The Ranch At The Wolverine (Western Adventure Novel). B. M. Bower
up that draw over there on a big, black horse named Sultan (You needn't snort; I still think Sultan's a dandy name for a horse!). And you hollered to me to get behind that rock, over there. And I quit at 'Forgive us our debts'—daddy always had so many!—and hiked for the rock. And you commenced shooting— Oh, I'm not going to tell you a single other pretend!" She sulked then, which was quite as diverting as the most hair-raising "pretend" she had ever told him and held Ward's attention unflaggingly until they were half way home.
"Sing the Chisholm Trail," she commanded, when her temper was sunshiny again. This had been a particularly moody day for Ward, and Billy Louise felt that extra effort was required to rout the memory-devils. "Daddy knew a little of it, and old Jake Summers used to sing more, but I never did hear it all."
"Ladies don't, as a general thing," Ward replied, biting his lips.
"Why? I know there's about forty verses, and some of them are kind of sweary ones; but go ahead and sing it. I don't mind damn now and then."
This sublime innocence was also diverting, even to a man haunted by the devils of memory. Ward's lips twitched, and a flush warmed his cheek-bones at the mere thought of singing it all in her presence. "I'll sing all of Sam Bass, if you like," he temporized, with a grin.
"Oh, I hate Sam Bass! We had a Dutchman working for us when I was just a kid, and he was forever bawling out: 'Sa-am Pass was porn in Injiany, it was-s hiss natiff ho-o-ome!'"
Billy Louise was a pretty good mimic. She had Ward doubled over the horn again and shouting so that the canyon walls roared echoes for three full minutes. "I've always wanted to hear the Chisholm Trail. I know how it was sung from Mexico north on the old cattle-trails, and how every ambitious puncher who had enough imagination and could make a rhyme, added a verse or so, till it's really a—a classic of the cow-camps."
"Ye-es—it sure is all that." Ward eyed her furtively.
"And with that memory of yours, I simply know that you can sing every single word of it," Billy Louise went on pitilessly—and innocently. "You're a cowpuncher yourself, and you must have heard it all, at one time and another; and I don't believe you ever forgot a thing in your life." She caught her breath there, conscience-stricken, and added hastily and imperiously, "So go on—begin at the beginning and sing it all. I'll keep tab and see if you sing forty verses." And she prompted coaxingly:
"Come along, boys, and listen to my tale,
I'll tell you of my troubles on the old Chisholm trail,
Coma ti yi—"
and nodded her head approvingly when Ward took up the ditty where she left off and sang it with the rollicking enthusiasm which only a man who has soothed restless cattle on a stormy night can put into the doggerel.
He did not sing the whole forty verses, for good and sufficient reasons best known to punchers themselves. But, with swift, shamed skipping of certain lines and some hasty revisions, he actually did sing thirty, and Billy Louise was so engrossed that she forgot to count them and never suspected the omissions; for some of the verses were quite "sweary" enough to account for his hesitation.
The singing of those thirty verses brought a reminiscent mood upon the singer. For the rest of the way, which they rode at a walk, Ward sat very much upon one side of the saddle, with his body facing Billy Louise and his foot dangling free of the stirrup, and told her tales of trail-herds, and the cow-camps, and of funny things that had happened on the range. His "I remember one time" opened the door to a more fascinating world than Billy Louise's dream-world, because this other world was real.
So, from pure accident, she hit upon the most effective of all weapons with which to fight the memory-devils. She led Ward to remembering the pleasanter parts of his past life and to telling her of them.
When spring came at last, and he rode regretfully back to his claim on Mill Greek, he was not at all the morose Ward Warren who had ridden down to the Wolverine that stormy night in January. The distrust had left his eyes, and that guarded remoteness was gone from his manner. He thought and he planned as other men thought and planned, and looked into the future eagerly, and dreamed dreams of his own; dreams that brought the hidden smile often to his lips and his eyes.
Still, the thing those dreams were built upon was yet locked tight in his heart, and not even Billy Louise, whose instinct was so keen and so sure in all things else, knew anything of them or of the bright-hued hope they were built upon. Fortune's football was making ready to fight desperately to become captain of the game, that he might be something more to Billy Louise.
Chapter V. Marthy Buries Her Dead and Greets Her Nephew
Jase did not move or give his customary, querulous grunt when Marthy nudged him at daylight, one morning in mid-April. Marthy gave another poke with her elbow and lay still, numbed by a sudden dread. She moved cautiously out of the bed and half across the cramped room before she turned her head toward him. Then she stood still and looked and looked, her hard face growing each moment more pinched and stony and gray.
Jase had died while the coyotes were yapping their dawn-song up on the rim of the Cove. He lay rigid under the coarse, gray blanket, the flesh of his face drawn close to the bones, his skimpy, gray beard tilted upward.
Marthy's jaw set into a harsher outline than ever. She dressed with slow, heavy movements and went out and fed the stock. In stolid calm she did the milking and turned out the cows into the pasture. She gathered an apron full of chips and started a fire, just as she had done every morning for twenty-nine years, and she put the coffee-pot on the greasy stove and boiled the brew of yesterday—which was also her habit.
She sat for some time with her head leaning upon her grimy hand and stared unseeingly out upon a peach-tree in full bloom, and at a pair of busy robins who had chosen a convenient crotch for their nest. Finally she rose stiffly, as if she had grown older within the last hour, and went outside to the place where she had been mending the irrigating ditch the day before; she knocked the wet sand off the shovel she had left sticking in the soft bank and went out of the yard and up the slope toward the rock wall.
On a tiny, level place above the main ditch and just under the wall, Marthy began to dig, setting her broad, flat foot uncompromisingly upon the shoulder of the shovel and sending it deep into the yellow soil. She worked slowly and methodically and steadily, just as she did everything else. When she had dug down as deep as she could and still manage to climb out, and had the hole wide enough and long enough, she got awkwardly to the grassy surface and sat for a long while upon a rock, staring dumbly at the gaunt, brown hills across the river.
She returned to the cabin at last, and with the manner of one who dreads doing what must be done, she went in where Jase lay stiff and cold under the blankets.
Early that afternoon, Marthy went staggering up the slope, wheeling Jase's body before her on the creaky, home-made wheelbarrow. In the same harsh, primitive manner in which they both had lived, Marthy buried her dead. And though in life she had given him few words save in command or upbraiding, with never a hint of love to sweeten the days for either, yet she went whimpering away from that grave. She broke off three branches of precious peach blossoms and carried them up the slope. She stuck them upright in the lumpy soil over Jase's head and stood there a long while with tear-streaked face, staring down at the grave and at the nodding pink blossoms.
Billy Louise rode singing down the rocky trail through the deep, narrow gorge, to where the hawthorn and choke-cherries hid the opening to the cove. Just on the edge of the thickest fringe, she pulled up and broke off tender branches of cherry bloom, then went on, still singing softly to herself because the air was sweet with spring odors, the sunshine lay a fresh yellow upon the land, and because the joy of life was in her blood and, like the birds, she had no other means of expression at hand. Blue's feet sank to the fetlocks in the rich, black soil of the little meadow that lay smooth to the tumbling sweep of the river behind its own little willow fringe. His ears perked forward, his eyes rolling watchfully for strange sights and sounds, he stepped softly