Tender is the Night. Фрэнсис Скотт Фицджеральд

Tender is the Night - Фрэнсис Скотт Фицджеральд


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her.

      “What is it?” she asked wonderingly.

      “I’m not positive, but I think from the Russian inscription inside that it’s your promised bracelet.”

      “Where—where on earth——”

      “It came out of one of those bags. You see, Curtis Carlyle and his Six Black Buddies, in the middle of their performance in the tea-room of the hotel at Palm Beach, suddenly changed their instruments for automatics and held up the crowd. I took this bracelet from a pretty, overrouged woman with red hair.”

      Ardita frowned and then smiled.

      “So that’s what you did! You have got nerve!”

      He bowed.

      “A well-known bourgeois quality,” he said.

      And then dawn slanted dynamically across the deck and flung the shadows reeling into gray corners. The dew rose and turned to golden mist, thin as a dream, enveloping them until they seemed gossamer relics of the late night, infinitely transient and already fading. For a moment sea and sky were breathless, and dawn held a pink hand over the young mouth of life—then from out in the lake came the complaint of a rowboat and the swish of oars.

      Suddenly against the golden furnace low in the east their two graceful figures melted into one, and he was kissing her spoiled young mouth.

      “It’s a sort of glory,” he murmured after a second.

      She smiled up at him.

      “Happy, are you?”

      Her sigh was a benediction—an ecstatic surety that she was youth and beauty now as much as she would ever know. For another instant life was radiant and time a phantom and their strength eternal—then there was a bumping, scraping sound as the rowboat scraped alongside.

      Up the ladder scrambled the two gray-haired men, the officer and two of the sailors with their hands on their revolvers. Mr. Farnam folded his arms and stood looking at his niece.

      “So,” he said nodding his head slowly.

      With a sigh her arms unwound from Carlyle’s neck, and her eyes, transfigured and far away, fell upon the boarding party. Her uncle saw her upper lip slowly swell into that arrogant pout he knew so well.

      “So,” he repeated savagely. “So this is your idea of—of romance. A runaway affair, with a high-seas pirate.”

      Ardita glanced at him carelessly.

      “What an old fool you are!” she said quietly.

      “Is that the best you can say for yourself?”

      “No,” she said as if considering. “No, there’s something else. There’s that well-known phrase with which I have ended most of our conversations for the past few years—‘Shut up!’”

      And with that she turned, included the two old men, the officer, and the two sailors in a curt glance of contempt, and walked proudly down the companionway.

      But had she waited an instant longer she would have heard a sound from her uncle quite unfamiliar in most of their interviews. He gave vent to a whole-hearted amused chuckle, in which the second old man joined.

      The latter turned briskly to Carlyle, who had been regarding this scene with an air of cryptic amusement.

      “Well Toby,” he said genially, “you incurable, hare-brained romantic chaser of rainbows, did you find that she was the person you wanted?

      Carlyle smiled confidently.

      “Why—naturally,” he said “I’ve been perfectly sure ever since I first heard tell of her wild career. That’d why I had Babe send up the rocket last night.”

      “I’m glad you did,” said Colonel Moreland gravely. “We’ve been keeping pretty close to you in case you should have trouble with those six strange niggers. And we hoped we’d find you two in some such compromising position,” he sighed. “Well, set a crank to catch a crank!”

      “Your father and I sat up all night hoping for the best—or perhaps it’s the worst. Lord knows you’re welcome to her, my boy. She’s run me crazy. Did you give her the Russian bracelet my detective got from that Mimi woman?”

      Carlyle nodded.

      “Sh!” he said. “She’s coming on deck.”

      Ardita appeared at the head of the companionway and gave a quick involuntary glance at Carlyle’s wrists. A puzzled look passed across her face. Back aft the negroes had begun to sing, and the cool lake, fresh with dawn, echoed serenely to their low voices.

      “Ardita,” said Carlyle unsteadily.

      She swayed a step toward him.

      “Ardita,” he repeated breathlessly, “I’ve got to tell you the—the truth. It was all a plant, Ardita. My name isn’t Carlyle. It’s Moreland, Toby Moreland. The story was invented, Ardita, invented out of thin Florida air.”

      She stared at him, bewildered, amazement, disbelief, and anger flowing in quick waves across her face. The three men held their breaths. Moreland, Senior, took a step toward her; Mr. Farnam’s mouth dropped a little open as he waited, panic-stricken, for the expected crash.

      But it did not come. Ardita’s face became suddenly radiant, and with a little laugh she went swiftly to young Moreland and looked up at him without a trace of wrath in her gray eyes.

      “Will you swear,” she said quietly “That it was entirely a product of your own brain?”

      “I swear,” said young Moreland eagerly.

      She drew his head down and kissed him gently.

      “What an imagination!” she said softly and almost enviously. “I want you to lie to me just as sweetly as you know how for the rest of my life.”

      The negroes’ voices floated drowsily back, mingled in an air that she had heard them singing before.

      “Time is a thief;

      Gladness and grief

      Cling to the leaf

      As it yellows——”

      “What was in the bags?” she asked softly.

      “Florida mud,” he answered. “That was one of the two true things I told you.”

      “Perhaps I can guess the other one,” she said; and reaching up on her tiptoes she kissed him softly in the illustration.

      — ◆ —

      The Saturday Evening Post (22 May 1920)

      The sunlight dripped over the house like golden paint over an art jar, and the freckling shadows here and there only intensified the rigor of the bath of light. The Butterworth and Larkin houses flanking were entrenched behind great stodgy trees; only the Happer house took the full sun, and all day long faced the dusty road-street with a tolerant kindly patience. This was the city of Tarleton in southernmost Georgia, September afternoon.

      Up in her bedroom window Sally Carrol Happer rested her nineteen-year-old chin on a fifty-two-year-old sill and watched Clark Darrow’s ancient Ford turn the corner. The car was hot—being partly metallic it retained all the heat it absorbed or evolved—and Clark Darrow sitting bolt upright at the wheel wore a pained, strained expression as though he considered himself a spare part, and rather likely to break. He laboriously crossed two dust ruts, the wheels squeaking indignantly at the encounter, and then with a terrifying expression he gave the steering-gear a final wrench and deposited self and car approximately in front of the Happer steps. There was a heaving sound, a death-rattle, followed by a short silence; and then the air was rent by a startling whistle.

      Sally


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