Finnegans Wake & Exiles. Ð”Ð¶ÐµÐ¹Ð¼Ñ Ð”Ð¶Ð¾Ð¹Ñ
The bird in the case was Belinda of the Dorans, a more than quinquegintarian (Terziis prize with Serni medal, Cheepalizzy’s Hane Exposition) and what she was scratching at the hour of klokking twelve looked for all this zogzag world like a goodishsized sheet of letterpaper originating by transhipt from Boston (Mass.) of the last of the first to Dear whom it proceded to mention Maggy well & allathome’s health well only the hate turned the mild on the van Houtens and the general’s elections with a lovely face of some born gentleman with a beautiful present of wedding cakes for dear thankyou Chriesty and with grand funferall of poor Father Michael don’t forget unto life’s & Muggy well how are you Maggy & hopes soon to hear well & must now close it with fondest to the twoinns with four crosskisses for holy paul holey corner holipoli whollyisland pee ess from (locust may eat all but this sign shall they never) affectionate largelooking tache of tch. The stain, and that a teastain (the overcautelousness of the masterbilker here, as usual, signing the page away), marked it off on the spout of the moment as a genuine relique of ancient Irish pleasant pottery of that lydialike languishing class known as a hurry-me-o’er-the-hazy.
Why then how?
Well, almost any photoist worth his chemicots will tip anyone asking him the teaser that if a negative of a horse happens to melt enough while drying, well, what you do get is, well, a positively grotesquely distorted macromass of all sorts of horsehappy values and masses of meltwhile horse. Tip. Well, this freely is what must have occurred to our missive (there’s a sod of a turb for you! please wisp off the grass!) unfilthed from the boucher by the sagacity of a lookmelittle likemelong hen. Heated residence in the heart of the orangeflavoured mudmound had partly obliterated the negative to start with, causing some features palpably nearer your pecker to be swollen up most grossly while the farther back we manage to wiggle the more we need the loan of a lens to see as much as the hen saw. Tip.
You is feeling like you was lost in the bush, boy? You says: It is a puling sample jungle of woods. You most shouts out: Bethicket me for a stump of a beech if I have the poultriest notions what the farest he all means. Gee up, girly! The quad gospellers may own the targum but any of the Zingari shoolerim may pick a peck of kindlings yet from the sack of auld hensyne.
Lead, kindly fowl! They always did: ask the ages. What bird has done yesterday man may do next year, be it fly, be it moult, be it hatch, be it agreement in the nest. For her socioscientific sense is sound as a bell, sir, her volucrine automutativeness right on normalcy: she knows, she just feels she was kind of born to lay and love eggs (trust her to propagate the species and hoosh her fluffballs safe through din and danger!); lastly but mostly, in her genesic field it is all game and no gammon; she is ladylike in everything she does and plays the gentleman’s part every time. Let us auspice it! Yes, before all this has time to end the golden age must return with its vengeance. Man will become dirigible, Ague will be rejuvenated, woman with her ridiculous white burden will reach by one step sublime incubation, the manewanting human lioness with her dishorned discipular manram will lie down together publicly flank upon fleece. No, assuredly, they are not justified, those gloompourers who grouse that letters have never been quite their old selves again since that weird weekday in bleak Janiveer (yet how palmy date in a waste’s oasis!) when to the shock of both, Biddy Doran looked at literature.
And. She may be a mere marcella, this midget madgetcy, Misthress of Arths. But. It is not a hear or say of some anomorous letter, signed Toga Girilis, (teasy dear). We have a cop of her fist right against our nosibos. We note the paper with her jotty young watermark: Notre Dame du Bon Marché. And she has a heart of Arin! What lumililts as she fols with her fallimineers and her nadianods. As a strow will shaw she does the wind blague, recting to show the rudess of a robur curling and shewing the fansaties of a frizette. But how many of her readers realise that she is not out to dizzledazzle with a graith uncouthrement of postmantuam glasseries from the lapins and the grigs. Nuttings on her wilelife! Grabar gooden grandy for old almeanium adamologists like Dariaumaurius and Zovotrimaserovmeravmerouvian; (dmzn!); she feel plain plate one flat fact thing and if, lastways firdstwise, a man alones sine anyon anyons utharas has no rates to done a kik at with anyon anakars about tutus milking fores and the rereres on the outerrand asikin the tutus to be forrarder. Thingcrooklyexin-everypasturesixdix-likencehimaroundhers-themaggerbykinkin-kankanwithdownmind-lookingated. Mesdaims, Marmouselles, Mescerfs! Silvapais! All schwants (schwrites) ischt tell the cock’s trootabout him. Kapak kapuk. No minzies matter. He had to see life foully the plak and the smut, (schwrites). There were three men in him (schwrites). Dancings (schwrites) was his only ttoo feebles. With apple harlottes. And a little mollvogels. Spissially (schwrites) when they peaches. Honeys wore camelia paints. Yours very truthful. Add dapple inn. Yet is it but an old story, the tale of a Treestone with one Ysold, of a Mons held by tentpegs and his pal whatholoosed on the run, what Cadman could but Badman wouldn’t, any Genoaman against any Venis, and why Kate takes charge of the waxworks.
