The History of Ancient Greece: 3rd millennium B.C. - 323 B.C.. John Bagnell Bury
west of the river. It is probable that under its protection a town grew up at an early period, whose name Messene was afterwards transferred to the whole country.
The fruitful soil of Messenia, “good to plant and good to ear”, as one of her poets sang, could not but excite the covetousness of her martial neighbours. It is impossible to determine the date of the First Messenian War with greater precision than the eighth century. Legends grew up freely as to its causes and its course. All that we know with certainty is that the Spartan king, under whose auspices it was waged, was named Theopompus; that it was decided by the capture of the great fortress of Ithome; and that the eastern part of the land became Laconian. A poet writing at the beginning of the seventh century would have naturally spoken of Messene or Pherae as being “in Lacedaemon”. When the Second War broke out towards the end of the seventh century, it was either history or legend that the previous war had lasted twenty years. Legends grew up around it in which the chief figure was a Messenian hero named Aristodemus. The tale was that he offered his daughter as a sacrifice to save his country, in obedience to the demand of an oracle. Her lover made a despairing effort to save her life by spreading a report that the maiden was about to become a mother, and the calumny so incensed Aristodemus that he slew her with his own hand. Afterwards, terrified by evil dreams and portents, and persuaded that his country was doomed, he killed himself upon his daughter’s tomb.
As the object of the Spartans was to increase the number of the lots of land for their citizens, many of the conquered Messenians were reduced to the condition of Helots, and servitude was hard though their plight might have been harder. They paid to their lords only one-half of the produce of the lands which they tilled, whereas in Attica at the same period the free tillers of the soil had to pay five-sixths. The Spartan poet Tyrtaeus describes how the Messenians endured the insolence of their masters:—
As asses worn by loads intolerable,
So them did stress of cruel force compel,
Of all the fruits the well-tilled land affords,
The moiety to bear to their proud lords.
For some generations they submitted patiently, but at length, when victorious Sparta felt secure, a rebellion was organised in the northern district of Andania. The rebels were supported by their neighbours in Arcadia and Pisatis, and they are said to have found of an able and ardent leader in Aristomenes, sprung from an old Messenian family. The revolt was at first successful. The Spartans fared ill, and their young men experienced the disgrace of defeat. The hopes of the serfs rose, and Sparta despaired of recovering the land. But a leader and a poet arose amongst them. The lame Tyrtaeus is recorded to have inspired his countrymen with such martial vigour that the tide of fortune turned, and Sparta began to retrieve her losses and recover her reputation. Some scraps of the poems of Tyrtaeus have been preserved, and they supply the only trustworthy material we have for the history of the Messenian wars; and he won such fame by the practical successes of his art that at a later time the Athenians sought to claim him as one of their sons and gave out that Sparta, by the counsel of an oracle, had sent for him. The warriors advanced to battle singing his “marches” to the sound of flutes, while his elegies, composed in the conventional epic dialect, are said to have been recited in the tents after the evening meal. But we learn from himself that his strategy was as effective as his poetry, and the Messenians were presently defeated in the Battle of the Great Foss. They then retired to the northern stronghold of Eira on the river Nedon, which plays the same part in the second war that Ithome played in the first, while Aristomenes takes the place of Aristodemus. As to Eira, indeed, we possess no record on the contemporary authority of Tyrtaeus, whose extant fragments notice none of the adventures, nor even the name, of the hero Aristomenes. Yet Eira may well have been the place where the last stand was made; for the Spartans had rased the fortifications of Ithome, which is not mentioned in connexion with the second war. At Eira the defenders were near their Arcadian supporters and within reach of Pylos which seems not to have been yet Lacedaemonian. But Eira fell; legend says that it was beleaguered for eleven years. Aristomenes was the soul of the defence, and his wonderful escapes became the argument of a stirring tale. On one occasion he was thrown, with fifty fellow-countrymen, captured by the Spartans, into a deep pit. His comrades perished, and Aristomenes awaited certain death. But by following the track of a fox he found a passage in the rocky wall of his prison and appeared on the following day at Eira. When the Spartans surprised that fortress, he made his escape wounded to Arcadia. He died in Rhodes, but two hundred and fifty years later, on the field of Leuctra, he reappeared against the Spartans to avenge his defeat.
Those Messenians who were left in the land were mostly reduced again to the condition of Helots, but the maritime communities and even a few in the interior remained free, as perioeci, in the possession of their estates. Many escaped to Arcadia, while some of the inhabitants of the coast-towns may have taken ship and sailed to other places.
At this time Sparta, like most other Greek states, suffered from domestic discontent. There was a pressing land question, with which Tyrtaeus dealt in a poem named Eunomia, or Law and Order. This question was partly solved by the conquest of the whole land of Messenia, and doubtless the foundation of the colony of Taras in southern Italy was undertaken for the purpose of relieving an excessive population.
The Messenian war, as recorded by Tyrtaeus, shows us that the power of the privileged classes had been already undermined by a great change in the method of warfare. The fighting is done, and the victory won, by regiments of mailed foot-lancers, who march and fight together in close ranks. The secret has been discovered that such well-drilled spearsmen—hoplites as they were called—were superior to cavalry; and much about the same period in Ionia, we find the infantry of Smyrna holding their own against the Lydian horsemen of Gyges. The recognition of serried bodies of foot, as a useful weapon in battle, can be traced in the later parts of the Iliad; but it was in Sparta first that their value was fully appreciated. There they became the main part of the military establishment. The city no longer depended chiefly on her nobles in time of war; she depended on her whole people. The progress of metal-smiths in their trade, which accompanied the general industrial advance of Greece, rendered possible this transformation in the art of war. Every well-to-do citizen could now provide himself with an outfit of armour and go forth to battle in panoply. The transformation was distinctly levelling and democratic; for it placed the noble and the ordinary citizen on an equality in the field. We shall not be wrong in connecting this military development with those aspirations of the people for a popular constitution, which resulted in the investment of the ephorate with its great political powers.
From Sparta, where it was brought to a perfection which in the days of Tyrtaeus it had not yet attained, the institution of the heavy foot-lancers spread throughout Greece, and its natural tendency everywhere was to promote the progress to democracy. It is significant that in Thessaly, where the system of hoplites was not introduced and cavalry was always the kernel of the army, democratic ideas never made way.
SECT. 3. INTERNAL DEVELOPMENT OF SPARTA AND HER INSTITUTIONS
In the seventh century one could not have foretold what Sparta was destined to be. Her nobles lived luxuriously, like the nobles of other lands; the individual was free, as in other cities, to order his life as he willed. She showed some promise of other than military interests. Lyric poetry was transported from its home in Lesbos to find for a while a second home on the banks of the Eurotas. Songs to be sung at banquets, at weddings, at harvest feasts, and at festivals of the gods, by single singers or choirs of men or maidens, were older than memory could reach; but with the development of music and the improvement of musical instruments the composition of these songs became an art, and lyric poetry was created. The introduction of a lyre of seven strings instead of the old tetrachord was attributed to Terpander of Lesbos, who was at all events an historical person, and both a poet and a musician. He visited Sparta, and is said to have instituted the musical contest at the Carnea, the great festival of Lacedaemon. His music was certainly welcomed there, and Sparta soon had a poet, who, though not her own, was at least her adopted, son. Alcman from Lydian Sardis made Sparta his home, and we have some fragments of songs which he composed for choirs of Laconian maidens. Sparta had her epic poet too in Cinaethon. But this promise of a school of music and poetry was not to be fulfilled.
When