out
as it comes near the harbour. A great viaduct runs across, with
high piers, through which the view seems somehow further away
than it really is. The valley is beautifully green, and it is so
steep that when you are on the high land on either side you look
right across it, unless you are near enough to see down. The
houses of the old town the side away from us are all red-
roofed, and seem piled up one over the other anyhow, like the
pictures we see of Nuremberg. Right over the town is the ruin
of Whitby Abbey, which was sacked by the Danes, and which
is the scene of part of «Marmion,» where the girl was built up
in the wall. It is a most noble ruin, of immense size, and full of
beautiful and romantic bits; there is a legend that a white lady
is seen in one of the windows. Between it and the town there is
another church, the parish one, round which is a big graveyard,
all full of tombstones. This is to my mind the nicest spot in
Whitby, for it lies right over the town, and has a full view of
the harbour and all up the bay to where the headland called
Kettleness stretches out into the sea. It descends so steeply
over the harbour that part of the bank has fallen away, and some
of the graves have been destroyed. In one place part of the
stonework of the graves stretches out over the sandy pathway
far below. There are walks, with seats beside them, through
the churchyard; and people go and sit there all day long looking
at the beautiful view and enjoying the breeze. I shall come
and sit here very often myself and work. Indeed, I am writing
now, with my book on my knee, and listening to the talk of three
old men who are sitting beside me. They seem to do nothing
all