Tender is the Night. ФрÑнÑÐ¸Ñ Ð¡ÐºÐ¾Ñ‚Ñ‚ Фицджеральд
beside him; and suddenly quick broken words. After that had come the trip to the jeweler’s and a mad dinner in some little Italian restaurant where he had written “Do you?” on the back of the bill of fare and pushed it over for her to add the ever-miraculous “You know I do!” And now at the day’s end they paused on the Biltmore steps.
“Say it,” breathed Myra close to his ear.
He said it. Ah, Myra, how many ghosts must have flitted across your memory then!
“You’ve made me so happy, dear,” she said softly.
“No—you’ve made me happy. Don’t you know—Myra——”
“I know.”
“For good?”
“For good. I’ve got this, you see.” And she raised the diamond solitaire to her lips. She knew how to do things, did Myra.
“Good night.”
“Good night. Good night.”
Like a gossamer fairy in shimmering rose she ran up the wide stairs and her cheeks were glowing wildly as she rang the elevator bell.
At the end of a fortnight she got a telegraph from him saying that his family had returned from the West and expected her up in Westchester County for a week’s visit. Myra wired her train time, bought three new evening dresses and packed her trunk.
It was a cool November evening when she arrived, and stepping from the train in the late twilight she shivered slightly and looked eagerly round for Knowleton. The station platform swarmed for a moment with men returning from the city; there was a shouting-medley of wives and chauffeurs, and a great snorting of automobiles as they backed and turned and slid away. Then before she realized it the platform was quite deserted and not a single one of the luxurious cars remained. Knowleton must have expected her on another train.
With an almost inaudible “Damn!” she started toward the Elizabethan station to telephone, when suddenly she was accosted by a very dirty, dilapidated man who touched his ancient cap to her and addressed her in a cracked, querulous voice.
“You Miss Harper?”
“Yes,” she confessed, rather startled. Was this unmentionable person by any wild chance the chauffeur?
“The chauffeur’s sick,” he continued in a high whine. “I’m his son.
Myra gasped.
“You mean Mr. Whitney’s chauffeur?”
“Yes; he only keeps just one since the war. Great on economizin’—regelar Hoover.” He stamped his feet nervously and smacked enormous gauntlets together. “Well, no use waitin’ here gabbin’ in the cold. Le’s have your grip.”
Too amazed for words and not a little dismayed, Myra followed her guide to the edge of the platform, where she looked in vain for a car. But she was not left to wonder long, for the person led her steps to a battered old flivver, wherein was deposited her grip.
“Big car’s broke,” he explained. “Have to use this or walk.”
He opened the front door for her and nodded.
“Step in.”
“I b’lieve I’ll sit in back if you don’t mind.”
“Surest thing you know,” he cackled, opening the back door. “I thought the trunk bumpin’ round back there might make you nervous.”
“What trunk?”
“Yourn.”
“Oh, didn’t Mr. Whitney—can’t you make two trips?”
He shook his head obstinately.
“Wouldn’t allow it. Not since the war. Up to rich people to set ‘n example; that’s what Mr. Whitney says. Le’s have your check, please.”
As he disappeared Myra tried in vain to conjure up a picture of the chauffeur if this was his son. After a mysterious argument with the station agent he returned, gasping violently, with the trunk on his back. He deposited it in the rear seat and climbed up front beside her.
It was quite dark when they swerved out of the road and up a long dusky driveway to the Whitney place, whence lighted windows flung great blots of cheerful, yellow light over the gravel and grass and trees. Even now she could see that it was very beautiful, that its blurred outline was Georgian Colonial and that great shadowy garden parks were flung out at both sides. The car plumped to a full stop before a square stone doorway and the chauffeur’s son climbed out after her and pushed open the outer door.
“Just go right in,” he cackled; and as she passed the threshold she heard him softly shut the door, closing out himself and the dark.
Myra looked round her. She was in a large somber hall paneled in old English oak and lit by dim shaded lights clinging like luminous yellow turtles at intervals along the wall. Ahead of her was a broad staircase and on both sides there were several doors, but there was no sight or sound of life, and an intense stillness seemed to rise ceaselessly from the deep crimson carpet.
She must have waited there a full minute before she began to have that unmistakable sense of someone looking at her. She forced herself to turn casually round.
A sallow little man, bald and clean shaven, trimly dressed in a frock coat and white spats, was standing a few yards away regarding her quizzically. He must have been fifty at the least, but even before he moved she had noticed a curious alertness about him—something in his pose which promised that it had been instantaneously assumed and would be instantaneously changed in a moment. His tiny hands and feet and the odd twist to his eyebrows gave him a faintly elfish expression, and she had one of those vague transient convictions that she had seen him before, many years ago.
For a minute they stared at each other in silence and then she flushed slightly and discovered a desire to swallow.
“I suppose you’re Mr. Whitney.” She smiled faintly and advanced a step toward him. “I’m Myra Harper.”
For an instant longer he remained silent and motionless, and it flashed across Myra that he might be deaf; then suddenly he jerked into spirited life exactly like a mechanical toy started by the pressure of a button.
“Why, of course—why, naturally. I know—ah!” he exclaimed excitedly in a high-pitched elfin voice. Then raising himself on his toes in a sort of attenuated ecstasy of enthusiasm and smiling a wizened smile, he minced toward her across the dark carpet.
She blushed appropriately.
“That’s awfully nice of——”
“Ah!” he went on. “You must be tired; a rickety, cindery, ghastly trip, I know. Tired and hungry and thirsty, no doubt, no doubt!” He looked round him indignantly. “The servants are frightfully inefficient in this house!”
Myra did not know what to say to this, so she made no answer. After an instant’s abstraction Mr. Whitney crossed over with his furious energy and pressed a button; then almost as if he were dancing he was by her side again, making thin, disparaging gestures with his hands.
“A little minute,” he assured her, “sixty seconds, scarcely more. Here!”
He rushed suddenly to the wall and with some effort lifted a great carved Louis Fourteenth chair and set it down carefully in the geometrical center of the carpet.
“Sit down—won’t you? Sit down! I’ll go get you something. Sixty seconds at the outside.”
She demurred faintly, but he kept on repeating “Sit down!” in such an aggrieved yet hopeful tone that Myra sat down. Instantly her host disappeared.
She sat there for five minutes and a feeling of oppression fell over her. Of all the receptions she had ever received this was decidedly the oddest—for though she had read somewhere that