The Scarlet Pimpernel Series – All 35 Titles in One Edition. Emma Orczy
The Double Wedding
1
IT was one of those days when earth and heaven alike appear to smile. A day almost warm, certainly genial; for the wind had dropped, the sky was of a vivid blue, and the sun had a genuine feeling of warmth in its kiss. From the overhanging eaves the snow dropped down in soft, moist lumps, stained by the thaw, and the quay, where a goodly crowd had collected, was quickly transformed under foot into a sea of mud.
It almost seemed as if the little town was out on a holiday. People came and went, dressed in gay attire, stood about all along the bank of the river, staring up at the stately gabled house which looked so wonderfully gay with its decorations of flags and valuable tapestries and stuffs hanging from the numerous windows.
That house on the quay -- and it was the finest house in the town -- was indeed the centre of attraction. It was from there that the air of holiday-making emanated, and certainly from there that the gay sounds of music and revelry came wafted on the crisp, wintry air.
Mynheer Beresteyn had come to his house in Amersfoort, of which city he was chief civic magistrate, in order to celebrate the double wedding. No wonder such an event was made an excuse for a holiday. Burgomaster Beresteyn never did things by halves, and his hospitality was certain to be lavish. Already doles and largesse had been poured out at the porch of St. Maria Kerk; a crowd of beggars more or less indigent, crippled, sick, or merely greedy, had assembled there very early in the morning. Whoever was there was sure to get something. And there was plenty to see besides: the brides and bridegrooms and the wedding party; and of course His Highness the Stadtholder was a sight in himself. He did not often go abroad these days, for his health was no longer as good as it was. He had aged considerably, looked moody and ailing for the most part. There had been sinister rumours, too. The widowed Archduchess Isabella, Mistress of Flanders and Brabant, hated him because he held the United Provinces of the Netherlands free from the bondage of Spain. And in Spain the arts of poison and of secret assassination were carried on with as much perfection as they had ever been in Italy in the days of the Borgias.
However, all such dark thoughts must be put away for the day. This is a festive occasion for Amersfoort, when every anxiety for the fate of the poor fatherland -- ever threatened and ever sore-pressed -- must be laid to rest. Let the brides and bridegrooms see naught but merry faces -- happy auguries of the auspicious days to come.
Here they come --the entire wedding party -- walking down the narrow streets from the quay to the St. Maria Kerk. Every one is walking, even the Stadtholder. He is conspicuous by his great height, and the richness of his attire: embroidered doublet, slashed sleeves, priceless lace. His face looks thin and drawn, but he has lost nothing of his martial bearing, nor have his eyes lost their eagle glance. He had come over the previous afternoon from Utrecht, where he was in camp, and had deigned to grace Mynheer Beresteyn's house by sleeping under its roof. It was understood that he would return to Utrecht after the banquet which was to follow the religious ceremony, and he, too, for this one day was obviously making a valiant attempt to cast off the load of anxiety attendant upon ceaseless campaigning. In truth, the Archduchess Isabella, not content with the fairest provinces of Belgium, with Flanders, Brabant, and the Hainault, which her father, King Philip of Spain, had ceded to her absolutely, was even now striving to force some of the United Provinces back under the domination of Spain.
Small wonder then that the Stadtholder, wearied and sick, the shadow of his former self, was no longer sure of a whole-hearted welcome when he showed himself abroad. Nor had the people forgiven him the judicial murder of Olden Barneveldt -- the trusted councillor in the past, afterwards the bitter opponent of his master's ambitions -- of his severity towards Barneveldt's sons. His relentless severity toward those who offended him, his reckless ambition and stern disciplinarianism, had made him an object of terror rather than of affection. Nevertheless, he still stood for the upholder of the liberties of the United Provinces, the finest captain of his age, who by his endurance, his military skill, and his unswerving patriotism, kept his country's frontiers free from the incursions of the most powerful armies of the time. He still stood as the man who had swept the sacred soil of the Netherlands free from Spanish foes and Spanish tyranny, who had amplified and consolidated the work of his father and firmly established the independence of the Republic. Because of what he had done in the past, men like Mynheer Beresteyn and those of his kind still looked upon him with grave respect, as the chosen of God, the prophet sent to them from Heaven to keep the horrors of a new Spanish invasion away from their land.
And when Maurice of Nassau came to a small city like Amersfoort, as he had done today, he was received with veneration, if not with the old cheers and acclamations. His arbitrary temper was momentarily forgotten, his restless ambition condoned, in the joy of beholding the man who had fought for them, never spared himself until he had won for them all those civil and religious liberties which they prized above all the treasures of the earth.
All heads, then, were bowed in respectful silence as he walked by, with the brides one on each side of him. But the loving glances of the crowd, the jokes and whispered words of cheer and greeting, were reserved for Mynheer Beresteyn and for his family.
2
Two brides, and both comely! Jongejuffrouw Katharina van den Poele, the only child of the wealthy shipowner, member of the Dutch East India Company, a solid burgher both physically and financially, and one of the props of his country's overseas commerce. His daughter, in rich brocade, with stiff stomacher that vainly strove to compress her ample proportions, splashed through the mud on her high pattens beside the Stadtholder, her heavily be-ringed hands clinging to the folds of her gown, so as to save them from being soiled. Stolid and complacent, she heard with a satisfied smile the many compliments that rose from out the crowd on her dazzling complexion, her smoothly brushed hair and magnificent jewelry. The fair Katharina beamed with good-nature and looked the picture of happiness, despite the fact that her bridegroom, who walked immediately behind her, appeared somewhat moody, considering the occasion.
Nicolaes Beresteyn, the Burgomaster's only son, had in truth, no reason for surliness. His bride excited universal admiration, his own private fortune would be more than doubled by the dowry which the good Kaatje brought him along with her plump person, and all the disagreements between himself and his father, all the treachery and the deceit of the past three months, had been amply forgiven. It was all the more strange, therefore, that on this day his face alone should appear as a reflection of the Stadtholder's silent mood, and more than one comment was made thereon as he passed.
Of the other bride and bridegroom it is perhaps more difficult to speak. We all know the beautiful picture of Gilda Beresteyn which Frans Hals made of her some three months previously. That incomparable master of portraiture has rendered that indescribable air of force, coupled with extreme youthfulness, which was her greatest charm. Often she hath been called etherial, yet I do not see how that description could apply to one who was so essentially alive as Gilda Beresteyn. Her blue eyes always sparkled with vitality, and whenever she was moved -- which was often enough -- they became as dark as sloes. Probably the word came to be applied to her because there was always a little something mysterious about her -- an enigmatic little smile, which suggested merriment that came from within rather than in response to an outside joke. Many have remarked that her smile was the gentle reflex of her lover's sparkling gaiety.
Him -- that ardent lover, sobered bridegroom now -- you cannot forget, not whilst Frans Hals' immortal work, whom he hath called "The Laughing Cavalier," depicts him in all is irrepressible joyousness, and gladdens the eye with its exhilaration and its magnificent gaite de coeur -- a veritable nepenthe for jaded seek-sorrows.
For once in his life, as he walks gravely behind his bride, there is a look of seriousness not unmixed with impatience in his laughing eyes. A frown, too, between his brows. The crowd have at once taken him to its heart -- especially the women. Those who have no sons wish for one at once, who would grow up just like him: tall and stately as a young sapling, with an air of breeding seldom seen in the sons of the Low Countries, and wearing his magnificent bridal attire as if he had never worn leather jerkin or worsted doublet in his life. The women admire the richly wrought doublet, the priceless