The Complete Poetical Works. Томас Харди
to give a ball
As “Theirs” had done (’twas handed down)
When lying in the selfsame town
Ere Buonaparté’s fall.
That night the throbbing “Soldier’s Joy,”
The measured tread and sway
Of “Fancy-Lad” and “Maiden Coy,”
Reached Jenny as she lay
Beside her spouse; till springtide blood
Seemed scouring through her like a flood
That whisked the years away.
She rose, and rayed, and decked her head
Where the bleached hairs ran thin;
Upon her cap two bows of red
She fixed with hasty pin;
Unheard descending to the street,
She trod the flags with tune-led feet,
And stood before the Inn.
Save for the dancers’, not a sound
Disturbed the icy air;
No watchman on his midnight round
Or traveller was there;
But over All-Saints’, high and bright,
Pulsed to the music Sirius white,
The Wain by Bullstake Square.
She knocked, but found her further stride
Checked by a sergeant tall:
“Gay Granny, whence come you?” he cried;
“This is a private ball.”
—“No one has more right here than me!
Ere you were born, man,” answered she,
“I knew the regiment all!”
“Take not the lady’s visit ill!”
Upspoke the steward free;
“We lack sufficient partners still,
So, prithee let her be!”
They seized and whirled her ’mid the maze,
And Jenny felt as in the days
Of her immodesty.
Hour chased each hour, and night advanced;
She sped as shod with wings;
Each time and every time she danced—
Reels, jigs, poussettes, and flings:
They cheered her as she soared and swooped,
(She’d learnt ere art in dancing drooped
From hops to slothful swings).
The favourite Quick-step “Speed the Plough”—
(Cross hands, cast off, and wheel)—
“The Triumph,” “Sylph,” “The Row-dow-dow,”
Famed “Major Malley’s Reel,”
“The Duke of York’s,” “The Fairy Dance,”
“The Bridge of Lodi” (brought from France),
She beat out, toe and heel.
The “Fall of Paris” clanged its close,
And Peter’s chime told four,
When Jenny, bosom-beating, rose
To seek her silent door.
They tiptoed in escorting her,
Lest stroke of heel or clink of spur
Should break her goodman’s snore.
The fire that late had burnt fell slack
When lone at last stood she;
Her nine-and-fifty years came back;
She sank upon her knee
Beside the durn, and like a dart
A something arrowed through her heart
In shoots of agony.
Their footsteps died as she leant there,
Lit by the morning star
Hanging above the moorland, where
The aged elm-rows are;
And, as o’ernight, from Pummery Ridge
To Maembury Ring and Standfast Bridge
No life stirred, near or far.
Though inner mischief worked amain,
She reached her husband’s side;
Where, toil-weary, as he had lain
Beneath the patchwork pied
When yestereve she’d forthward crept,
And as unwitting, still he slept
Who did in her confide.
A tear sprang as she turned and viewed
His features free from guile;
She kissed him long, as when, just wooed,
She chose his domicile.
She felt she could have given her life
To be the single-hearted wife
That she had been erstwhile.
Time wore to six. Her husband rose
And struck the steel and stone;
He glanced at Jenny, whose repose
Seemed deeper than his own.
With dumb dismay, on closer sight,
He gathered sense that in the night,
Or morn, her soul had flown.
When told that some too mighty strain
For one so many-yeared
Had burst her bosom’s master-vein,
His doubts remained unstirred.
His Jenny had not left his side
Betwixt the eve and morning-tide:
—The King’s said not a word.
Well! times are not as times were then,
Nor fair ones half so free;
And truly they were martial men,
The King’s-Own Cavalry.
And when they went from Casterbridge
And vanished over Mellstock Ridge,
’Twas saddest morn to see.
The Casterbridge Captains
(KHYBER PASS, 1842)
A Tradition of J. B. L—, T. G. B—, AND J. L—.
Three captains went to Indian wars,
And only one returned:
Their mate of yore, he singly wore
The laurels all had earned.
At home he sought the ancient aisle
Wherein, untrumped of fame,
The three had sat in pupilage,