My Midsummer Morning. Alastair Humphreys

My Midsummer Morning - Alastair  Humphreys


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rooftops jumbled higgle-piggle down to the harbour. Wooded hills curved green embracing arms around the blue bay, sprinkled with islands. Earlier, boatloads of carefree beach-goers had departed for those islands, laden with picnic baskets. I had watched Africans trying to flog them sun hats, their wares spread on tarpaulins for ease of fleeing should the police appear. I sympathised with the urgency of their hustle, the immigrant’s need to be enterprising. Like them, I had no money. I had been hard up before, but I’d never had nothing until today. Unlike the hat sellers, however, I was voluntarily penniless, so any comparison was absurd. I had a passport and permission to be here. At sunrise I had piled the last of my money into a small pyramid of coins on a park bench and walked away. I wished that I had bought a sun hat instead.

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       First Play

      IT WAS TIME TO busk for the very first time. Throughout the morning I had hatched escape plans, justified delaying tactics and concocted excuses for compromise. But such self-destruction was not necessary. Not yet. For I had not failed. I merely had not begun. How our minds magnify that little step which separates where we are from where we wish to be! Leaping from a high rock into an enticing river; telling the boss you quit; speaking to the attractive stranger who keeps catching your eye: just one scary step gets us where we most want to be. But too often we flinch and build our own barriers instead.

      The sun was high as I stooped to drink and splash my face in the fountain. The bleary drunks prodded each other and watched with bloodshot eyes. The fountain commemorated the Reconquista of 1809 when Vigo became the first town in Spain to expel Napoleon’s army. Trees lined the square and on three sides there were stately nineteenth-century buildings. The fourth side lay open, leading towards a shopping street. The pensioners on the bench shuffled expectantly and the man in the Panama hat mopped his brow. I mumbled an apology for the disappointment that awaited them. I flicked through my music sheets to find the tune I was most comfortable with, a nostalgic old folk tune called ‘Long, Long Ago’. I pegged it to the stand and took a deep breath. Then I began to play.

      The ghoulish screech ripped the silence and my daydreams apart. Nails clawing down a blackboard. Shivers up the spine. I had hoped, somehow, that I might have become miraculously skilful since the last time I had practised. In fact, I was even worse than usual. My finger positions were all wrong and the bow trembled across the strings. Everyone turned in surprise. Screech, screech, screech! A sweat of shame and self-ridicule trickled down my face. Each note sounded jagged and raw. I lost my place in the music and had to begin again.

      I threw my head back, screwed up my face and growled angrily. There was such a gulf between my ambition and my ability. The plan was doomed before it even began. I was an idiot. I had been too flippant, too idealistic. What a mess! I dearly wished I was not here.

      It consoled me in my cowardice knowing that Laurie had felt much the same way before his initial attempt at busking. He was a proficient violinist, but he was young and beginning his first adventure. So perhaps we were about equal in our nerves. ‘It was now or never. I must face it now, or pack up and go back home,’ wrote Laurie. ‘The first notes I played were loud and raw, like a hoarse declaration of protest … To my surprise, I was neither arrested nor told to shut up. Indeed, nobody took any notice at all.’

      I stood in the middle of the Praza da Princesa playing ‘Long, Long Ago’ over and over. Beads of sweat ran down my flank and into my trousers. There was no crowd of fawning fans. No cascade of coins. Not even a round of applause. Just indifferent Spaniards accelerating past. I had known this would happen. But I had not known how it would feel.

      The timid averted their gaze and lengthened their stride. The stoical reacted by not reacting. A businessman glanced up from his phone but didn’t flatter me with a second look. A young woman in a leather jacket wrinkled her nose as though I stank. I was a visitor in her town behaving like a tedious fool.

      I faced two options. Both were simple but neither was easy. I could stop playing, melt back into the streets and regain my blissful anonymity. It was so tempting. Or I could stick it out here in the plaza, daring myself to keep failing. If I quit now, the whole journey was over before I had walked a single step. I did not know how to catch rabbits, and I am more accomplished at foraging in supermarkets than forests. I had to earn money. I could not hide behind any excuses. I had no Plan B.

      But what I did have was clarity. I had only one job to do. And I must do it with all my might. It was not easy, but it was simple. My legs shook. Half my head begged me to stop. But the rest of me, fists clenched, knuckles white, said no. Just finish this song. You can always ride one more mile, row one more minute, walk one more step, play one more song.

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       Hope

      AN EMBARRASSED LAUGH BURST from my mouth after yet another tune fizzled out. But this time a man on the bench responded with a small smile. A smile! My busking had earned something at last. This was progress. But it was only a matter of time before people tired of me and the police ushered me away, so I turned to my best song. ‘Guantanamera’ was my jolliest piece and – being Cuban – vaguely close to Spanish music.

      ‘Guantanamera,’ I explained, hesitantly, to the bench, after stuttering through the closing notes.

      ‘Más o menos, more or less,’ said my ally, kindly. He was a mild-looking gentleman of about 60, resting a pile of heavy supermarket bags at his feet.

      The men next to him continued to ignore me, stony-faced. In their situation, I would have done the same. Make eye contact with a crap foreign busker and he’s certainly not going to leave you in peace. Better to keep your head down and your money in your pocket.

      Back in England, Becks used to dish out musical advice above and beyond trying to coax me into playing some of the right notes in approximately the right order. One afternoon she described what to do ‘once you’ve got a crowd gathered’. I raised an eyebrow at her sassy optimism.

      ‘They will all be clapping along to this,’ she proclaimed as I lumbered through a ponderous nursery rhyme. ‘Spaniards are very rhythmical.’

      I resisted asking whether she had ever been to Spain, and sighed. ‘I honestly don’t think a crowd is going to gather to listen to this.’

      There was no solace in proving myself right.

      My stomach rumbled but I had not earned a crust. It was time for what is always a good plan when you are vulnerable. Be humble, look people in the eye, acknowledge your faults, trust yourself, trust the world, smile, then try your best. I wiped my eyes on my shirt, tidied my music sheets and started again. Song after song, I failed to snare my first coin. Every tune was strewn with errors. But I was enthusiastic now, a less timid person than when I woke that morning. I had to persevere, be patient, keep hoping, and trust the people of Vigo.

      After what felt like a lifetime sawing away, one elderly gentleman rose from the bench. He walked towards me, stooped and leaning on his stick. He looked smart in his dark glasses and tweed jacket, with neatly combed hair. I anticipated his words:

      ‘Señor. Enough! Spare us. It is time to move on. Por favor. Give us back our peace, I beg you.’

      But he did not say that. Instead, he put his hand into his pocket.

      Surely not!

      The old man pulled out a coin and handed it to me with a small smile. And I thought I was going to burst with exhilaration and amusement and relief.


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