The Flaming Forest. James Oliver Curwood
as his marksmanship was good—
Suddenly every nerve in Carrigan's body tightened. He was positive that he had caught the outline of a human head and shoulders in the foliage. His finger pressed gently against the trigger of his Winchester. Before he breathed again he would have fired. But a shot from the foliage beat him out by the fraction of a second. In that precious time lost, his enemy's bullet entered the edge of his kit—and came through. He felt the shock of it, and in the infinitesimal space between the physical impact and the mental effect of shock his brain told him the horrible thing had happened. It was his head—his face. It was as if he had plunged them suddenly into hot water, and what was left of his skull was filled with the rushing and roaring of a flood. He staggered up, clutching his face with both hands. The world about him was twisted and black, a dizzily revolving thing—yet his still fighting mental vision pictured clearly for him a monstrous, bulging-eyed sandpiper as big as a house. Then he toppled back on the white sand, his arms flung out limply, his face turned to the ambush wherein his murderer lay.
His body was clear of the rock and the pack, but there came no other shot from the thick clump of balsam. Nor, for a time, was there movement. The wood warbler was cheeping inquiringly at this sudden change in the deportment of his friend behind the shoulder of shale. The sandpiper, a bit startled, had gone back to the edge of the river and was running a race with himself along the wet sand. And the two quarrelsome jays had brought their family squabble to the edge of the timber.
It was their wrangling that roused Carrigan to the fact that he was not dead. It was a thrilling discovery—that and the fact that he made out clearly a patch of sunlight in the sand. He did not move, but opened his eyes wider. He could see the timber. On a straight line with his vision was the thick clump of balsam. And as he looked, the boughs parted and a figure came out. Carrigan drew a deep breath. He found that it did not hurt him. He gripped the fingers of the hand that was under his body, and they closed on the butt of his service automatic. He would win yet, if God gave him life a few minutes longer.
His enemy advanced. As he drew nearer, Carrigan closed his eyes more and more. They must be shut, and he must appear as if dead, when the other came up. Then, when the scoundrel put down his gun, as he naturally would—his chance would be at hand. If a quiver of his eyes betrayed him—
He closed them tight. Dizziness began to creep over him, and the fire in his brain grew hot again. He heard footsteps, and they stopped in the sand close beside him. Then he heard a human voice. It did not speak in words, but gave utterance to a strange and unnatural cry. With a mighty effort Carrigan assembled his last strength. It seemed to him that he brought himself up quickly, but his movement was slow, painful—the effort of a man who might be dying. The automatic hung limply in his hand, its muzzle pointing to the sand. He looked up, trying to swing into action that mighty weight of his weapon. And then from his own lips, even in his utter physical impotence, fell a cry of wonder and amazement.
His enemy stood there in the sunlight, staring down at him with big, dark eyes that were filled with horror. They were not the eyes of a man. David Carrigan, in this most astounding moment of his life, found himself looking up into the face of a woman.
III
For a matter of twenty seconds—even longer it seemed to Carrigan—the life of these two was expressed in a vivid and unforgettable tableau. One half of it David saw—the blue sky, the dazzling sun, the girl in between. The pistol dropped from his limp hand, and the weight of his body tottered on the crook of his under-elbow. Mentally and physically he was on the point of collapse, and yet in those few moments every detail of the picture was painted with a brush of fire in his brain. The girl was bareheaded. Her face was as white as any face he had ever seen, living or dead; her eyes were like pools that had caught the reflection of fire; he saw the sheen of her hair, the poise of her slender body—its shock, stupefaction, horror. He sensed these things even as his brain wobbled dizzily, and the larger part of the picture began to fade out of his vision. But her face remained to the last. It grew clearer, like a cameo framed in an iris—a beautiful, staring, horrified face with shimmering tresses of jet-black hair blowing about it like a veil. He noticed the hair, that was partly undone as if she had been in a struggle of some sort, or had been running fast against the breeze that came up the river.
He fought with himself to hold that picture of her, to utter some word, make some movement. But the power to see and to live died out of him. He sank back with a queer sound in his throat. He did not hear the answering cry from the girl as she flung herself, with a quick little prayer for help, on her knees in the soft, white sand beside him. He felt no movement when she raised his head in her arm and with her bare hand brushed back his sand-littered hair, revealing where the bullet had struck him. He did not know when she ran back to the river.
His first sensation was of a cool and comforting something trickling over his burning temples and his face. It was water. Subconsciously he knew that, and in the same way he began to think. But it was hard to pull his thoughts together. They persisted in hopping about, like a lot of sand-fleas in a dance, and just as he got hold of one and reached for another, the first would slip away from him. He began to get the best of them after a time, and he had an uncontrollable desire to say something. But his eyes and his lips were sealed tight, and to open them, a little army of gnomes came out of the darkness in the back of his head, each of them armed with a lever, and began prying with all their might. After that came the beginning of light and a flash of consciousness.
The girl was working over him. He could feel her and hear her movement. Water was trickling over his face. Then he heard a voice, close over him, saying something in a sobbing monotone which he could not understand.
With a mighty effort he opened his eyes.
"Thank LE BON DIEU, you live, m'sieu," he heard the voice say, as if coming from a long distance away. "You live, you live—"
"Tryin' to," he mumbled thickly, feeling suddenly a sense of great elation. "Tryin'—"
He wanted to curse the gnomes for deserting him, for as soon as they were gone with their levers, his eyes and his lips shut tight again, or at least he thought they did. But he began to sense things in a curious sort of way. Some one was dragging him. He could feel the grind of sand under his body. There were intervals when the dragging operation paused. And then, after a long time, he seemed to hear more than one voice. There were two—sometimes a murmur of them. And odd visions came to him. He seemed to see the girl with shining black hair and dark eyes, and then swiftly she would change into a girl with hair like blazing gold. This was a different girl. She was not like Pretty Eyes, as his twisted mind called the other. This second vision that he saw was like a radiant bit of the sun, her hair all aflame with the fire of it and her face a different sort of face. He was always glad when she went away and Pretty Eyes came back.
To David Carrigan this interesting experience in his life might have covered an hour, a day, or a month. Or a year for that matter, for he seemed to have had an indefinite association with Pretty Eyes. He had known her for a long time and very intimately, it seemed. Yet he had no memory of the long fight in the hot sun, or of the river, or of the singing warblers, or of the inquisitive sandpiper that had marked out the line which his enemy's last bullet had traveled. He had entered into a new world in which everything was vague and unreal except that vision of dark hair, dark eyes, and pale, beautiful face. Several times he saw it with marvelous clearness, and each time he drifted away into darkness again with the sound of a voice growing fainter and fainter in his ears.
Then came a time of utter chaos and soundless gloom. He was in a pit, where even his subconscious self was almost dead under a crushing oppression. At last a star began to glimmer in this pit, a star pale and indistinct and a vast distance away. But it crept steadily up through the eternity of darkness, and the nearer it came, the less there was of the blackness of night. From a star it grew into a sun, and with the sun came dawn. In that dawn he heard the singing of a bird, and the bird was just over his head. When Carrigan opened his eyes, and understanding came to him, he found