.
my nakedness with the skins of animals. I builded cunning traps, and wove branches and long grasses and rushes and reeds into the thatch and roof-tree. I fashioned arrows and spears of bone and flint. I drew iron from the earth, and broke the first ground, and planted the first seed. I gave law and order to the tribe and taught it to fight with craft and wisdom. I enabled the young men to grow strong and lusty, and the women to find favour with them; and I gave safety to the women when their progeny came forth, and safety to the progeny while it gathered strength and years.
I did many things. Out of my blood and sweat and toil I made it possible that all men need not all the time hunt and fish and fight. The muscle and brain of every man were no longer called to satisfy the belly need. And then, when of my blood and sweat and toil I had made room, you came, high priest of mystery and things unknowable, singer of songs and seer of visions.
And I did you honour, and gave you place by feast and fire. And of the meat I gave you the tenderest, and of the furs the softest. Need I say that of women you took the fairest? And you sang of the souls of dead men and of immortality, of the hidden things, and of the wonder; you sang of voices whispering down the wind, of the secrets of light and darkness, and the ripple of running fountains. You told of the powers that pulsed the tides, swept the sun across the firmaments, and held the stars in their courses. Ay, and you scaled the sky and created for me the hierarchy of heaven.
These things you did, Dane; but it was I who made you, and fed you, and protected you. While you dreamed and sang, I laboured sore. And when danger came, and there was a cry in the night, and women and children huddling in fear, and strong men broken, and blare of trumpets and cry of battle at the outer gate—you fled to your altars and called vainly on your phantoms of earth and sea and sky. And I? I girded my loins, and strapped my harness on, and smote in the fighting line; and died, perchance, that you and the women and children might live.
And in times of peace you throve and waxed fat. But only by our brain and blood did we men of the fighting line make possible those times of peace. And when you throve, you looked about you and saw the beauty of the world and fancied yet greater beauty. And because of me your fancy became fact, and marvels arose in stone and bronze and costly wood.
And while your brows were bright, and you visioned things of the spirit, and rose above time and space to probe eternity, I concerned myself with the work of head and hand. I employed myself with the mastery of matter. I studied the times and seasons and the crops, and made the earth fruitful. I builded roads and bridges and moles, and won the secrets of metals and virtues of the elements. Bit by bit, and with great travail, I have conquered and enslaved the blind forces. I builded ships and ventured the sea, and beyond the baths of sunset found new lands. I conquered peoples, and organised nations and knit empires, and gave periods of peace to vast territories.
And the arts of peace flourished, and you multiplied yourself in divers ways. You were priest and singer and dancer and musician. You expressed your fancies in colours and metals and marbles. You wrote epics and lyrics—ay, as you to-day write lyrics, Dane Kempton. And I multiplied myself. I kept hunger afar off, and fire and sword from your habitation, and the bondsmen in obedience under you. I solved methods of government and invented systems of jurisprudence. Out of my toil sprang forms and institutions. You sang of them and were the slave of them, but I was the maker of them and the changer of them.
You worshipped at the shrine of the idea. I sought the fact and the law behind the fact. I was the worker and maker and liberator. You were conventional. Tradition bound you. You were full bellied and content, and you sang of the things that were. You were mastered by dogma. Did the Mediæval Church say the earth was flat, you sang of an earth that was flat, and danced and made your little shows on an earth that was flat. And you helped to bind me with chains and burn me with fire when my facts and the laws behind my facts shook your dogmas. Dante's highest audacity could not transcend a material inferno. Milton could not shake off Lucifer and hell.
You were more beautiful. But not only was I more useful, but I made the way for you that there might be greater beauty. You did not reck of that. To you the heart was the seat of the emotions. I formulated the circulation of the blood. You gave charms and indulgences to the world; I gave it medicine and surgery. To you, famine and pestilence were acts of providence and punishment of sin: I made the world a granary and drained its cities. To you the mass of the people were poor lost wretches who would be rewarded in paradise or baked in hell. You could offer them no earthly happiness of decency. Forsooth, beggars as well as kings were of divine right. But I shattered the royal prerogatives and overturned the thrones of the one and lifted the other somewhat out of the dirt.
Nor is my work done. With my inventions and discoveries and rational enterprise, I draw the world together and make it kin. The uplift is but begun. And in the great world I am making I shall be as of old to you, Dane. I, who have made you and freed you, shall give you space and greater freedom. And, as of old, we shall quarrel as when first you came to me and found me at my rude earth-work. You shall be the scorner of matter, and I the master of matter. You may laugh at me and my work, but you shall not be absent from the feast nor shall your voice be silent. For, when I have conquered the globe, and enthralled the elements, and harnessed the stars, you shall sing the epic of man, and as of old it shall be of the deeds I have done.
Herbert.
IX. From Dane Kempton to Herbert Wace
3a Queen's Road, Chelsea, S.W.
December 28, 19—.
The curtain is rung down on an illusion, but it rises again on another, this time, as before, with the look of the absolute Good and True upon it. It is because we are at once actor and spectator that we find no fault with blinking sight and slothful thought. We are finite branded and content, except during the shrill, undermining moments when the orchestra is tuning up. "Thus we half-men struggle."
I follow your letter and wonder whether your illusions have qualities of beauty which escape me. I give you the benefit of every doubt which it is possible for me to harbour with regard to my own system of illusions. You glorify the crowd practical. You attach yourself to the ranks that carried thought into action. You inspire yourself with rugged strength by dwelling on the achievements of ruggedness, forgetting that the progress of the world is not marshalled by those who work with line and rule. It was not his crew, but Columbus, who discovered America. The crew stood between the Old and the New, as indeed the crew always does. Between the idealist and his hope were hosts of practical enemies whom he had to subdue before he reached land. But I must not fall into your mistake of dividing men into categories. Men are not either intellectual or emotional; they are both. It is a rounded not an angular development which we follow. Feeling and thinking are not mutually exclusive, and the great personality feels deeply because he thinks highly, feels keenly because he sees widely. Common sense is not incompatible with uncommon sense, evil does not of necessity attend beauty, nor weakness the strength of genius.
I shall sing of the deeds you have done if your deeds are worthy of song. I shall sing a Song of the Sword, too, should the sword "thrust through the fatuous, thrust through the fungous brood." Whatever helps the races to better life sings itself into racial lore, and I alone shall not refuse the tribute. When you come to see that the Iliad is as great a gift to the race as the doings of Achilles, that the Iliads are more significant than the doings they celebrate, you will cease to classify men into doers and singers. You will cease to dishonour yourself in the eyes of the singers with the hope that in so doing you gain somewhat elsewhere.
Professor Bidwell is in love and it interferes with his work. You have the advantage of him there, no doubt. However, you lose more than you gain. You have shattered the dream and have awakened. To what? What is this reality in which your universe is hung? Where shine the stars of your scientific heaven? By the beauty of your dreaming alone, Herbert, shall you be judged and known. You dream that you have learned the lesson, solved the problem, pierced the mystery, and become a prophet of matter. But matter does not include spirit, so the motif of your dream grows all confused. Your race epic omits the race. You sing the branch and the leaf rather