PERSONAL POWER (Complete 12 Volume Edition). William Walker Atkinson
is efficient only in the degree in which he employs his Imagination; every time he strikes the redhot iron, he makes it approximate the ideal image in his mind.
Kay says: “A clear and accurate idea of what we wish to do, and how it is to be effected, is of the utmost value and importance in all of the affairs of life. A man’s conduct naturally shapes itself according to the ideas in his mind, and nothing contributes more to success in life than having clear, strong ideals, and keeping them continually in view. Numerous unexpected circumstances will be found to conspire to bring it about, and even what seems at first hostile may be converted into means for its furtherance; while by having the Ideal constantly before the mind, one will be ever ready to take advantage of any favoring circumstances that may present themselves.”
Bain says: “By aiming at a new construction, we must clearly conceive what is aimed at. Where we have a very distinct and intelligible model before us, we are in a fair way to succeed; in proportion as the Ideal is dim and wavering, we stagger and miscarry.” John Burroughs says: “No one ever found a walking fern who did not have the walkingfern in his mind. A person whose mind is full of Indian relics picks them up in every field through which he walks. They are found and quickly recognized, because the eye has been commissioned to find them.”
In the great field of activities comprising the realm of Desire, we find that the energizing force of Desire is called forth in proportion to the degree of clearness, definiteness and distinctness of the Ideal presented to it. Desire always is called into action by the presence and power of Ideas and Ideals. Desire is always the “want” of this thing, or the “want to do” that thing; it cannot “want” or “want to” unless an Idea or Ideal is present in sufficient force and definiteness to call forth its activities. In fact, a strong Ideal often arouses and attracts to itself such a degree and amount of Desire that the Ideal itself seems to be but a focal point of Desire, or the Desire seems to be the very soul of the Ideal. In Desire Power, the dominant “want” or “want to” is the Definite Purpose; the idea of the achievement or attainment of the end of the “want” or “want to” is the Definite Ideal.
Likewise, in the activities of Faith Power there is always found present a Definite Ideal. Faith must always have its object—the more definite and certain its object, the greater and more stable is the Faith. Faith is one of the great elemental spiritual powers. In its form of Confident Expectation and Expectant Attention it powerfully moves the Will. But, Faith Power is but latent and static unless it be aroused into dynamic power by the presentation to it of an appropriate Idea or Ideal.
Finally, the activities of Will Power are called forth only in response to the Idea or Ideal which has, in the first place, aroused the Desire which rises into Will; and which, in the second place, has served as a standard of measurement of Willvalues; and, which in the third place, now serves as a beacon, standard, or mark placed far ahead on the Path of Attainment, serving to point out the way to be traveled and the direction to be followed.
It is an axiom of psychology that “the Will goes out in action only toward an Idea or Ideal presented to it.” It might be added that “the Will is held to its path only by the perception of the Idea or Ideal which marks its course and indicates its direction.” Certain philosophers and psychologists have noted that it is almost impossible to distinguish between concentrated Will and a highly developed, definite, concentrated Idea or Ideal—the two seem to have been combined and blended into one mental power. This correspondence between Imagination and Will frequently has been noted in the present work.
But, in pursuance of the rule of the Unity of the Mind, we find that just as truly as Desire, Faith, Imagination and Will may be, and are, called into action, power, and strength by the presentation of an Idea or Ideal, so is it true that the Creative Ideal may be strengthened, energized, and given definite form by the application of the respective powers of Desire, Faith, Imagination and Will.
There is always action, reaction, and interaction in the realm of the mind; its powers are correlated and coordinated—each is bound up with the others, and each aids and helps the others when needed. We may concentrate our attention upon any one of the great powers of the mind, and that particular power will seem to be the dominant one. When, however, we proceed to contemplate and to study the others, we find that each, in turn, seems to be the dominant power. The truth is that no one of these great powers can operate effectively unless the other powers cooperate with it, and proceed with it in coordinated action.
The Creative Ideal, in order to be effective—indeed, in order to be truly creative—must be (1) Strong, and (2) Definite. Its strength is increased by the energizing power of Desire, the inspiring power of Faith, and the determining power of Will. Moreover, by means of Imagination presenting to it mental pictures of itself as actually expressed and manifested in objective, material form, the Creative Ideal is further aroused into action, in response to that essential urge, instinct, or appetency of its nature which causes it to strive ever to manifest itself in outward action and form. In strengthening an Ideal Form which you wish to raise to the rank and power of a Dynamic Creative Ideal, you should bring to bear upon it the combined powers of your Desire, Faith, Imagination, and Will.
The Creative Ideal, in order to be effective and truly creative, must be dear, positive, and definite. Here the Ideal calls upon those mighty twin elements of the spirit—the ideative and volitional faculties—namely, Imagination and Will. Imagination supplies the definite pattern, model, or design which the Ideal wishes to manifest; while Will proceeds to cut away the encumbering marble or granite which hides the definite form of the Ideal as represented by the artist’s pattern, design, or mold.
Will, however, does not create the Ideal—the Ideal is selfcreated, or else is originally created by that “I AM I” which is the centre and focal point present in the mental kingdom. But Will serves a necessary purpose and an essential task when it proceeds to chip away, to chisel away, to hammer away, all the great mass of mental granite or marble which hides the beautiful Inner Form of the Ideal—its Pure Form. The Ideal Form is actually existent—never forget that; but, before it maybe perceived and employed as a model, standard and guide, it must be released from that which encumbers its Pure Form and hides it from view.
In the Master Formula of Attainment, the first element is that of “Definite Ideals”—not merely Ideals, but particularly Definite Ideals. In all of the principal books of this series, this element of Definite Ideals is dwelt upon at considerable length, in one form or another. In the preceding sections of the present book, you will find it presented under the form of “Definite Purpose.”
The factor of definiteness is emphasized in all such presentations; for upon such definiteness depends much of the power of the Ideal Standard, or Purpose. It must “stand out” in attention, perception, and thought. It must represent the “just what” of the want, ambition, faith, effort, or thought. It denotes “just what” you like, desire, believe in, adopt as a standard of values, use as your guide on the road of attainment, and strive to manifest and express in thought, word, and deed.
An Ideal, Standard, or Purpose is “definite” in the degree in which it is “certain, clear, plain, distinct, specific, exact, precise, fixed in understanding and meaning”; its mental form must be “distinct, clear, sharp, clearcut, sharpcut.” Indistinctness, indefiniteness, ambiguity; uncertainty, vagueness, and obscurity of understanding and meaning, are to be avoided in your Ideals—that is, if you wish to have them creative and dynamic.
Strong and Definite Creative Ideals are properly called “Dynamic Ideals,” for they manifest all the qualities and powers which are indicated by the term, “dynamic.” Dynamic means: “Powerful; filled with energy; capable of manifesting force, energy, power, motion and action.” The dynamic aspect or phase of anything is that in which the thing manifests motion, action, activity; its static aspect or phase is that in which it exists in a state of rest and inaction.
Your Dynamic Ideals are those Ideals existing in your mind which are (1) sufficiently powerful to move into action, and to manifest their inherent force and energy; and (2) sufficiently definite to concentrate those forces and energies into a “one pointed” focus of Ideas and Will. Only a Dynamic Ideal can be a Creative Ideal; and all Dynamic Ideals are, and must be, Creative Ideals,