The Mermaids Singing. Val McDermid
a dozen yards from the grim little cottage and sat listening for five minutes. The biting wind from the high moors rustled the overgrown hedges, occasional birds sang. But there were no human sounds. Not even the distant thrum of traffic.
I got out of the jeep and had a look round. One end of the sheep shed had collapsed into a random pile of millstone grit, but what pleased me was that there was no sign of casual human visitations; no picnic remains, no corroding beer cans, no crumpled newspapers, no cigarette butts, no used condoms. I walked back to the house and let myself in.
It was little more than a two-up, two-down. Inside, it was very different from the cosy farmhouse I remembered. All the personal touches – photographs, ornaments, horse brasses, antiques – were gone, packed up in crates in storage, a very Yorkshire precaution. In a way, I was relieved; there was nothing here that could trigger off memories that would interfere with what I had to do. It was a blank tablet, with all humiliations, embarrassments and pain erased. Nothing of my past lurked to surprise me. The person I had been was absent.
I walked through the kitchen towards the pantry. The shelves were empty. God knows what Doris had done with her serried ranks of jams, pickles and home-made wines. Maybe she’d shipped them to New Zealand as a hedge against being fed alien food. I stood in the doorway, and stared at the floor. I could feel a foolish grin of relief spread across my face. My memory hadn’t let me down. There was a trapdoor in the floor. I squatted down and pulled the rusty iron ring. After a few seconds, the door swung back on creaking hinges. As I sniffed the air from the cellar, I grew more convinced that the gods were with me. I had feared it would be damp, fetid and stale. But instead, it was cool and fresh, slightly sweet.
I lit my camping gas lamp and carefully descended the flight of stone stairs. The lamp revealed a sizeable room, about twenty feet by thirty. The floor was flagged with stone slabs, and a broad stone bench ran the length of one wall. I held the lamp high and saw the solid beams of the roof. The lath and plaster ceiling was the only part of the cellar that showed any signs of disrepair. I could easily fix that with plasterboard, which would serve the double purpose of preventing any light escaping through the bare floorboards above. At right angles to the stone bench was a slop sink. I remembered the farm was served by its own spring. The tap was stiff, but when I finally managed to turn it, the water ran out pure and clear.
Near the stairs stood a scarred wooden workbench, complete with vices and G-clamps, Henry’s tools hanging in neat rows above. I sat on the stone bench and hugged myself. A few hours’ work was all that was needed to turn this into a dungeon far superior to anything the games programmers had ever come up with. For a start, I didn’t have to think about creating an in-built weakness so my adventurers could escape.
By the end of the week, coming out to the farm in my time off, I had completed the job. Nothing sophisticated; I’d fixed padlock and internal bolts to the trapdoor, I’d repaired the ceiling, and covered the walls in a couple of coats of whitewash. I wanted the place as light as possible to improve the quality of the video. I’d even run a spur off the ring main to provide me with electricity.
I’d thought long and hard before I’d decided how to punish Adam. Finally, I’d fixed on what the French call the chevalet, the Spanish escalero, the Germans the ladder, the Italians veglia and the poetic English ‘The Duke of Exeter’s Daughter’. The rack got its euphemistic name from the resourceful John Holland, Duke of Exeter and Earl of Huntingdon. After a successful career as a soldier, the duke became Constable of the Tower of London and somewhere around 1420 he introduced that splendid instrument of persuasion to these shores.
The earliest version consisted of an open rectangular frame raised on legs. The prisoner was laid underneath it, fastened by ropes round his wrists and ankles. At each corner, the ropes were attached to a windlass operated by a warder pulling on levers. This inelegant and labour-intensive device became more sophisticated over the years, ending up more like a table or a horizontal ladder, often incorporating a spiked roller in the middle so that, as the prisoner’s body moved, his back was shredded on the spikes. Pulley systems had also been designed which linked all four ropes together, making it possible for the machine to be used by one person alone.
Fortunately, those who have applied punishment through the ages have been thorough in their descriptions and drawing. I also had the photographs in the museum handbook to refer to, and with the assistance of a CAD program, I’d designed my very own rack. For the mechanism, I’d cannibalized an old-fashioned clothes wringer that I picked up in an antique shop. I’d also bought an old mahogany dining table in an auction. I took it straight up to the farm and dismembered it in the kitchen, admiring the craftsmanship that had gone into the solid timber. It took a couple of days to build the rack. All that remained was to test it.
Let the reader then figure to himself the pure frenzy of horror when in this hush of expectation, looking, and indeed, waiting for the unknown arm to strike once more, but not believing that any audacity could be equal to such an attempt as yet, whilst all eyes were watching … a second case of the same mysterious nature, a murder on the same exterminating plan, was perpetrated in the very same neighbourhood.
As soon as Brandon started the engine, the mobile phone mounted on the dashboard trilled. He grabbed the handset and barked, ‘Brandon.’ Tony could hear the computerized voice say, ‘You have messages. Please call 121. You have messages …’
Brandon took the phone from his ear, hit the keys and jammed it back again. This time, Tony couldn’t hear what was said. After a moment, Brandon dialled another number. ‘My secretary,’ he explained briefly. ‘Sorry about this … Hello, Martina? John. You were looking for me?’
A few seconds into the answer, Brandon squeezed his eyes shut, as if in pain. ‘Where?’ he asked, his voice dull. ‘OK, got it. I’ll be there within the half-hour. Who’s dealing? … Fine, thanks, Martina.’ Brandon opened his eyes and ended the call. He carefully replaced the handset and twisted in his seat to face Tony. ‘You wanted to know when you could start? How about now?’
‘Another body?’ Tony asked.
‘Another body,’ Brandon agreed grimly, turning back and slamming the car into gear. ‘How do you feel about scenes of crime?’
Tony shrugged. ‘I’ll probably lose my lunch, but it’s a bonus for me if I get to see them in a fairly pristine state.’
‘There’s nothing pristine about the way this sick bastard leaves them,’ Brandon growled as he shot on to the motorway and made straight for the outside lane. The speedo read ninety-five before he eased back on the accelerator.
‘Has he gone back to Temple Fields?’ Tony asked.
Taken aback, Brandon shot him a quick look. Tony was staring straight ahead, his dark eyebrows corrugated in a frown. ‘How did you know?’
That was a question Tony wasn’t prepared to answer. ‘Call it a hunch,’ he stalled. ‘I think last time out he was scared that Temple Fields might be getting a bit too hot. Dumping the third body in Carlton Park shifted the focus, maybe stopped the police concentrating on one area, probably relaxed people’s vigilance a bit. But he likes Temple Fields. Either because he knows the patch really well, or else it’s important to his fantasy. Or maybe it makes some kind of statement for him,’ Tony mused aloud.
‘Do you always come up with half a dozen different hypotheses every time someone tosses you a fact?’ Brandon asked, flashing his lights at a BMW that was reluctant to give up possession of the fast lane. ‘Shift, you bastard, before I get Traffic out to you,’ he snarled.
‘I try,’ Tony said. ‘That’s how I do the job. Gradually, the evidence makes me eliminate some of my initial thoughts. Eventually, some sort of pattern begins to form.’ He fell silent, already fantasizing about what he would find at the scene of the crime. His stomach felt hollow, muscles fluttering