THE PRINCE OF INDIA (Historical Novel). Lew Wallace
Instantly a flame arose and filled the place with a ruddy illumination. Lighting the lamps by the flame, the party looked around them, the slaves with simple wonder.
They were in a vault—a burial vault of great antiquity. Either it was an imitation of like chambers in Egypt, or they were imitations of it. The excavation had been done with chisels. The walls were niched, giving them an appearance of panelling, and over each of the niches there had been an inscription in raised letters, now mostly defaced. The floor was a confusion of fragments knocked from sarcophagi, which, massive as they were, had been tilted, overturned, uncovered, mutilated, and robbed. Useless to inquire whose the vandalism. It may have been of Chaldeans of the time of Almanezor, or of the Greeks who marched with Alexander, or of Egyptians who were seldom regardful of the dead of the peoples they overthrew as they were of their own, or of Saracens, thrice conquerors along the Syrian coast, or of Christians. Few of the Crusaders were like St. Louis.
But of all this the master took no notice. With him it was right that the vault should look the wreck it was. Careless of inscriptions, indifferent to carving, his eyes ran rapidly along the foot of the northern wall until they came to a sarcophagus of green marble. Thither he proceeded. He laid his hand upon the half-turned lid, and observing that the back of the great box—if such it may be termed—was against the wall, he said again:
“No one has been here since”—
And again the sentence was left unfinished.
Forthwith he became all energy. The negro brought the crowbar, and, by direction, set it under the edge of the sarcophagus, which he held raised while the master blocked it at the bottom with a stone chip. Another bite, and a larger chip was inserted. Good hold being thus had, a vase was placed for fulcrum; after which, at every downward pressure of the iron, the ponderous coffin swung round a little to the left. Slowly and with labor the movement was continued until the space behind was uncovered.
By this time the lamps had become the dependencies for light. With his in hand, the master stooped and inspected the exposed wall. Involuntarily the slaves bent forward and looked, but saw nothing different from the general surface in that quarter. The master beckoned the negro, and touching a stone not wider than his three fingers, but reddish in hue, and looking like mere chinking lodged in an accidental crevice, signed him to strike it with the end of the bar. Once— twice—the stone refused to stir; with the third blow it was driven in out of sight, and, being followed vigorously, was heard to drop on the other side. The wall thereupon, to the height of the sarcophagus and the width of a broad door, broke, and appeared about to tumble down.
When the dust cleared away, there was a crevice unseen before, and wide enough to admit a hand. The reader must remember there were masons in the old time who amused themselves applying their mathematics to such puzzles. Here obviously the intention had been to screen an entrance to an adjoining chamber, and the key to the design had been the sliver of red granite first displaced.
A little patient use then of hand and bar enabled the workman to take out the first large block of the combination. That the master numbered with chalk, and had carefully set aside. A second block was taken out, numbered, and set aside; finally the screen was demolished, and the way stood open.
Chapter III.
The Hidden Treasure
The slaves looked dubiously at the dusty aperture, which held out no invitation to them; the master, however, drew his robe closer about him, and stooping went in, lamp in hand. They then followed.
An ascending passage, low but of ample width, received them. It too had been chiselled from the solid rock. The wheel marks of the cars used in the work were still on the floor. The walls were bare but smoothly dressed. Altogether the interest here lay in expectation of what was to come; and possibly it was that which made the countenance of the master look so grave and absorbed. He certainly was not listening to the discordant echoes roused as he advanced.
The ascent was easy. Twenty-five or thirty steps brought them to the end of the passage.
They then entered a spacious chamber circular and domed. The light of the lamps was not enough to redeem the ceiling from obscurity; yet the master led without pause to a sarcophagus standing under the centre of the dome, and when he was come there everything else was forgotten by him.
The receptacle of the dead thus discovered had been hewn from the rock, and was of unusual proportions. Standing broadside to the entrance, it was the height of an ordinary man, and twice as long as high. The exterior had been polished smoothly as the material would allow; otherwise it was of absolute plainness, looking not unlike a dark brown box. The lid was a slab of the finest white marble carven into a perfect model of Solomon’s Temple. While the master surveyed the lid he was visibly affected. He passed the lamp over it slowly, letting the light fall into the courts of the famous building; in like manner he illuminated the corridors, and the tabernacle; and, as he did so, his features trembled and his eyes were suffused. He walked around the exquisite representation several times, pausing now and then to blow away the dust that had in places accumulated upon it. He noticed the effect of the transparent whiteness in the chamber; so in its day the original had lit up the surrounding world. Undoubtedly the model had peculiar hold upon his feelings.
But shaking the weakness off he after a while addressed himself to work. He had the negro thrust the edge of the bar under the lid, and raise it gently. Having thoughtfully provided himself in the antechamber with pieces of stone for the purpose, he placed one of them so as to hold the vantage gained. Slowly, then, by working at the ends alternately, the immense slab was turned upon its centre; slowly the hollow of the coffin was flooded with light; slowly, and with seeming reluctance, it gave up its secrets.
In strong contrast to the plainness of the exterior, the interior of the sarcophagus was lined with plates and panels of gold, on which there were cartoons chased and beaten in, representing ships, and tall trees, doubtless cedars of Lebanon, and masons at work, and two men armed and in royal robes greeting each other with clasped hands; and so beautiful were the cartoons that the eccentric medalleur, Cellini, would have studied them long, if not enviously. Yet he who now peered into the receptacle scarcely glanced at them.
On a stone chair seated was the mummy of a man with a crown upon its head, and over its body, for the most part covering the linen wrappings, was a robe of threads of gold in ample arrangement. The hands rested on the lap; in one was a sceptre; the other held an inscribed silver tablet. There were rings plain, and rings with jewels in setting, circling the fingers and thumbs; the ears, ankles, even the great toes, were ornamented in like manner. At the feet a sword of the fashion of a cimeter had been laid. The blade was in its scabbard, but the scabbard was a mass of jewels, and the handle a flaming ruby. The belt was webbed with pearls and glistening brilliants. Under the sword were the instruments sacred then and ever since to Master Masons—a square, a gavel, a plummet, and an inscribing compass.
The man had been a king—so much the first glance proclaimed. With him, as with his royal brethren from the tombs along the Nile, death had asserted itself triumphantly over the embalmer. The cheeks were shrivelled and mouldy; across the forehead the skin was drawn tight; the temples were hollows rimmed abruptly with the frontal bones; the eyes, pits partially filled with dried ointments of a bituminous color. The monarch had yielded his life in its full ripeness, for the white hair and beard still adhered in stiffened plaits to the skull, cheeks, and chin. The nose alone was natural; it stood up thin and hooked, like the beak of an eagle.
At sight of the figure thus caparisoned and maintaining its seat in an attitude of calm composure the slaves drew back startled. The negro dropped his iron bar, making the chamber ring with a dissonant clangor.
Around the mummy in careful arrangement were vessels heaped with coins and pearls and precious stones, cut and ready for the goldsmith. Indeed, the whole inner space of the sarcophagus was set with basins and urns, each in itself a work of high art; and if their contents were to be judged by what appeared overflowing them, they all held precious stones of every variety. The corners