The Actress' Daughter. May Agnes Fleming
and wounded ear-drums, wished from the bottom of her heart she would; but Georgia was of too sanguine a temperament to faint. Shriek after shriek, sharp, prolonged, and shrill, broke from her lips as she lay on her face on the floor, her hands clasped over her head.
Miss Jerusha and Fly, nearly frantic with the ear-splitting torture, strove to raise her up, but the little fury seemed endowed with supernatural strength, and screamed and struggled, and bit at them like a mad thing, until they were glad enough to go off and leave her alone. And there she lay and screamed for a full hour, until even her lungs of brass gave way, and shrieks absolutely refused to come.
Then a new spirit seemed to enter the child. She leaped to her feet as if those members were furnished with steel springs, and made for the door. Fortunately, Miss Jerusha had locked it, somehow anticipating some such movement, and in that quarter she was foiled. She seized the lock and shook the door furiously, stamping with impotent passion at finding it resist all her efforts.
"Open the door!" she screamed, with a stamp, turning upon Miss Jerusha a pair of eyes that glowed like those of a young tigress.
The old lady actually shrank under the burning light of that dark, passionate glance, but composedly sat still and knit away.
"Open the door!" shrieked the mad child, shaking it so fiercely that Miss Jerusha fairly expected to see the lock come off before her eyes.
But the lock resisted her efforts. Delirious with her frantic rage, the wild girl dashed her head against it with a shriek of foiled passion—dashed it against it again and again, until it was all cut and bleeding; and then she flew at the horrified Miss Jerusha like a very fury, sinking her long nails in her face and tearing off the skin, like a maniac as she was.
That at last aroused all Miss Jerusha's wiry strength, and, grasping the child's wrists in a vise-like grip, she held her fast while she struggled to free herself in vain, for the fictitious strength given her by her storm of passion had exhausted itself by its very violence, and every effort now to free herself grew fainter and fainter, until at last she swayed to and fro, tottered, and would have fallen had not Miss Jerusha held her fast.
Lifting her in her arms, Miss Jerusha bore her upstairs and laid her in her own bed. And then over-charged nature gave way, and, burying her face in the pillow, Georgia burst into a passionate flood of tears, sobbing convulsively. Long she wept, until the fountains of her tears were dry, and then, worn out by her own violence, she fell into a dreamless sleep.
"Well, my sakes alive!" said Miss Jerusha, drawing a long breath and getting up, "of all the children ever I seen I never saw any like that there little limb. 'Clare to gracious! there's something bad inside that young gal—that's my opinion. Sich eyes, like blazin' coals of fire! My conscience! I really don't feel safe with her in the house."
But Georgia awoke calm and utterly exhausted, and thus passed away the first violence of her grief, which like a blaze of straw, burned up fiercely for a moment and then went out in black ashes. Still grave and unsmiling the little girl went about, with no life in her face save what burned in her great wild eyes.
Her mother was buried, and so Miss Jerusha with some inward fear and trembling ventured to tell her at last; but the child heard it quietly enough. She need not have feared, for it was morally and physically impossible for the little girl to ever get up another passion-gust like the last.
One source of secret and serious anxiety to Miss Jerusha was the fate of the little boy, Warren Darrell. Since that night when she had turned him from the door, nothing had ever been heard of him; no one had seen him, no traces of him could be found, and one and all came to the conclusion that he must have perished in the storm that night. Miss Jerusha too, had to adopt the same belief at last, and in that moment she felt as though she had been guilty of a murder. No one knew he had come to the cottage, and she had her own reason for keeping it a secret, and for politely informing Fly she would twist her neck for her if she ever mentioned it; and in dread of that disagreeable operation, Fly consented to hold her tongue.
Feeling as if she ought to do something to atone for the guilt of which her conscience, so often referred to by herself, accused her, Miss Jerusha resolved, by way of the severest penance she could think of, to adopt Georgia. Several of the "selectmen" offered to take the child and send her to the workhouse, but Miss Jerusha curtly refused in terms much shorter than sweet, and snappishly requested them to go and mind their own affairs and she would mind little Georgia Darrell.
And so, from that day the little dancer became an inmate of the lonely sea-side cot. For the first few weeks she was preternaturally grave and still—"in the dumps" Miss Jerusha called it; then this passed away—like all the grief of childhood, ever light and short-lived—and then Miss Jerusha began to realize the trouble and tribulations in store for her, and the life of worry and vexation of spirit the restless elf would lead her.
In the first place, Miss Georgia emphatically and decidedly "put her foot down," and gave her guardianess (if such a word is admissible) to understand, in the plainest possible English, that she had not the remotest or faintest idea of doing one single hand's turn of work.
"I never had to work," said the young lady, drawing herself up, "and I ain't a-going to begin now for anybody. I don't believe in work at all, and I don't think it proper, no way."
In vain Miss Jerusha expostulated; her little ladyship heard her with the most provoking indifference. Then the old lady began to scold, whereupon Georgia flew into one of her "tantrums," as Miss Jerusha called them, and, springing to her feet, exclaimed:
"I won't, then, not if I die for it! I've always done just whatever I liked, and I'm going to keep on doing it—I just am! And I ain't going to be an old pot-wiper for anybody—I just ain't, old taffy candy!"
And then the sprite bounced out, banging the door after her until the house shook, leaving Miss Jerusha to stand transfixed with horror and indignation at this last "most unkindest cut of all," which referred to the candy Miss Jerusha was in the habit of making and selling in Burnfield.
And thus the wild, fearless child kept the old lady in a constant series of tremors and palpitations by the dangers she ran into headlong. Not a tree in the forest she would not climb like a squirrel, and often the dry frozen branches breaking with her, she would find it impossible to get down again, and have to remain there until Miss Jerusha would get a ladder and take her down. And on these occasions, while the old lady scolded and ranted down below, the young lady up in her lofty perch would be in convulsions of laughter at her look of terror and dismay. Not a rock on the beach, slippery and icy as they were, she had not clambered innumerable times, to the manifest danger of breaking her neck.
It was well for her she could climb and cling to them like a cat, or she would most assuredly have been killed; as it was, she tumbled off two or three times, thereby raising more bumps on her head than Nature ever placed there. Then she made a point of visiting Burnfield every day, and making herself acquainted generally with the inhabitants of that little "one-horse town," astonishing the natives to such a degree by the facility with which she stood on her head, or made a hoop of herself by catching her feet in her hands and rolling over and over, that some of them had serious doubts whether she was real, or only an optical delusion. And then her dancing! The first time Miss Jerusha saw her she came nearer fainting than she had ever done before in her life.
"Oh, my gracious!" said Miss Jerusha, in tones of horror, when afterward relating the occurrence, "I never see sich onchristian actions before in all my born days. There she was a-flinging of her legs about as if they belonged to somebody else, and a-twistin' of her arms about over her head, and a-jigging back and forward, and a-standin' onto one blessed toe and spinnin' round like a top, with the other leg a stickin' straight out like a toastin'-fork. I 'clare it gave me sich a turn as I hain't got over yit, and never expects to. Oh, my conscience! It was railly orful to look at the onnatural shapes that there little limb could twist herself into. And to think of her, when she got done, a-kneelin' down on one knee as if she was sayin' of her prayers, as she ought for to do, and then take and blow me up for not applaudin', as she called it. A sassy little wiper!"
Georgia's