Let us now, weather, health, dangers, public orders and other circumstances permitting, of perfectly convenient, if you police, after you, policepolice, pardoning mein, ich beam so fresch, bey? drop this jiggerypokery and talk straight turkey meet to mate, for while the ear, be we mikealls or nicholists, may sometimes be inclined to believe others the eye, whether browned or nolensed, find it devilish hard now and again even to believe itself. Habes aures et num videbis? Habes oculos ac mannepalpabuat? Tip! Drawing nearer to take our slant at it (since after all it has met with misfortune while all underground), let us see all there may remain to be seen.
I am a worker, a tombstone mason, anxious to pleace averyburies and jully glad when Christmas comes his once ayear. You are a poorjoist, unctuous to polise nopebobbies and tunnibelly soully when ’tis thime took o’er home, gin. We cannot say aye to aye. We cannot smile noes from noes. Still. One cannot help noticing that rather more than half of the lines run north-south in the Nemzes and Bukarahast directions while the others go west-east in search from Maliziies with Bulgarad for, tiny tot though it looks when schtschupnistling alongside other incunabula, it has its cardinal points for all that. These ruled barriers along which the traced words, run, march, halt, walk, stumble at doubtful points, stumble up again in comparative safety seem to have been drawn first of all in a pretty checker with lampblack and blackthorn. Such crossing is antechristian of course, but the use of the homeborn shillelagh as an aid to calligraphy shows a distinct advance from savagery to barbarism. It is seriously believed by some that the intention may have been geodetic, or, in the view of the cannier, domestic economical. But by writing thithaways end to end and turning, turning and end to end hithaways writing and with lines of litters slittering up and louds of latters slettering down, the old semetomyplace and jupetbackagain from tham Let Rise till Hum Lit. Sleep, where in the waste is the wisdom?
Another point, in addition to the original sand, pounce powder, drunkard paper or soft rag used (any vet or inhanger in ous sot’s social can see the seen for seemself, a wee ftofty od room, the cheery spluttered on the one karrig, a darka disheen of voos from Dalbania, any gotsquantity of racky, a portogal and some buk setting out on the sofer, you remember the sort of softball sucker motru used to tell us when we were all biribiyas or nippies and messas) it has acquired accretions of terricious matter whilst loitering in the past. The teatimestained terminal (say not the tag, mummer, or our show’s a failure!) is a cosy little brown study all to oneself and, whether it be thumbprint, mademark or just a poor trait of the artless, its importance in establishing the identities in the writer complexus (for if the hand was one, the minds of active and agitated were more than so) will be best appreciated by never forgetting that both before and after the battle of the Boyne it was a habit not to sign letters always. Tip. And it is surely a lesser ignorance to write a word with every consonant too few than to add all too many. The end? Say it with missiles then and thus arabesque the page. You have your cup of scalding Souchong, your taper’s waxen drop, your cat’s paw, the clove or coffinnail you chewed or champed as you worded it, your lark in clear air. So why, pray, sign anything as long as every word, letter, penstroke, paperspace is a perfect signature of its own? A true friend is known much more easily, and better into the bargain, by his personal touch, habits of full or undress, movements, response to appeals for charity than by his footwear, say. And, speaking anent Tiberias and other incestuish salacities among gerontophils, a word of warning about the tenderloined passion hinted at. Some softnosed peruser might mayhem take it up erogenously as the usual