The Country House. John Galsworthy
Suddenly General Pendyce's voice was heard saying very loud, “Stale? Nonsense, Bee, nonsense! Why, damme, so it is!”
A hum of voices from the centre of the room covered up that outburst, and Gerald, stepping to the hearth, threw another cedar log upon the fire. The smoke came out in a puff.
Mrs. Pendyce leaned back in her chair smiling, and wrinkling her fine, thin nose.
“Delicious!” she said, but her eyes did not leave her son's face, and in them was still that vague alarm.
CHAPTER IV
THE HAPPY HUNTING-GROUND
Of all the places where, by a judicious admixture of whip and spur, oats and whisky, horses are caused to place one leg before another with unnecessary rapidity, in order that men may exchange little pieces of metal with the greater freedom, Newmarket Heath is “the topmost, and merriest, and best.”
This museum of the state of flux—the secret reason of horse-racing being to afford an example of perpetual motion (no proper racing-man having ever been found to regard either gains or losses in the light of an accomplished fact)—this museum of the state of flux has a climate unrivalled for the production of the British temperament.
Not without a due proportion of that essential formative of character, east wind, it has at once the hottest sun, the coldest blizzards, the wettest rain, of any place of its size in the “three kingdoms.” It tends—in advance even of the City of London—to the nurture and improvement of individualism, to that desirable “I'll see you d—d” state of mind which is the proud objective of every Englishman, and especially of every country gentleman. In a word—a mother to the self-reliant secretiveness which defies intrusion and forms an integral part in the Christianity of this country—Newmarket Heath is beyond all others the happy hunting-ground of the landed classes.
In the Paddock half an hour before the Rutlandshire Handicap was to be run numbers of racing-men were gathered in little knots of two and three, describing to each other with every precaution the points of strength in the horses they had laid against, the points of weakness in the horses they had backed, or vice versa, together with the latest discrepancies of their trainers and jockeys. At the far end George Pendyce, his trainer Blacksmith, and his jockey Swells, were talking in low tones. Many people have observed with surprise the close-buttoned secrecy of all who have to do with horses. It is no matter for wonder. The horse is one of those generous and somewhat careless animals that, if not taken firmly from the first, will surely give itself away. Essential to a man who has to do with horses is a complete closeness of physiognomy, otherwise the animal will never know what is expected of him. The more that is expected of him, the closer must be the expression of his friends, or a grave fiasco may have to be deplored.
It was for these reasons that George's face wore more than its habitual composure, and the faces of his trainer and his jockey were alert, determined, and expressionless. Blacksmith, a little man, had in his hand a short notched cane, with which, contrary to expectation, he did not switch his legs. His eyelids drooped over his shrewd eyes, his upper lip advanced over the lower, and he wore no hair on his face. The Jockey Swells' pinched-up countenance, with jutting eyebrows and practically no cheeks, had under George's racing-cap of “peacock blue” a subfusc hue like that of old furniture.
The Ambler had been bought out of the stud of Colonel Dorking, a man opposed on high grounds to the racing of two-year-olds, and at the age of three had never run. Showing more than a suspicion of form in one or two home trials, he ran a bye in the Fane Stakes, when obviously not up to the mark, and was then withdrawn from the public gaze. The Stable had from the start kept its eye on the Rutlandshire Handicap, and no sooner was Goodwood over than the commission was placed in the hands of Barney's, well known for their power to enlist at the most appropriate moment the sympathy of the public in a horse's favour. Almost coincidentally with the completion of the Stable Commission it was found that the public were determined to support the Ambler at any price over seven to one. Barney's at once proceeded judiciously to lay off the Stable Money, and this having been done, George found that he stood to win four thousand pounds to nothing. If he had now chosen to bet this sum against the horse at the then current price of eight to one, it is obvious that he could have made an absolute certainty of five hundred pounds, and the horse need never even have started. But George, who would have been glad enough of such a sum, was not the man to do this sort of thing. It was against the tenets of his creed. He believed, too, in his horse; and had enough of the Totteridge in him to like a race for a race's sake. Even when beaten there was enjoyment to be had out of the imperturbability with which he could take that beating, out of a sense of superiority to men not quite so sportsmanlike as himself.
“Come and see the nag saddled,” he said to his brother Gerald.
In one of the long line of boxes the Ambler was awaiting his toilette, a dark-brown horse, about sixteen hands, with well-placed shoulders, straight hocks, a small head, and what is known as a rat-tail. But of all his features, the most remarkable was his eye. In the depths of that full, soft eye was an almost uncanny gleam, and when he turned it, half-circled by a moon of white, and gave bystanders that look of strange comprehension, they felt that he saw to the bottom of all this that was going on around him. He was still but three years old, and had not yet attained the age when people apply to action the fruits of understanding; yet there was little doubt that as he advanced in years he would manifest his disapproval of a system whereby men made money at his expense. And with that eye half-circled by the moon he looked at George, and in silence George looked back at him, strangely baffled by the horse's long, soft, wild gaze. On this heart beating deep within its warm, dark satin sheath, on the spirit gazing through that soft, wild eye, too much was hanging, and he turned away.
“Mount, jockeys!”
Through the crowd of hard-looking, hatted, muffled, two-legged men, those four-legged creatures in their chestnut, bay, and brown, and satin nakedness, most beautiful in all the world, filed proudly past, as though going forth to death. The last vanished through the gate, the crowd dispersed.
Down by the rails of Tattersall's George stood alone. He had screwed himself into a corner, whence he could watch through his long glasses that gay-coloured, shifting wheel at the end of the mile and more of turf. At this moment, so pregnant with the future, he could not bear the company of his fellows.
“They're off!”
He looked no longer, but hunched his shoulders, holding his elbows stiff, that none might see what he was feeling. Behind him a man said:
“The favourite's beat. What's that in blue on the rails?”
Out by himself on the far rails, out by himself, sweeping along like a home-coming bird, was the Ambler. And George's heart leaped, as a fish leaps of a summer evening out of a dark pool.
“They'll never catch him. The Ambler wins! It's a walk-over! The Ambler!”
Silent amidst the shouting throng, George thought: 'My horse! my horse!' and tears of pure emotion sprang into his eyes. For a full minute he stood quite still; then, instinctively adjusting hat and tie, made his way calmly to the Paddock. He left it to his trainer to lead the Ambler back, and joined him at the weighing-room.
The little jockey was seated, nursing his saddle, negligent and saturnine, awaiting the words “All right.”
Blacksmith said quietly:
“Well, sir, we've pulled it off. Four lengths. I've told Swells he does no more riding for me. There's a gold-mine given away. What on earth was he about to come in by himself like that? We shan't get into the 'City' now under nine stone. It's enough to make a man cry!”