Representative Men: Seven Lectures. Ralph Waldo Emerson
am I, I.” As if he had said, “All is for the soul, and the soul is Vishnu; and animals and stars are transient painting; and light is whitewash; and durations are deceptive; and form is imprisonment; and heaven itself a decoy.” That which the soul seeks is resolution into being, above form, out of Tartarus, and out of heaven—liberation from nature.
If speculation tends thus to a terrific unity, in which all things are absorbed, action tends directly backwards to diversity. The first is the course of gravitation of mind; the second is the power of nature. Nature is the manifold. The unity absorbs, and melts or reduces. Nature opens and creates. These two principles reappear and interpenetrate all things, all thought; the one, the many. One is being; the other, intellect; one is necessity; the other, freedom; one, rest; the other, motion; one, power; the other, distribution; one, strength; the other, pleasure; one, consciousness; the other, definition; one, genius; the other, talent, one, earnestness; the other, knowledge; one, possession; the other, trade; one, caste; the other, culture; one king; the other, democracy; and, if we dare carry these generalizations a step higher, and name the last tendency of both, we might say, that the end of the one is escape from organization—pure science; and the end of the other is the highest instrumentality, or use of means, or executive deity.
Each student adheres, by temperament and by habit, to the first or to the second of these gods of the mind. By religion, he tends to unity; by intellect, or by the senses, to the many. A too rapid unification, and an excessive appliance to parts and particulars, are the twin dangers of speculation.
To this partiality the history of nations corresponded. The country of unity, of immovable institutions, the seat of a philosophy delighting in abstractions, of men faithful in doctrine and in practice to the idea of a deaf, unimplorable, immense fate, is Asia; and it realizes this fate in the social institution of caste. On the other side, the genius of Europe is active and creative; it resists caste by culture; its philosophy was a discipline; it is a land of arts, inventions, trade, freedom. If the East loved infinity, the West delighted in boundaries.
European civility is the triumph of talent, the extension of system, the sharpened understanding, adaptive skill, delight in forms, delight in manifestation, in comprehensible results. Pericles, Athens, Greece, had been working in this element with the joy of genius not yet chilled by any foresight of the detriment of an excess. They saw before them no sinister political economy; no ominous Malthus; no Paris or London; no pitiless subdivision of classes—the doom of the pinmakers, the doom of the weavers, of dressers, of stockingers, of carders, of spinners, of colliers; no Ireland; no Indian caste, superinduced by the efforts of Europe to throw it off. The understanding was in its health and prime. Art was in its splendid novelty. They cut the Pentelican marble as if it were snow, and their perfect works in architecture and sculpture seemed things of course, not more difficult than the completion of a new ship at the Medford yards, or new mills at Lowell. These things are in course, and may be taken for granted. The Roman legion, Byzantine legislation, English trade, the saloons of Versailles, the cafes of Paris, the steam-mill, steamboat, steam-coach, may all be seen in perspective; the town-meeting, the ballot-box, the newspaper and cheap press.
Meantime, Plato, in Egypt, and in Eastern pilgrimages, imbibed the idea of one Deity, in which all things are absorbed. The unity of Asia, and the detail of Europe; the infinitude of the Asiatic soul, and the defining, result-loving, machine-making, surface-seeking, opera-going Europe—Plato came to join, and by contact to enhance the energy of each. The excellence of Europe and Asia are in his brain. Metaphysics and natural philosophy expressed the genius of Europe; he substructs the religion of Asia, as the base.
In short, a balanced soul was born, perceptive of the two elements. It is as easy to be great as to be small. The reason why we do not at once believe in admirable souls, is because they are not in our experience. In actual life, they are so rare, as to be incredible; but, primarily, there is not only no presumption against them, but the strongest presumption in favor of their appearance. But whether voices were heard in the sky, or not; whether his mother or his father dreamed that the infant man-child was the son of Apollo; whether a swarm of bees settled on his lips, or not; a man who could see two sides of a thing was born. The wonderful synthesis so familiar in nature; the upper and the under side of the medal of Jove; the union of impossibilities, which reappears in every object; its real and its ideal power—was now, also, transferred entire to the consciousness of a man.
The balanced soul came. If he loved abstract truth, he saved himself by propounding the most popular of all principles, the absolute good, which rules rulers, and judges the judge. If he made transcendental distinctions, he fortified himself by drawing all his illustrations from sources disdained by orators, and polite conversers; from mares and puppies; from pitchers and soup-ladles; from cooks and criers; the shops of potters, horse-doctors, butchers, and fishmongers. He cannot forgive in himself a partiality, but is resolved that the two poles of thought shall appear in his statement. His arguments and his sentences are self-poised and spherical. The two poles appear; yes, and become two hands, to grasp and appropriate their own.
Every great artist has been such by synthesis. Our strength is transitional, alternating; or, shall I say, a thread of two strands. The seashore, sea seen from shore, shore seen from sea; the taste of two metals in contact; and our enlarged powers at the approach and at the departure of a friend; the experience of poetic creativeness, which is not found in staying at home, nor yet in traveling, but in transitions from one to the other, which must therefore be adroitly managed to present as much transitional surface as possible; this command of two elements must explain the power and charm of Plato. Art expresses the one, or the same by the different. Thought seeks to know unity in unity; poetry to show it by variety; that is, always by an object or symbol. Plato keeps the two vases, one of aether and one of pigment, at his side, and invariably uses both. Things added to things, as statistics, civil history, are inventories. Things used as language are inexhaustibly attractive. Plato turns incessantly the obverse and the reverse of the medal of Jove.
To take an example:—The physical philosophers have sketched each his theory of the world; the theory of atoms, of fire, of flux, of spirit; theories mechanical and chemical in their genius. Plato, a master of mathematics, studious of all natural laws and causes, feels these, as second causes, to be no theories of the world, but bare inventories and lists. To the study of nature he therefore prefixes the dogma—“Let us declare the cause which led the Supreme Ordainer to produce and compose the universe. He was good; and he who is good has no kind of envy. Exempt from envy, he wished that all things should be as much as possible like himself. Whosoever, taught by wise men, shall admit this as the prime cause of the origin and foundation of the world, will be in the truth.” “All things are for the sake of the good, and it is the cause of everything beautiful.” This dogma animates and impersonates his philosophy. The synthesis which makes the character of his mind appears in all his talents. Where there is great compass of wit, we usually find excellencies that combine easily in the living man, but in description appear incompatible. The mind of Plato is not to be exhibited by a Chinese catalogue, but is to be apprehended by an original mind in the exercise of its original power. In him the freest abandonment is united with the precision of a geometer. His daring imagination gives him the more solid grasp of facts; as the birds of highest flight have the strongest alar bones. His patrician polish, his intrinsic elegance, edged by an irony so subtle that it stings and paralyzes, adorn the soundest health and strength of frame. According to the old sentence, “If Jove should descend to the earth, he would speak in the style of Plato.”
With this palatial air, there is, for the direct aim of several of his works, and running through the tenor of them all, a certain earnestness, which mounts, in the Republic, and in the Phaedo, to piety. He has been charged with feigning sickness at the time of the death of Socrates. But the anecdotes that have come down from the times attest his manly interference before the people in his master’s behalf, since even the savage cry of the assembly to Plato is preserved; and the indignation towards popular government, in many of his pieces, expresses a personal exasperation. He has a probity, a native reverence for justice and honor, and a humanity which makes him tender for the superstitions of the people. Add to this, he believes that poetry, prophecy, and the high insight, arc from a wisdom of which man is not master; that the gods never philosophize; but, by a celestial mania, these miracles are accomplished. Horsed