Elevator Pitch. Linwood Barclay

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Sixteen

       Seventeen

       Eighteen

       Nineteen

       Twenty

       Twenty-One

       Twenty-Two

       Twenty-Three

       Twenty-Four

       Twenty-Five

       Twenty-Six

       Twenty-Seven

       Twenty-Eight

       Twenty-Nine

       Thirty

       Thirty-One

       Thirty-Two

       Thirty-Three

       Thirty-Four

       Wednesday

       Thirty-Five

       Thirty-Six

       Thirty-Seven

       Thirty-Eight

       Thirty-Nine

       Forty

       Forty-One

       Forty-Two

       Forty-Three

       Forty-Four

       Forty-Five

       Forty-Six

       Forty-Seven

       Forty-Eight

       Forty-Nine

       Fifty

       Fifty-One

       Fifty-Two

       Fifty-Three

       Fifty-Four

       Fifty-Five

       Thursday

       Fifty-Six

       Fifty-Seven

       Fifty-Eight

       Fifty-Nine

       Sixty

       Sixty-One

       Sixty-Two

       Sixty-Three

       Sixty-Four

       Sixty-Five

       Sixty-Six

       Sixty-Seven

       Sixty-Eight

       Sixty-Nine

       Seventy

       Seventy-One

       Seventy-Two

       Seventy-Three

       Seventy-Four

       Seventy-Five

       Seventy-Six

       Friday

       Seventy-Seven

       Acknowledgments

       About the Publisher

MONDAY

Prologue

      Stuart Bland figured if he posted himself close to the elevators, there was no way he could miss Sherry D’Agostino.

      He knew she arrived at the offices of Cromwell Entertainment, which were on the thirty-third floor of the Lansing Tower, on Third between Fifty-Ninth and Sixtieth, every morning between 8:30 and 8:45. A car was sent to her Brooklyn Heights address each day to bring her here. No taxi or subway for Sherry D’Agostino, Cromwell’s vice president of creative.

      Stuart glanced about nervously. A FedEx ID tag he’d swiped a couple of years ago when he worked at a dry cleaner got him past security. That, and the FedEx cardboard envelope he

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