The Greatest Works of Edward Bellamy: 20 Dystopian Novels, Sci-Fi Series & Short Stories. Edward Bellamy
is this mystery? I think I can stand the disclosure."
"Listen, then," she said. "That wonderful night when we saw you first, of course our great thought was to avoid agitating you when you should recover full consciousness by any more evidence of the amazing things that had happened since your day than it was necessary you should see. We knew that in your time the use of long skirts by women was universal, and we reflected that to see mother and me in the modern dress would no doubt strike you very strangely. Now, you see, although skirtless costumes are the general--indeed, almost universal--wear for most occasions, all possible costumes, ancient and modern, of all races, ages, and civilizations, are either provided or to be obtained on the shortest possible notice at the stores. It was therefore very easy for us to furnish ourselves with the old-style dress before father introduced you to us. He said people had in your day such strange ideas of feminine modesty and propriety that it would be the best way to do. Can you forgive us, Julian, for taking such an advantage of your ignorance?"
"Edith," I said, "there were a great many institutions of the nineteenth century which we tolerated because we did not know how to get rid of them, without, however, having a bit better opinion of them than you have, and one of them was the costume by means of which our women used to disguise and cripple themselves."
"I am delighted!" exclaimed Edith. "I perfectly detest these horrible bags, and will not wear them a moment longer!" And bidding me wait where I was, she ran into the house.
Five minutes, perhaps, I waited there in the arbor, where we had been sitting, and then, at a light step on the grass, looked up to see Edith with eyes of smiling challenge standing before me in modern dress. I have seen her in a hundred varieties of that costume since then, and have grown familiar with the exhaustless diversity of its adaptations, but I defy the imagination of the greatest artist to devise a scheme of color and fabric that would again produce upon me the effect of enchanting surprise which I received from that quite simple and hasty toilet.
I don't know how long I stood looking at her without a thought of words, my eyes meanwhile no doubt testifying eloquently enough how adorable I found her. She seemed, however, to divine more than that in my expression, for presently she exclaimed:
"I would give anything to know what you are thinking down in the bottom of your mind! It must be something awfully funny. What are you turning so red for?"
"I am blushing for myself," I said, and that is all I would tell her, much as she teased me. Now, at this distance of time I may tell the truth. My first sentiment, apart from overwhelming admiration, had been a slight astonishment at her absolute ease and composure of bearing under my gaze. This is a confession that may well seem incomprehensible to twentieth-century readers, and God forbid that they should ever catch the point of view which would enable them to understand it better! A woman of my day, unless professionally accustomed to use this sort of costume, would have seemed embarrassed and ill at ease, at least for a time, under a gaze so intent as mine, even though it were a brother's or a father's. I, it seems, had been prepared for at least some slight appearance of discomposure on Edith's part, and was consciously surprised at a manner which simply expressed an ingenuous gratification at my admiration. I refer to this momentary experience because it has always seemed to me to illustrate in a particularly vivid way the change that has taken place not only in the customs but in the mental attitude of the sexes as to each other since my former life. In justice to myself I must hasten to add that this first feeling of surprise vanished even as it arose, in a moment, between two heart-beats. I caught from her clear, serene eyes the view point of the modern man as to woman, never again to lose it. Then it was that I flushed red with shame for myself. Wild horses could not have dragged from me the secret of that blush at the time, though I have told her long ago.
"I was thinking," I said, and I was thinking so, too, "that we ought to be greatly obliged to twentieth-century women for revealing for the first time the artistic possibilities of the masculine dress."
"The masculine dress," she repeated, as if not quite comprehending my meaning. "Do you mean my dress?"
"Why, yes; it is a man's dress I suppose, is it not?"
"Why any more than a woman's?" she answered rather blankly. "Ah, yes, I actually forgot for a moment whom I was talking to. I see; so it was considered a man's dress in your day, when the women masqueraded as mermaids. You may think me stupid not to catch your idea more quickly, but I told you I was dull at history. It is now two full generations since women as well as men have worn this dress, and the idea of associating it with men more than women would occur to no one but a professor of history. It strikes us merely as the only natural and convenient solution of the dress necessity, which is essentially the same for both sexes, since their bodily conformation is on the same general lines."
Chapter VII.
A string of surprises
The extremely delicate tints of Edith's costume led me to remark that the color effects of the modern dress seemed to be in general very light as compared with those which prevailed in my day.
"The result," I said, "is extremely pleasing, but if you will excuse a rather prosaic suggestion, it occurs to me that with the whole nation given over to wearing these delicate schemes of color, the accounts for washing must be pretty large. I should suppose they would swamp the national treasury if laundry bills are anything like what they used to be."
This remark, which I thought a very sensible one, set Edith to laughing. "Doubtless we could not do much else if we washed our clothes," she said; "but you see we do not wash them."
"Not wash them!--why not?"
"Because we don't think it nice to wear clothes again after they have been so much soiled as to need washing."
"Well, I won't say that I am surprised," I replied; "in fact, I think I am no longer capable of being surprised at anything; but perhaps you will kindly tell me what you do with a dress when it becomes soiled."
"We throw it away--that is, it goes back to the mills to be made into something else."
"Indeed! To my nineteenth-century intellect, throwing away clothing would seem even more expensive than washing it."
"Oh, no, much less so. What do you suppose, now, this costume of mine cost?"
"I don't know, I am sure. I never had a wife to pay dressmaker's bills for, but I should say certainly it cost a great deal of money."
"Such costumes cost from ten to twenty cents," said Edith. "What do you suppose it is made of?"
I took the edge of her mantle between my fingers.
"I thought it was silk or fine linen," I replied, "but I see it is not. Doubtless it is some new fiber."
"We have discovered many new fibers, but it is rather a question of process than material that I had in mind. This is not a textile fabric at all, but paper. That is the most common material for garments nowadays."
"But--but," I exclaimed, "what if it should come on to rain on these paper clothes? Would they not melt, and at a little strain would they not part?"
"A costume such as this," said Edith, "is not meant for stormy weather, and yet it would by no means melt in a rainstorm, however severe. For storm-garments we have a paper that is absolutely impervious to moisture on the outer surface. As to toughness, I think you would find it as hard to tear this paper as any ordinary cloth. The fabric is so strengthened with fiber as to hold together very stoutly."
"But in winter, at least, when you need warmth, you must have to fall back on our old friend the sheep."
"You mean garments made of sheep's hair? Oh, no, there is no modern use for them. Porous paper makes a garment quite as warm as woolen could, and vastly lighter than the clothes you had. Nothing but eider down could have been at once so warm and light as our winter coats of paper."
"And cotton!--linen! Don't tell me that they have been given up,